12h01 - prisonnier du temps

12:01 is one of those movies that no one ever heard of but if they see it will remember it forever. In the same vein as Groundhog Day but with a much more interesting plot, 12:01 is the story of someone caught in a time bounce who must live the same day over and over and each day see the woman he secretly adores killed before his eyes. Silverman plays the part beautifully from answering his Mothers pointed questions to his impatience to finally get it right. Helen Slater is also wonderful as the love interest killed each day.

The movie moves quickly through the days and provides all sorts of interesting little moments as Barry Thomas tries to stop the bounce while saving his girl.

A beautiful story acted out by excellent acting and directing. I strongly urge you to find it in a video store or tape it off late night TV if you have the chance. Once you have seen it you wont forget it.

Don't let the premise fool you into thinking this is a rehash of Bill Murray's movie - this is a GREAT little story unto itself. It's closer to Office Space & Back to the Future than to Groundhog Day.

With a well-constructed plot & engaging characters, you can ignore the obvious writing & cinematography constraints of working on a TV budget. Watch for the pearls: Jeremy Piven & Marin Landau will sneak through with their organic performances if you're not paying attention. But everyone from the office dominatrix to the wiry assassin are well-developed; I even felt like "Mom" was part of the cast! So what IS the story about? A hard-working downtrodden everyday guy with a little tardiness problem. On the day that he FINALLY works up enough nerve to talk to the office cutie that he's had a crush on for longer than his mother can stand, she gets killed. And he has to watch it happen. ...again. And if he doesn't figure out what to say & do, he'll have to keep watching it. But the key is to figure out who ELSE is watching her, and why his interest in her has caused our hero to wake up Tuesday after Tuesday after Tuesday...

12:01 is definitely worth watching again, and again, and again, and...

I put a tape in the video machine one night to record this unknown film called "12:01" - the synopsis in the TV guide seemed interesting. I kept that tape for months, watching it over and over, just to see the subtle changes in each day being lived again. Brilliant.

Everybody seems to rave about how "original" Groundhog Day was/is but I saw "12:01" on UK TV well before Groundhog Day even hit the cinemas over here. "12:01" may have been a low-budget TVM and may have its flaws but the concept of the day after day scenario is just as good.

The sad thing is that I actually logged on tonight to order both "12:01" and Groundhog Day but I can't find a UK supplier of "12:01" and it would be such a shame if it were never seen again.

SPOILER: Barry Thomas is having one. The really bad news is it keeps coming back.

Barry starts out as a likable, well-intentioned goofball marking time in a dead-end job. Underutilized, doing his best but going nowhere fast under the heel of the department head from Hell. A lot of people can empathize when he writes on his calendar: "Get new job or die!" Jonathan Silverman does a good job as Barry, making him sympathetic (maybe a little pathetic, as well) and vulnerable, but his unique circumstances eventually bring out a steely determination born of sheer frustration.

Unlike "Groundhog Day," there's a lucid explanation for why this is happening to Barry and the film revolves around how he tries to "get off the hamster wheel," as he puts it. "Groundhog" seems to offer an almost divine explanation, that all would progress once Bill Murray's character got things right. Barry was trapped in a self-perpetuating science experiment gone awry and he knew early on how to get out of it. Too bad it's easier said than done.

Helen Slater basically reprises the role she played six years earlier in "The Secret of My Success." Attractive, driven, young prodigy, brilliant beyond her years, emotionally cold in the beginning, worshiped from afar by a kind, wisecracking young man who eventually wins her heart and turns her into a giggling schoolgirl.

The plotting is intricate and it's fun to watch how each cycle changes even without Barry's direct intervention. Some things, like the coworker getting splashed with hot coffee, seem unavoidable in the grand scheme.

The editing in the home video edition is exceptionally fluid. Unlike most TV-movies available on tape or laserdisc, it's nearly impossible to remember where the commercial breaks were.

Still, if there were one flaw, it would be that Barry should have waited through one more cycle before breaking out. He'd only gone through four or five repetitions; one more wouldn't have been so bad. Getting out when he did left one of the good guys irrevocably dead.

It's interesting to see how many of this cast went on to NBC comedies. Silverman went on to star in two seasons of "The Single Guy." Paxton Whitehead and Robin Bartlett had recurring roles in "Mad About You." And Helen Slater had a guest role as a pyromaniac on "Caroline In the City," finally playing a role other than harmless ingenue.

One possible in-joke. Lisa confides to Barry that her favorite music is from the Carpenters. Coincidence? Or was this story originally called "Yesterday Once More"?SPOI

This is a made-for-TV movie with all the earmarks of Hallmark. It is not cheesy, just low budget with actors that cross over between television and movies. Who can forget Martin Landau in Cosmos 1999 (1975) ?

See the original story in the book "Before...12:01...and After" by Richard Allen Lupoff (Author), George Barr (Illustrator) ISBN-13: 978-1878252234

You know the story before it starts. Time loop stories have been presented long before this and many after. However, if you missed this one you have missed a rather good presentation with a time loop story that doesn't try to be too cutesy or too heavy.

Slob and sluff off Barry Thomas (Jonathan Silverman), finds himself the victim of time loop technology that is gone awry. At first, he finds this quite annoying. Soon he realizes he has a second chance to save the life of the one that he loves from afar, Lisa Fredericks (Helen Slater.)

The film is noticeably short; so, will he find time to grow a social consciousness get close to the girl find and fix the problem and so forth? Or is he destined to repeat his slovenly ways over the same day forever and ever and ever?