Wild Palms, une vie sans histoire

It's a pity it wasn't released 5 years earlier: the mood created by cinematographer Phedon Papamichael (Phenomenon, Cool Runnings) is so eighties-like, the great Michael Mann (L.A. Takedown, Manhunter, The Insider) must like it, if only visually: it's very clean and cool. Except Mann usually adds some really excessive displayals of power with lots of shooting (Miami Vice) and lots of music. Wild Palms is far more subtle. The great score was created by legendary composer Ryuichi Sakamoto (Merry Christmas Mr. Lawrence). The chosen hit songs (Where the streets have no name, Hello I must be going) just add slightly to the mood and you really have to pay attention to the songtexts. And notice the subtle fashion statements, like the sober collars? There are 5 episodes directed by 4 directors, one of which is Kathryn Bigelow (Near Dark, Point Break, Strange Days): Strange Days (1995) is a nice movie about more or less the same subject but without the aesthetics and the good acting. James Belushi is great, Robert Loggia and Angie Dickinson must be the devil themselves.

Wild Palms may feel like 'Dynasty - the play - set in the future' about families in multimedia instead of oil. The story IS about media monopolies and law-suits (MS anyone? - Church Windows): there seems to be no credible independent justice system anymore in this future. There are family intrigues, but definitely never really feels like a soap opera. However, one of the flaws of Wild Palms is that you can see that it is made for tv because you can see where the commercials are supposed to be. Wild Palms is quite lengthy, but I just couldn't wait for the next episode to be broadcasted seven days later. I wouldn't recommend trying to watch all episodes at once, because the pace is rather low. Cut it down to 180 minutes and you can show it in a theater (although Warhol's 'Empire' wasn't cut down a minute...). Definitely more interesting than 'JFK' and 'Nixon' together.

9/10

Transhumanism, techno-shamanism, hallucinations, cults, child abductions, mind control, mass media, mind altering drugs, virtual reality, political subterfuge, musings on the nature of the mind and reality and Buddhism and Philip K Dick and William Gibson, peppered throughout with excerpts of excellent poetry (Yeats, Wallace Stevens, TS Eliot, etc), Bruce Wagner's clever wordplay, Sakamoto's score, gauzy soft-focus camerawork a la Twin Peaks, with a bunch of rad flowy early 90s rayon shirts and outfits as the cherry on top of the quaalude sundae. Prophesied a lot of stuff happening today. A bit convoluted at times, but more than makes up for it as an overall piece of visionary art, even if Jim Belushi is the weakest link among an otherwise bravura cast. Amazed this show ever saw the air.

"Politics have no relation to morals" Machiavelli.

When in 1993 "Wild Palms" was released on television it didn't stand a chance. Misguidedly compared to the hit series "Twin Peaks" - which was wrong in every sense of the word - WP was not well-received. Misunderstood by critics and viewers alike the show never got the praise it still deserves today.

"Wild Palms" is an opera, a new age fever dream that predicted a future in which the public gets manipulated through the media with the purpose of creating a fascist society that reduces people to drugged zombies with hardly any notion of reality.

Sounds familiar ?

In an age of redundant and uninspired remakes this is THE show that should be remade for a contemporary audience as this is the world we are currently living in. Ironically the fictional reality of "Wild Palms" has caught up on our current state of mind, our politics and the media worldwide.

Watch this show for the creative worldbuilding, the atmosphere and the drama while ignoring the bad acting, the plot holes and the ridiculous last 15 minutes. Get on the "Wild Palms" trip and be amazed about how accurate the predictions made 30 years ago would become.

When this mini series was first broadcast, most people had never used a computer, the NSCA Mosaic browser (later to become Netscape Navigator) had just been coded. Thus allowing those with a data connection to graphically browse content at glacial speed. But just consider the list that follows which tallies their actual occurrence.

The Web = The web Tony Krietser =Donald Trump Chickee Levitt = Mark Zuckerberg Mimecom = Facebook Mimezine = Oxycontin The Florida Bomb = 9/11 The 90's Depression = The Great Recession The Fathers = Rebublicans with a capital "R" The Friends = Liberal Democrats Josie = Melania? Watch this excellent mini series with your politically astute frienew and you will have a BLAST finding current and near current tie-ins. Then you'll have one final question. "Where did Olivier Stone get a time machine?!"

The story is a veiled attempt at going where the church of Scientology exists. Anton Kreutzer, played fairly well by Robert Loggia, is pretty much L. Ron Hubbard. There are even spot lines that go to the arena of Aleister Crowley, Hubbard's "very good friend". The Sea Org and the Commodore's Messengers are dressed to the nines, perfect in their affectation of the naval attire. Coty is a mock-up of the now ruler of the Darkstar, the honorable king David. You know the Star of David is two inner locking equilateral triangles encompassing three 60 degree angles. "and ye shall know them by their number":666; a number exulted upon by Ron's very good friend, Aleister Crowley. The acting is spotty, some actor's can't and some can. However great imagery, fantastic attire, and far ahead of its time in technology make this a must see for the clued-in sci-fi fan. Hubbard might have been twisted, but give him his due, a genius for manipulation of the truth. Scientology is still standing and Tom Cruise can't handle the truth, can't handle it because he knows not what he do.