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Backbeat, 5 garçons dans le vent

Original title: Backbeat
  • 1994
  • Tous publics
  • 1h 40m
IMDb RATING
6.7/10
6.9K
YOUR RATING
Stephen Dorff, Ian Hart, Gary Bakewell, Sheryl Lee, Chris O'Neill, and Scot Williams in Backbeat, 5 garçons dans le vent (1994)
Theatrical Trailer from Gramercy Pictures
Play trailer0:31
1 Video
23 Photos
BiographyDramaMusicRomance

A dramatization of the Hamburg, Germany phase of The Beatles' early history.A dramatization of the Hamburg, Germany phase of The Beatles' early history.A dramatization of the Hamburg, Germany phase of The Beatles' early history.

  • Director
    • Iain Softley
  • Writers
    • Iain Softley
    • Michael Thomas
    • Stephen Ward
  • Stars
    • Stephen Dorff
    • Sheryl Lee
    • Ian Hart
  • See production info at IMDbPro
  • IMDb RATING
    6.7/10
    6.9K
    YOUR RATING
    • Director
      • Iain Softley
    • Writers
      • Iain Softley
      • Michael Thomas
      • Stephen Ward
    • Stars
      • Stephen Dorff
      • Sheryl Lee
      • Ian Hart
    • 31User reviews
    • 25Critic reviews
  • See production info at IMDbPro
    • Won 1 BAFTA Award
      • 5 wins & 4 nominations total

    Videos1

    Backbeat
    Trailer 0:31
    Backbeat

    Photos23

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    Top cast36

    Edit
    Stephen Dorff
    Stephen Dorff
    • Stuart Sutcliffe
    Sheryl Lee
    Sheryl Lee
    • Astrid Kirchherr
    Ian Hart
    Ian Hart
    • John Lennon
    Gary Bakewell
    Gary Bakewell
    • Paul McCartney
    Chris O'Neill
    • George Harrison
    Scot Williams
    Scot Williams
    • Pete Best
    Kai Wiesinger
    Kai Wiesinger
    • Klaus Voormann
    Jennifer Ehle
    Jennifer Ehle
    • Cynthia Powell
    Marcelle Duprey
    • Singer
    John White
    John White
    • Sailor 1
    Bernard Merrick
    • Sailor 2
    Nicolas Tennant
    • Sailor 3
    • (as Nicholas Tennant)
    Finola Geraghty
    • Model
    Rob Spendlove
    • Arthur Ballard
    Charlie Caine
    • Lord Woodbine
    Freda Kelly
    Freda Kelly
    • Mrs. Harrison
    Paul Humpoletz
    • Bruno Koschmider
    Christiana Uriarte
    • Groupie
    • Director
      • Iain Softley
    • Writers
      • Iain Softley
      • Michael Thomas
      • Stephen Ward
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews31

    6.76.8K
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    Featured reviews

    jedralski

    My favorite movie !

    Softley's 'Backbeat' is my favorite movie I've ever seen. I'm a huge Beatles fan and I've watched many biographical films about The Fab Four like 'Birth of Beatles' for example, and I must admit that this production from 1993 is the best of them all. This picture shows us the Hamburg's episode (early 60s) of Beatles career and it concentrates on relationship between John Lennon (fantastic play by Ian Hart) and Stuart Sutcliffe (aka The Lost Beatle). Lots of laughs, lots of tears and above all - great music ! A must seen for Beatles fans.
    crbowles

    Good Film, Even Better Soundtrack

    I really enjoyed this film, I do however doubt that i would have enjoyed it as much if it hadn't been for the absoloutely storming soundtrack made up of Fifties covers which you believe would have been played by the Beatles at that stage in their careers. Add to that the fact that the Band used to create the sound of the Beatles consisted of some of the leading musicians of the 90's. They bring their own interpretation to the music just as you believe the Beatles would have done, The only exception to this is the Drum beat which tends to sound more like the 90's than the 60's that being said it does make it more accessable to a contemporary audience.

    Now as for the actual film itself, It was built on an interesting story about Stuart Sutcliffe, John Lennons best friend, Choosing between music and Art, the latter enevitably wins out with the help of Astrid. Much of the story is of a Tug Of war between John lennon trying to keep him involved in the music and Astrid who sees his artistic potential. It's a story that has been played over and over again but is refreshed in the context of surrounding characters that you feel you already know.

    The Characteristically funny Lennon, Business like McCartney, Shy Harrison all come across very comfortably. But they are merely bit characters as this film is more about the choices of sutcliffe than it is about the fab four.
    7mike_elston

    As a Beatles fan, I found I enjoyed this much more than I expected to

    This is a film above all about the triangular relationship between John Lennon, Stuart Sutcliffe, and Astrid Kirchherr (four-sided if you include Astrid's boyfriend Klaus Voormann, five-sided if you include the band John and Stu were members of: the Beatles) -- a film about real events, about love and life and tragedy -- played out to a backdrop of the Beatles' visits to Hamburg and their performances there.

    Based primarily on interviews with Stuart's mother and sister and with Astrid Kirchherr, it's been often criticised as a 'crude caricature', for its factual inaccuracies about the Beatles' time in Hamburg, about the musical performances portrayed, for the one-dimensional portrayal of the "minor" characters, including Paul, George, Pete and John's girlfriend Cynthia, and even for the fact that the actors aren't exact doppelgangers for the characters they portray (they're pretty good likenesses, though).

    I can accept all these criticisms, but somewhat to my surprise they didn't spoil the film at all for me. If you want detailed accuracy about the Beatles, this is not for you. Read the books. But if you want to see a film which tells a good story well, and which will give you a real feel for the vibes of the time and for the characters it claims to portray, and an insight into one important aspect of the early history of the Beatles, I think you will enjoy this. I thought I wouldn't, but I did. And I will watch it again. And, did I say? it's about the Beatles.

    This is not a biopic, nor does it pretend to be, but it does claim to tell the story of Stu and Astrid, and I thought it did that very well. I don't object at all to the use of some artistic licence, such as Astrid's excellent English. Contrary to some other reviewers, I found the portrayal of the quiet, enigmatic Stu by Stephen Dorff quite excellent, a perfect foil to the bitter, sometimes thoughtful, and wholly charismatic John Lennon, portrayed just as well by Ian Hart.

    I first heard the Beatles just before their first British record "Love Me Do" became a minor hit in Autumn 1962. This film portrays events mostly more than a year before then, and even longer before their last stint in Hamburg, at the Star-Club in December 1962, the subject of a famous amateur recording. Apart from the Polydor recordings by Bert Kampfaert, we have little to judge objectively what the band sounded like in 1960-61, but judging from the 1962 live recordings, and the comments of those who heard them before they were famous, I'm quite prepared to believe the Beatles sounded then very much like the band used for the soundtrack to this film. OK, the band aren't the Beatles, and some of the details are a bit askew, but the rock-and-roll standards portrayed were all part of the Beatles' act, and are performed much as they performed them. Everyone tells how Stu Sutcliffe often played turning away from the audience, as often seen in the film. It's hardly a realistic portrayal of the Hamburg clubs on the Reeperbahn in the early 1960s, but I've seen worse, and if you have little idea what life was like for the band before 1962, this will not be a bad introduction.

    Comparisons with "A Hard Day's Night" are ingenuous: that was a film made by the Beatles early in 1964 after they were famous (in Britain at least); this is a film about the band when they were teenagers, before pretty much anyone knew them outside Liverpool and Hamburg. Not the same at all. And of course, they didn't sound back then like the Beatles' later recordings, or even like they did on their tours of the US and elsewhere. Perhaps the only recording you can really compare is their first album "Please Please Me" (and the live Star-Club recording, if you have it).

    It's a film, for goodness' sake. I enjoyed it as one, and I hope you do too. The characters rang true, especially Ian Hart as John Lennon, and the story is well worth telling, and well worth watching. And, did I say? it's about the Beatles.
    8shinolah

    Pure garage raunch

    The film is a marvel. The only evidence of post-fame Beatles nostalgia that doesn't seek to cash-out. It is no less than a kick-ass rock n' roll film, with deft photography, powerful direction and an incredibly hard garage soundtrack. Recommended for fans of garage raunch and pre-invasion british blues.
    Quentin-12

    The Pre-Beatles Show

    Finally we see the side to the Beatles that no one really knew - what happened before and what they were before. Stephen Dorff gives off another simply brilliant performance as Stuart - the man who could have been but never cared enough he was "Just along for a few laughs". Being a Beatles fan I've always been interested in their personal lives and this movie gets more personal than any documentary or news reel could. As to how true the events are I'm not sure but it was a definitely enjoyable movie.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      As seen in the movie, The Beatles are given "uppers" pills so they can keep performing when they're getting tired. Also, as seen in the shot after John accepts the pills for the first time, The Beatles are performing "Long Tall Sally" like crazed maniacs with eyes bulging and sweating profusely. The reason for this is that the uppers were actually prescription-strength "speed" pills. According to all of The Beatles in various interviews (most prominently in the "Beatles Anthology" film and book), the band was forced to perform up to eight hours a night, far and away more than a band can possibly play given the normal fatigue that sets in from singing and playing. Whenever they grew tired, the bartenders or the waitresses would often give them (and other performers) uppers to keep them going. Because of this, and their horrible living conditions in the Kaiserkeller Club's back room, The Beatles were often sweaty, smelly, pale and shockingly thin (speed pills back then doubled as diet pills) because they rarely bathed, hardly ever washed their clothes or, more importantly, ate healthy meals. However, after Stuart Sutcliffe began dating Astrid Kirchherr, she would feed the band and wash their clothes and allow them access to her bathroom for bathing. All of The Beatles have said that Astrid, more or less, kept them alive and healthy.
    • Goofs
      The train carriage at Hamburg station has a date of 22.2.90 stenciled at the bottom. This will be the date of the last full service, 3 years before filming but 30 years after the action.
    • Quotes

      John Lennon: We're gonna be big Stu, we're gonna be too big for Liverpool, we're gonna be too big for Hamburg, we're gonna be too big for our own bloody good.

    • Crazy credits
      At the very end of the end titles, long after all the other music credits have run, one last music credit appears on the otherwise blank screen: "TIME TO GO HOME, Written by Maria Bird, Published by Minder Music."
    • Connections
      Featured in Backbeat Band: Money, Version 1 (1994)
    • Soundtracks
      Good Golly Miss Molly
      Written & Composed by Robert 'Bumps' Blackwell & John Marascalco

      By kind permission of Prestige Music Ltd

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    FAQ26

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    • What is Backbeat about?
    • Is the movie based on any source material?
    • Where does the title for the movie come from?

    Details

    Edit
    • Release date
      • June 15, 1994 (France)
    • Countries of origin
      • United Kingdom
      • Germany
    • Languages
      • English
      • German
      • French
      • Russian
    • Also known as
      • Backbeat: el inicio
    • Filming locations
      • Cheney Road, London, England, UK(German Gymnasium doubles as The Anchor pub)
    • Production companies
      • Channel Four Films
      • Fortbeam
      • Polygram Filmed Entertainment
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $2,392,589
    • Opening weekend US & Canada
      • $126,740
      • Apr 17, 1994
    • Gross worldwide
      • $4,708,451
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 40m(100 min)
    • Color
      • Black and White
    • Sound mix
      • Dolby SR
      • LC-Concept Digital Sound
    • Aspect ratio
      • 1.85 : 1

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