When Joe loses his dad in a sting, he contacts his dad's twin, Lou, who has a major sting planned. Lou's helper feels threatened by Joe. Who's conning who?When Joe loses his dad in a sting, he contacts his dad's twin, Lou, who has a major sting planned. Lou's helper feels threatened by Joe. Who's conning who?When Joe loses his dad in a sting, he contacts his dad's twin, Lou, who has a major sting planned. Lou's helper feels threatened by Joe. Who's conning who?
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Michael Biehn was the only saving grace in this movie. I don't know how Cage got anymore jobs after his performance, of course he only had to work with what the writers gave him. Maybe if the writers had taken the time to write a better script, then maybe the movie would have been better.
I've seen most of the actors and actresses in other films, and I was surprised by all of their performances. I don't think any of them had much to work with. Again, the fault lays with the writers. I really felt sorry for the actors. And I wanted to cry for Michael Biehn. He is such a great actor, under rated, but great. He, as well as the other actors, didn't stand a chance with this film.
I've seen most of the actors and actresses in other films, and I was surprised by all of their performances. I don't think any of them had much to work with. Again, the fault lays with the writers. I really felt sorry for the actors. And I wanted to cry for Michael Biehn. He is such a great actor, under rated, but great. He, as well as the other actors, didn't stand a chance with this film.
This movie sashays between an attempt at modern noir, an homage to film noir, and a parody of film noir.
I like Michael Biehn, but unfortunately his voice-over narration comes off rather flat. Some of the noir dialogue just falls on the floor and lies there -- I had to rewind to believe that I actually heard the line: "That was the thing that would send me into the darkness, squinting at clues."
Nick Cage's character is certainly a standout. I think the excesses of the character are supposed to be funny. However, Cage not only takes Eddie over the top but down the other side -- he chews up the scenery, digests it, and poops it out right there in front of you. For some reason he seems to think the character should always be on the edge of having a seizure. The cumulative effect for me is to flinch from the thought of ever again seeing him in a film. Really. Like aversion therapy. Say "Nick Cage" and I will think of him drooling and choose another film.
And the film suddenly veers off into an Italian James Bond rip-off! I thought for a moment they had gotten reels mixed up with another movie... In a stylish secret lair (behind a billiard parlor) we meet Angus Scrimm (the Tall Man from "Phantasm") as "Dr. Lyme", the man obsessed with diamonds. Crystals are everywhere, his female henchmen are decked out in big blobby crystal jewelry, the furniture is designed with crystalline angles. He comes complete with a Dr. No suit, a Sidney Greenstreet growl, and -- get this! -- a metal arm with a sharp shiny lobster-claw hand! No fooling. My jaw dropped. At least he wasn't stroking a cat.
Throw in Charlie Sheen as a suave pool hustler, and Mickey Dolenz and Clarence Williams III (!) as sidekicks, and you have quite a stew. Peter Fonda looks like he is thinking about his shopping list. James Coburn (the primary reason I picked up the film) definitely classes things up, but we don't see enough of him.
This film isn't quite a train wreck, but it is something of a demolition derby. Between a bus, a sportscar, a taxi, and a motorcycle. And a kid on a tricycle.
I'm going to hang onto it for a while, just to share Angus Scrimm's scene with people. And to prove I didn't dream it.
I like Michael Biehn, but unfortunately his voice-over narration comes off rather flat. Some of the noir dialogue just falls on the floor and lies there -- I had to rewind to believe that I actually heard the line: "That was the thing that would send me into the darkness, squinting at clues."
Nick Cage's character is certainly a standout. I think the excesses of the character are supposed to be funny. However, Cage not only takes Eddie over the top but down the other side -- he chews up the scenery, digests it, and poops it out right there in front of you. For some reason he seems to think the character should always be on the edge of having a seizure. The cumulative effect for me is to flinch from the thought of ever again seeing him in a film. Really. Like aversion therapy. Say "Nick Cage" and I will think of him drooling and choose another film.
And the film suddenly veers off into an Italian James Bond rip-off! I thought for a moment they had gotten reels mixed up with another movie... In a stylish secret lair (behind a billiard parlor) we meet Angus Scrimm (the Tall Man from "Phantasm") as "Dr. Lyme", the man obsessed with diamonds. Crystals are everywhere, his female henchmen are decked out in big blobby crystal jewelry, the furniture is designed with crystalline angles. He comes complete with a Dr. No suit, a Sidney Greenstreet growl, and -- get this! -- a metal arm with a sharp shiny lobster-claw hand! No fooling. My jaw dropped. At least he wasn't stroking a cat.
Throw in Charlie Sheen as a suave pool hustler, and Mickey Dolenz and Clarence Williams III (!) as sidekicks, and you have quite a stew. Peter Fonda looks like he is thinking about his shopping list. James Coburn (the primary reason I picked up the film) definitely classes things up, but we don't see enough of him.
This film isn't quite a train wreck, but it is something of a demolition derby. Between a bus, a sportscar, a taxi, and a motorcycle. And a kid on a tricycle.
I'm going to hang onto it for a while, just to share Angus Scrimm's scene with people. And to prove I didn't dream it.
I really enjoyed this movie when they played it one late night on Cable. As i was watching it i had a strange feeling that i had heard the story from before. Then I realized that this punk/metal band named Snot wrote a song about the movie and that where i knew it from. Cool move cooler song. I give the movie ***
Nicholas Cage has been responsible for more than his fair share of bad acting, but never worse than he is in this. Possibly no-one in the history of cinema has gone so far over the top as Cage does in this heinous performance.
Joe (Michael Biehn) learned grifting from his father Mike Donan (James Coburn). In his final deadly con, Joe is supposed to shoot him with a blank but the bullet turns out to be real. As Joe looks into his mysterious unknown life, Joe discovers his money had been stolen by his twin Lou (James Coburn). Eddie (Nicolas Cage) and Diane (Sarah Trigger) work for Lou.
This tries to be a noirish crime drama. It never gets to feel real. From the bullet onwards, there are obvious questions left hanging. There are jumps in logic. There are easy conveniences. Then there is Nicolas Cage. His is a fake character gone too far. He's insane bothering on a cartoon. The movie stops being a real thing. Everything is in question and Joe is too dumb in not asking them. The con becomes a mess and none of it matters. The whole movie is a mess.
This tries to be a noirish crime drama. It never gets to feel real. From the bullet onwards, there are obvious questions left hanging. There are jumps in logic. There are easy conveniences. Then there is Nicolas Cage. His is a fake character gone too far. He's insane bothering on a cartoon. The movie stops being a real thing. Everything is in question and Joe is too dumb in not asking them. The con becomes a mess and none of it matters. The whole movie is a mess.
Did you know
- TriviaNicolas Cage came onto the set dressed up with a wig, albino contact lenses and dark sunglasses because he thought this would add more authenticity to the character of two-bit hustler, Eddie. Cage was told that he could dress up however he wanted for his part.
- GoofsIn the pool hall scene, Joe and Fats are playing "three-cushion billiards," in which the cue ball must carom off both object balls and contact the rail cushions at least three times before the last object ball. However, Fats only touches two cushions on his 2nd and 25th points, which would be a loss of turn and no point scored.
- ConnectionsFeatured in The Cinema Snob: Las Vegas Bloodbath (2010)
- SoundtracksMiscellaneous Callipoe Music
Performed by Harry Cohen
Courtesy of Harry Cohen
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Details
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $18,369
- Opening weekend US & Canada
- $9,183
- Oct 10, 1993
- Gross worldwide
- $18,369
- Runtime1 hour 38 minutes
- Color
- Sound mix
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