Amityville - Darkforce

Amityville: A New Generation marks a different take on the Amityville saga- focusing on the personal history and demons of our main character, the likable floppy-haired Keyes Terry played by Ross Partridge, rather than focusing solely on things that go bump in the night. In this sense Amityville: A New Generation is a more thoughtful film that its predecessors, and a bit of a slow burner.

It certainly won't win any awards but it does try something different- time is taken to introduce us to characters, in this case a group of struggling artists very much in the 90210/ Melrose Place mould of attractive, living in amazing apartments but supposedly broke and angst ridden. It's endearing in its own way- right down to the fashion. The occasional self importance regarding the "artwork" can lead to some unintentional humour, all of which adds to the odd charm of this film.

It is nice to see appearances from an older David Naughton (the male lead David Kessler in An American Werewolf in London) and a younger Terry O'Quinn (who plays the enigmatic Locke on the television drama Lost)

Overall though the film is unlikely to set anyone's world alight it does draw you in, and you will find yourself caring for the lead. However as I've said before, expect a different pace and style from the earlier Amityville horror films. Like 1992 its focus is as much on characters changing as supernatural happenings. So be aware of what to expect if you're thinking of picking this one up.

Ignore the ridiculous 1 star reviews from people who can't even get the plot points right, this is a decent enough movie with a cast of professional actors who can all act.

Not really a true Amityville movie, a cynic might suggest that they tacked on the name Amityville...shame on you! Haha. This is worth a watch, just don't expect too much.

Ok, I admit, I have not seen the original yet; but in all this movie isn't all that bad. The idea of objects (like a clock in Amityville 6 (1992 it's about time) or a mirror in this tale (Amityville 7) carrying the original horrors are a bit hokey, but then again it makes sense. I liked this movie better than its time traveling predecessor and this one gives an interesting history if an Amityville family through the deranged father/psyco-killer handing the mirror and its inner demons to his son (who unknowingly accepts the gift and the re-opening of buried images/memories). Maybe it was because I was in New York and Amityville is in Long Island, but this film is at least average (hence a 5 or 6).

After a very good sixth sequel released a year before this, the series takes a slight step back in the 7th film - Amityville: A New Generation. We continue the theme of possessed items from the original house being evil and having the power to kill people. This one is an evil mirror which has the power to show a person how they'll die - and then makes it happen!

The film begins with a young photographer named Keyes who is given a seemingly innocent antique mirror by a homeless man. We quickly learn that the mirror is cursed and was an item in the infamous house on Long Island. Once Keyes puts the mirror up in his loft, many of his roommates and friends start dying off in pretty creative ways by staring into the mirror. There is also a bit of a backstory with Keyes as we learn that he once lived in the Amityville house as a child and that his family murdered by his possessed father, connecting this sequel to the first two very nicely.

I really liked that they took us back to the original story and tried to integrate Keyes into that plot of the possessed man killing his family. The movie itself though isn't all that scary. The mirror's power to kill people was creative, but not all that terrifying. That is the core problem with the series at this point with the theme of possessed items. No one is scared of lamps or mirrors or dollhouses.

In the acting department, Amityville 7 gives us horror heavy hitters David Naughton and Terry O'Quinn. Both of which are known for 'An American Werewolf in London' and 'The Stepfather' respectively. In addition, Ross Partridge does well as the lead male character. Everyone else is pretty much background to the overall story.

Amityville: A New Generation, like its predecessor, manages to at least be an entertaining watch. It isn't a terrifying film, and the second half falls apart, but if you are a fan of the series it does tie in to the original story of the DeFeo's and their deaths at the infamous Amityville house. It isn't nearly as fun as Amityville 1992, and drags on way too much, but manages to be a competent entry. I'd check it out at least once.

5/10

Here we go again, another mediocre entry to the Amityville franchise that seems to get less interesting the further along it goes. I don't know, but I do miss the ominous house itself which featured prominently in the first three films. Sure it has connections and even the image of it appears in the haunted antique mirror which came from infamous Long Island house, but it's just not the same. The straight-to-video fare "A New Generation" is the seventh film, where the terror scraps suburbia for an urban apartment building filled with budding artists who one-by- one fall to the evil entity.

An antique mirror is given to a photographer by a homeless man. Soon after accepting the gift, the man starts having haunting visions of a killing spree which might just have some relevance to him. But he's not the only one who's been affected by the demonic force within the mirror, but those living in his studio building begin to find themselves possessed/or infatuated by these dark forces.

The plot tries to tie in a little more to the history of the Long House island, especially with the main character's (an affable Ross Partridge) connection to what's actually happening. So most of the time is spent with Partridge's character trying to uncover the truth and dealing with flashbacks. Didn't make it any more interesting though. Predictable and interchangeable. The imitating special effects do have its moments, but there's a real lack of atmosphere and thrills. Sure it's slickly directed, but feels vapid and flat. There's a good supporting cast featuring Terry O'Quinn, Richard Roundtree. Julia Nickson-Soul and a very twitchy David Naughton that do enliven things.

Hardly terrible, but rather uninspired.