The Bare Footed Kid

Aaron Kwok is great as the Barefooted Kid. He is a great martial artist, but doesn't know the rules of life. This he will learn from his uncle and a very kind woman who gives him shelter. This uncle is played by Ti Lung, who is even a greater martial artist and has some great scenes where he shows his talents. The story is very melodramatic, which doesn't have to be annoying. I personally like melodrama at some occassions. But if you don't like melodrama you can skip to the action sequences because that is why this movie is made in the first place. The action sequences are divine to watch. They are far superior to the scenes shown in the Matrix. Which prooves, that digital effects are not needed to create explosive wireworks! If there is one typical HK martial arts movie you have to watch then it's this one.

I wonder why so many people mention only Chow Yun-fat among the actors in [A Better Tomorrow] in talking about the film. I love him, too, but the focus of ABT is Sung Tse-ho played wonderfully by Ti Lung. ABT was my first Ti Lung experience, and since then I wish I had a chance to see the martial art films of 70's in which he had starred. I haven't had such a luck yet, but I found [Barefooted Kid] a good treat. Though Lung plays a supporting role, you can fully taste of his noble warrior appeal in this. Great. And Maggie Cheung is even greater. She portrays a warm-hearted (treats the barefooted kid very kindly), beautiful (yes, Maggie is beautiful), brave (neither surrenders to the greedy local strong man, nor fears loving Lung's character being a widow in those old days), and wise (disperses a bunch of beggars troubling a bride, by scattering the coins) character brilliantly.

Lung and Maggie work beautifully together in the most impressive scenes -- meeting up on a full moon night, collecting the stone dust in rain, walking on a street in the rainy evening. Above all, it's a love story (for me, at least). Aaron Kwok and Wu Chien-lien form a charming couple also. And it is nice surprise to see Kenneth Tsang (who played Danny Lee's sidekick cop in [The Killer] and the taxi company owner in ABT) play a pure villain. Plus, it has good action sequences -- nothing new, but neat, enjoyable movie.

A faithful, if a somewhat unusual tribute to the Shaw Brothers' golden age, The Bare-Footed Kid offers up a simple yet bittersweet narrative of redemption, a coming-of-age drama through a world of capitalism's corrupting influence, injected with a mixture of fresh faces and veteran Hong Kong performers. Johnnie To mixes in his patterned use of energetic camera movement and skilful with a slice of the 90s new-wave kung fu movement. There's a beautiful chemistry between Ti Lung and Maggie Cheung which adds an extra amount of sentimentality and depth to the film and a gorgeous use of colour sprinkled throughout. The action set pieces choreographed by the legendary Lau Kar-Leung more than deliver, it's ultimately the weak script and miscast lead where the film fails to connect with its punches, yet The Bare-Footed Kid sits within the realm of superb entertainment keeping the door open for more innovative Hong Kong action cinema and Johnnie To's eventual move to what he knows best...

"The Bare-Footed Kid" (aka "Chik geuk siu ji") is a classic in its own right, and it is definitely a movie that while was made in 1993 still is very watchable and enjoyable in 2020.

I stumbled upon this movie in the mid-90s given my admiration for Hong Kong actress Maggie Cheung, and I doubt I would have stumbled upon the movie back then if I wasn't a fan of her.

The storyline is enjoyable, and it is a fast-paced story with interesting characters. So that combination definitely made for a watchable and entertaining movie. And they had a very impressive cast ensemble together for the movie. Aside from Maggie Cheung, the movie has the likes of Aaron Kwok, Kenneth Tsang and Paul Chun on the list as well, to mention but a few.

I believe that "The Bare-Footed Kid" is a movie that will actually never become old and outdated. It has that quality to it, thanks to director Johnnie To.

My rating for "The Bare-Footed Kid" is a seven out of ten stars. And if you enjoy the classic martial arts movies from Hong Kong (or China) set in this particular era, then "The Bare-Footed Kid" is a movie that you just have to sit down and watch - if you haven't already seen it.

Johnny To has recently become the critic's HK director to tout. He certainly has a stylistic flair for gangster movies but I am not familiar with his martial art films so this was a treat.

In terms of story, the movie is certainly a throwback to the HK films of the seventies. An illiterate young man travels to a town to find the best friend of his recently deceased father. He wants to retrieve a prized possession of his father's that the friend is holding on to. He finds the man (Ti Lung) working at a cloth factory that's being harassed by the local crime boss. We meet the owner of the factory, a beautiful widow. The young man also meets a beautiful young woman who's a teacher so he decides to have her teach him how to spell his name. Of course the young man is thrust into the middle of a conflict.

The story is played with a comic touch that carries the film for most of the way until the end which is quite serious. For me, what didn't work is how the exaggerated, wide angle, cartoony film technique was really unsuited for the end of the film. The action is very sped up during some tragic scenes. I started watching HK kung fu films during the end of the Shaw era and I've never warmed up to the kung fu film style of the 1990's. Too many cuts (move, move, cut, move, cut, punch, punch, cut) and too many sloppily composed action scenes. It seems every film had to have a scene with the hero running on the heads and shoulders of a crowd. IN Johnny To's defense, he seems to do an average of 4 films a year and that's not enough time to really make a great fight scene.

If you like 90's style HK action, this is a good film. For aficionado's of classic Shaw, this might not be that exciting.