Petits cauchemars avant la nuit

The first segment "The Gas Station" is the only frightening story in this trilogy. Set at night, apparently in the middle of nowhere, it has a plausibilty that the others lack (similarly to Hitchcock's "Psycho", it is scary because it's not completely beyond the realms of possibility). Plenty of atmosphere, a little gore and enough sudden shocks and suspense to make it worthwhile. The second segment is at times funny, but not at all scary. The third is an improvement on the second, but more fantastical than the first and therefore not as frightening.

The scenes with the man in the morgue, between the segments, are pretty weird. Lots of jokes about corpses. Fine, if you like that sort of thing.

Director John Carpenter narrates three stories as a walking corpse that must have been a real bad stand-up comic in life. The humour is generally very sophomoric(one scene depicts a rather bosomy lady corpse having troubles being slid in and out of the dead body drawer), but Carpenter actually handles the material very well. Carpenter also directs two of the stories, and Tobe Hooper(The Texas Chainsaw Massacre) directs the third(as well as has a small role as a mortician). The stories each are very different in style, mood, and tone, and each has something to offer in terms of entertainment. The first is probably the most derivative in terms of plot, but also for me was the most frightening. Sexy(very sexy) Alex Datcher plays a woman taking a new job at a 24hr open gas station in a town where many women/people have been killed in serial fashion. Carpenter holds no punches as he tries to make us jump from our seats. Although this story is predictable, it has a lot of suspense. The second story was a funny tale about a balding man that goes to a weird place for hair implants only to discover that he is being used in some horrifying way. Pure laughs with this one as Stacy Keach plays the hair-obsessed man with comic aplomb. David Warner also does a great job playing the Hair Doctor. Sexy Sheena Easton and Debbie Harry also help(they are quite good at teasing hair I'm sure!. The third story is the best-written and directed one as it tells the story of Mark Hamil, a baseball player that loses his eye in an auto accident and has it replaced with the eye of a serial killer. Naturally the eye takes over the rest of the body(shades of The Hands of Orlac here). A very eerie, taught piece of storytelling. All three stories are populated with the greats of the horror genre like John Agar, Roger Corman, Wes Craven, Sam Raimi, and a host of other recognizable faces. Great to see Twiggy again! Body Bags is just plain fun fare. There is no statement trying to be made, no overall theme, just some honest laughs mixed with some honest scares amidst the backdrop of a little sex and lots of guts.

Three stories courtesy of John Carpenter and Tobe Hooper, sounds like it can't miss, right? The results are mixed, but pretty interesting all the same.

The Gas Station is vintage Carpenter. Here he maximizes the effect from a truly simple premise and creates a genuinely scary story. It's simple, but the final minutes are riddled with tension and general uneasiness. The best of the bunch.

Hair is a truly funny story with a terrific performance by Stacy Keach. It goes way over the top towards the end, but still, it's highly amusing for the most part.

Eye, the weakest of the three, due to it's complete and utter predictability and complete failure of generating any real chills. It's fun to see Hamill and it's pretty gory but that's about it.

One terrific story, one pretty good and one pretty bad, all in all, it's worth watching but it's nothing spectacular.

Movie-buffs (and perhaps horror fanatics in particular) are strange and unpredictable beings, aren't they? Most of the time we're extremely skeptical and criticize ambitious new projects, yet sometimes we're easily pleased and highly enthusiast about something that is completely derivative, mundane and unoriginal. "Body Bags" is the perfect example to illustrate that: it's a horror omnibus existing of three incredibly prototypic segments and a repetitive type of wraparound story, yet I personally enjoyed it immensely. This is a good old-fashioned "sit back, relax and switch off all brain functions" type of anthology with a nice diversity in suspense, comedy, splatter and absurdity. Yet, the undeniable strongpoint of "Body Bags" is the all-star horror cast and crew, with legendary actors and even directors of the genre appearing in fun supportive roles and insignificant cameos. No less than John Carpenter directs two out of three stories and even stars as the host in the wraparound story. Clearly inspired by "Tales from the Crypt", Carpenter plays the witty and morbid morgue employee exactly like the infamous Crypt Keeper; though with still a little more flesh around the bones (though not too much). The first story was the most effective one! Regardless of how clichéd, repetitive and predictable "The Gas Station" is, it's a genuine horror entertainment. With the landmark "Halloween", Carpenter obviously proved he's the undeniable master of stalk-and-slash movies, and "The Gas Station" ideally fits the pattern. During her first night working in a remote gas station, Anne receives a visit from the maniacal killer who's been terrorizing the area since weeks. It's a highly segment with cool red herrings, dumb decisions, some good gore and a neatly uncanny atmosphere. The remaining two stories are slightly less overpowering, mainly because they revolve on sillier topics. "Hair" introduces an aging playboy who cannot accept his hairline becoming thinner. He desperately starts seeking for a hair-growing method that works and finds the incredibly treatment of the slightly odd Dr. Lock. Needless to say Richard's new hairdo begins to lead its own life with terrible consequences. "Hair" is obviously the most blackly comical chapter of the three. This story isn't gory or tense, but it's a very likable satire about vanity. Finally, "Eye" centers on a successful and happily married athlete who loses his eye in a tragic car accident. He spontaneously volunteers for a brand new and risky eye-transplant procedure and slowly begins to carry on with his life. Shortly after, he begins to suffer from horrific visions and learns the eye's previous owner was a sadistic serial killer. "Eye" starts off a little slow and dull, but gradually turns into an exciting and gruesome little shock-story. With a bit of imagination, you could even interpret this segment as some sort of predecessor for the more famous Asian ghost story "The Eye". Admittedly none of the stories are extraordinary brilliant or innovating, but they're definitely traditional and enthusiastically made. And, as said already, if you don't care about the actual stories, you can always yourself entertain by playing "spot-the-horror-star". "Body Bags" boosts an amazing cast including John Carpenter ("Halloween"), Tobe Hooper ("The Texas Chainsaw Massacre"), Sam Raimi ("The Evil Dead"), Roger Corman ("Pit and the Pendulum"), Wes Craven ("Nightmare on Elm Street"), Robert Carradine ("Orca"), David Naughton ("American Werewolf in London"), George Buck Flower ("The Fog"), Stacy Keach ("Mountain of the Cannibal God"), David Warner ("The Omen"), Mark Hamill ("Star Wars"), Twiggy ("The Doctor and the Devils"), Deborah Harry ("Videodrome") and Charles Napier ("Supervixens").

BODY BAGS is a lot of fun until the unrelentingly grim final segment directed by Tobe Hooper, which is the best thing Hooper has done since Texas CHAINSAW MASSACRE 2. The other two segments are directed by John Carpenter, who also appears as a Crypt-Keeper-like character, and demonstrates why he has spent most of his time behind the camera.

Overall, I like the movie very much. The first segment is good, but also the weakest of the three. It also feels oddly out of place, as the next two stories both deal with medical horror, while it is simply a 50's style slasher-on-the-loose yarn. Despite the slight subject matter (and a poor performance by Alex Datcher in the lead role), it's a solid chiller with some good scares. David Naughton, Robert Carradine and Peter Jason are all good in supporting roles, while fellow horror directors Sam Raimi and Wes Craven have creepy cameos.

The second segment is great, and, unlike the other two, is an out-out comedy. Stacey Keach turns in one of his very best performances as a middle-aged man who dreads the prospect of going bald, and decides to try out a new experimental technique developed by scientist David Warner. It leads up to a great finale that is as disturbing as it is funny. Singers Deborah Harry and Sheena Easton have supporting parts.

The final segment is the polar opposite of the second. As stated earlier, it's directed by Tobe Hooper, and he shows a sense of the macabre here that he hasn't displayed since his CHAINSAW/FUNHOUSE days. A veteran baseball player is in a car accident which results in his eye being poked out. A surgeon suggests an experimental eye transplant. Unfortunately, the donor eye belonged to a homicidal maniac, and Hammill begins having nightmarish hallucinations and bouts of uncontrollable rage. The climax of the segment is unbelievably cruel and grim, recalling Hooper's early work. It's a genuinely unsettling and horrific little flick. Twiggy, Charles Napier, as well as horror icons John Agar and Roger Corman appear.

Carpenter's antics as the narrator are uncomfortably flat, and things don't get any better when an irritating Tom Arnold and a clueless Hooper show up in cameo roles as well. Despite the weak wraparound, I recommend this anthology to horror fans, particularly fans of the two directors' work.