An American police procedural television series chronicling the work of a fictional version of the Baltimore Police Department's Homicide Unit.An American police procedural television series chronicling the work of a fictional version of the Baltimore Police Department's Homicide Unit.An American police procedural television series chronicling the work of a fictional version of the Baltimore Police Department's Homicide Unit.
- Won 4 Primetime Emmys
- 25 wins & 82 nominations total
Browse episodes
Featured reviews
This show is an excellent drama of which you will rarely find on network TV(perhaps NYPD Blue in its first five or six years,St.Elsewhere,L.A.Law,Hill Street Blues might compare). This show,set in the Homicide division(of course) of the Baltimore Police Department and centered around the elite detectives of the precinct was an edgy,intense show which took some big-time chances(For example:One episode was set exclusively around two of the detectives grilling a suspect)and it's time slot,Friday nights at 10 eastern/9 central,made this a constant candidate for the cancellation blocks,but the loyal viewer-ship and the loud protestations of TV critics helped keep this show afloat for the six and a half years it ran. The acting and writing were by far some of the best on network t.v.,the characters fleshed out by Andre Braugher,Yaphett Kotto(As the chief),Ned Beatty,Melissa Leo,Isabella Hoffman,Clark Johnson,Daniel Baldwin,Kyle Secor,Reed Diamond and long-time stand-up comedian Richard Belzer,who has found his niche as a dramatic actor(and as the SAME character,Detective John Munch,in no fewer than five TV shows,now on Law and Order:Special Victims UNit)stand out maybe the most! I believe they could even revive this show someday in the future with some different characters in the roles and,with roughly the same writing and exactly the same kind of no-hold-barred risk-taking,could be at least half as good,if not equal.
Like everybody before me told, this is THE best police story ever made.
The photography, the personages, the direction and last but not least the music. It's the first series where I noticed that a song was completely played, while all the actors kept moving, doing what they have to do, but without dialogues. If you are a scriptwriter it's a dream when you can accomplish this. The action counts. But then, as a cherry on a pie, the dialogues are perfect too.
Too bad we get this only once a week and then at a past midnight hour.
I was very surprised to learn this series originated from a book. Got that information from this web-site. I'm still full of praise but on the go for the Amazon book store. :-)
The photography, the personages, the direction and last but not least the music. It's the first series where I noticed that a song was completely played, while all the actors kept moving, doing what they have to do, but without dialogues. If you are a scriptwriter it's a dream when you can accomplish this. The action counts. But then, as a cherry on a pie, the dialogues are perfect too.
Too bad we get this only once a week and then at a past midnight hour.
I was very surprised to learn this series originated from a book. Got that information from this web-site. I'm still full of praise but on the go for the Amazon book store. :-)
It was a gloomy day when NBC cancelled this amazing show, but unfortunately, not enough viewers were watching. It can now be viewed in syndication - as of January 1999 it is shown on Court-TV weeknights. "Homicide" was an Emmy and Peabody-award-winning show. Because of its unique shooting style, magnificent writers, and terrific actors, it is the best show I ever watched. Other cop shows are no comparison. In fact, no other drama on network television had such a racially diverse cast. This is the only drama I have seen with African-American actors in leading roles. It is a sad fact that there aren't other shows like it out now.
This show truly did duck the "system" of other dramas, staying true to the source and portraying realistic characters. Anguish, joy, anger, humiliation, and respect are evident in the faces of the characters in assorted episodes. The first few seasons were the best, in my opinion, but the other seasons were still better than anything else on the networks. I shudder to think that "Nash Bridges" beat this amazing show in the ratings. If you are at all interested, try to find this show on television in your area. There is no middle ground with this show; you will either hate it or love it. All that I know have become addicted to it.
This show truly did duck the "system" of other dramas, staying true to the source and portraying realistic characters. Anguish, joy, anger, humiliation, and respect are evident in the faces of the characters in assorted episodes. The first few seasons were the best, in my opinion, but the other seasons were still better than anything else on the networks. I shudder to think that "Nash Bridges" beat this amazing show in the ratings. If you are at all interested, try to find this show on television in your area. There is no middle ground with this show; you will either hate it or love it. All that I know have become addicted to it.
We all agree this was probably the best crime series ever made, despite NBC's reluctance to support and promote it. This was TV acting, scripting, and directing at it's best.
What the public could not accept, was that the stories did not have neat endings. Life, and crime stories are messy. The show reflected that. And I'm grateful for it's honesty.
On the other hand, I'm grateful they allowed the show to have a movie that ended several major story lines. At the end of it all, we needed closure, even it some of the endings weren't "happy endings". That in itself showed the quality - the truth of this show.
Fiction can be truthful, and "real". This was the best example . And NBC should hang it's head in shame for the way it treated it. I'm glad that "Munch" still lives on Law & Order SVU, but it's a shadow of a great character in a great show.
On TV you take what you get.
What the public could not accept, was that the stories did not have neat endings. Life, and crime stories are messy. The show reflected that. And I'm grateful for it's honesty.
On the other hand, I'm grateful they allowed the show to have a movie that ended several major story lines. At the end of it all, we needed closure, even it some of the endings weren't "happy endings". That in itself showed the quality - the truth of this show.
Fiction can be truthful, and "real". This was the best example . And NBC should hang it's head in shame for the way it treated it. I'm glad that "Munch" still lives on Law & Order SVU, but it's a shadow of a great character in a great show.
On TV you take what you get.
As an aspiring writer, and a longtime local of Maryland, this series has continuously touched me and will probably always be in my memories.
Not much more can be said about "Homicide: Life on the Street" that hasn't already been said. Excellent writing, gripping messages, memorable characters...this is an example of the epitome of drama, this is a study of human behavior, and like the book that inspired it, this is a tribute to the brave men and women who strive to see that justice is served in real life.
In case you don't know the general idea, it's about a believable group of individuals tracking down killers--who are often portrayed as disturbed individuals themselves, not brawlers. The heart of the stories primarily takes place in two settings: The box, and the street--with humorous, often thought provoking intervals happening in the station and during car scenes.
The best season: Six, in my opinion. This season combined the series' great writing (stories like "Blood Ties", "The Subway", "Abduction", "Finnegan's Wake", "Fallen Heroes", etc.) with some general excitement throughout almost the entire run of episodes. Also, every character present has something interesting or likable about them (the poster for "Homicide: The Movie" features mostly the collective image of season six). "Homicide" didn't often focus on intimate relationships, but the main one towards the story's end was developed in a clever, truly romantic way.
Overall, as you've probably heard before, this is one of the best shows ever to air on television. It will always be regarded as such.
Not much more can be said about "Homicide: Life on the Street" that hasn't already been said. Excellent writing, gripping messages, memorable characters...this is an example of the epitome of drama, this is a study of human behavior, and like the book that inspired it, this is a tribute to the brave men and women who strive to see that justice is served in real life.
In case you don't know the general idea, it's about a believable group of individuals tracking down killers--who are often portrayed as disturbed individuals themselves, not brawlers. The heart of the stories primarily takes place in two settings: The box, and the street--with humorous, often thought provoking intervals happening in the station and during car scenes.
The best season: Six, in my opinion. This season combined the series' great writing (stories like "Blood Ties", "The Subway", "Abduction", "Finnegan's Wake", "Fallen Heroes", etc.) with some general excitement throughout almost the entire run of episodes. Also, every character present has something interesting or likable about them (the poster for "Homicide: The Movie" features mostly the collective image of season six). "Homicide" didn't often focus on intimate relationships, but the main one towards the story's end was developed in a clever, truly romantic way.
Overall, as you've probably heard before, this is one of the best shows ever to air on television. It will always be regarded as such.
Did you know
- TriviaBarry Levinson wanted Richard Belzer as Munch after hearing him on "The Howard Stern Radio Show". NBC suggested Jason Priestley but Levinson refused. Belzer was the last cast member hired.
- GoofsIn a number of episodes, in-vehicle shots with a "back seat" perspective often show that the vehicle being filmed in is in fact a Chrysler-produced sedan. Note the older star-in-pentagon emblem on the steering wheel instead of the Chevy Cavaliers that the detectives drive. This is likely due to the lower headroom in the Cavalier, making it difficult to film that perspective.
- Quotes
Lt. Al 'Gee' Giardello: It's better to be judged by twelve than carried by six.
- ConnectionsFeatured in The 45th Annual Primetime Emmy Awards (1993)
Details
- Release date
- Country of origin
- Language
- Also known as
- Homicide: Life on the Street
- Filming locations
- Production companies
- See more company credits at IMDbPro
Contribute to this page
Suggest an edit or add missing content








