Les chroniques de San Francisco

I remember watching this on PBS when it first came out, and how absolutely riveting I found it. Never had I watched something and been so wrapped up in it. The characters were brilliantly written and brilliantly portrayed by the excellent cast. This program succeeded in bringing to life a time and place where you really did "have to be there". This program takes you there. Whether you're into countercultures, history, or just plain entertainment, there is no other program that I could more wholeheartedly recommend.

This mini-series has great writing, memorable characters, fine acting from a stellar cast, and is sure to flap even the most unflappable viewer.

The absolutely unflinching look at the lives and loves of a group of eccentric characters in the free-love environment of late 1970's San Francisco. Promiscuity and drug use run rampant, relationships and lives are destroyed and rebuilt, but gay, straight, or bisexual, we really care about the characters.

Excellent dialogue and acting, coupled with fine acting, turn what could easily have been a pornographic exlpoitation picture into a true work of art. I highly recommend it.

In my quest to see every thing Parker Posey has ever done, I put this miniseries (and it's successors) on the back-burner. I finally got around to it and was very impressed! What a fascinating and engrossing show. It has this magical atmosphere that really made me wish I was living in SF in the 70s. Parker is only in it a bit, but she's got some great dialogue. Olympia Dukakis is lovely and Laura Linney (who I find somewhat overrated these days) shines in the lead as a naïve Midwestern girl moving to the big city for the first time. It's probably the best work I've seen from her. My only complaint about this (and I suppose the fault lies with the source material) is that so many of the story lines take such an abruptly dark and twisted turn in the final episode. Even though I typically go for dark themes in my entertainment, it seems to come out of left field here. Still, it's great overall, and even features a cameo from the notorious Karen Black, playing herself as a candy bar craving fat farm attendant!

I have had a copy of this series since it originally was broadcast on my local PBS station. Watch it many a time since.

I found the entire series to be a wonderful unflinching look at the times/situations relative to the mid to late 1970's San Francisco. I've heard and read of what went on during that decade, and found what was portrayed to be accurate, but deftly done to not offend in any major way. Yes, there was nudity, sex and what not, but like I said, it was deftly dealt with.

The characters were believable and had obviously been well fleshed out in their back histories. You understand, as the series moves along, the main character's histories, rare in productions of this type.

I find I like watching this series, partly because I was old enough to remember some aspects of the late 70's. (I was in junior high at the time) but because of the stories that are woven throughout the piece. A well cast and thought out production. It's rare to see a mini series, or film for that matter, be this accurate in portraying the late 70's.

One is always concerned when a great work of written fiction is dressed up for the screen, but you can have no worries about the integrity of this production. We all paint pictures of characters when reading a book, and these images remain locked in our minds.

More often than not, when these characters appear in the flesh on the TV, we are a little disappointed. Not in this case! Maupin's wonderfully colourful feast about San Francisco in the seventies transfers vividly to the screen. The emotion and pace of the written original is dutifully kept in this production, with sterling performances all round. Dukakis exudes mystery, D'Amico portrays the endearing 'Mouse' with style, and Linney is sublime.

Expect to be experiencing all the human emotions in this delightful mini series. Perfect.