The Wicked City

I loved the Japanese anime of this movie - saw it 15 years ago and loved it. Found this the live action version at a roadside VHS sale. I was so excited! Then I watched it and was disappointed at how BAD it was. Our jaws hit the floor when the guy was having sex w/the Pinball machine/lady. Gave it another chance and watched it with hubby, found new life as a comedy! Would make a great MST3K movie. I still own the VHS copy, wouldn't part with it for anything now. I definitely would still like to see a decent modern adaptation of this movie. The effects were so bad, I just couldn't get past was the scenes with the lasers(?)that looked like those glow necklaces from the Dollar Tree.

This movie just goes to prove that most anime or manga "A" titles do not translate well to live action. Taken from the Anime of the same title (or AKA Supernatural Beast City) by Kawajiri Yohiataki, it lacks the visceral punch of the original. I was sorely disappointed with the "soft-core" shots and "soft-core" action. It coulda been a contenda...

WICKED CITY is a crazy Hong Kong slice of sci-fi action based on a Japanese manga and anime. It takes the wackiness of the 1990s craze of wuxia epics and transfers it to a contemporary or futuristic setting where monsters in human disguise roam the city and integrate with society. The film hits the ground running and throws you in at the deep end, trying to keep up with a fast-moving plot involving a war between cops and monsters that never makes entire sense.

It's bizarre stuff indeed and completely schlocky from beginning to end. Old dependables Leon Lai and Jacky Cheung play two cops hoping to avert an all-out war between humankind and monsters but the main emphasis of the film is on insane action sequences which have been inspired by TERMINATOR 2: JUDGMENT DAY. Thus we get scenes of characters being chased around by 'liquid monsters' and even a laughable attempt to copy the motorbike-out-of-the-window shot in the Cameron film.

Of course, the Cameron movie didn't have any scenes of long-limbed monsters wreaking havoc in hotel rooms or the absolutely bizarre, random interludes seen here. It's pretty poor stuff, it has to be said, and the direction and editing is very choppy, but I enjoyed it regardless, although perhaps on a so-bad-it's-good level. Given it's a 1990s Hong Kong film, the main guys entangle with a sexy femme fatale, here played by Macau-born actress Michelle Reis. The familiar-looking sergeant is none other than Yuen Woo-ping. Bad guy Roy Cheung starred in the PRISON ON FIRE movies. Best of all is Kurosawa veteran Tatsuya Nakadai who bags a great support role and is effortlessly cool as always.

I would call this a bad movie, it doesn't follow the original in any way and the acting sucks. But this movie is insane! I can't help but recommend it, this movie makes no sense and so much happens I can't help but like it. Random stuff happens out of nowhere, characters say random stuff, and all if a sudden the Police Cheif has random powers even though he isn't a Reptiod. You know, that's all this movie is, it's just random stuff happening. It's a bad movie but if you have some drugs laying around I would recommend it.

This film is a mess. No amount of suspension of disbelief will overcome the real world short comings. This is a special effects laden film, but the letter box format, ruins the impact by greatly reducing the size of the effects. Far worse is the use of a blue filter on many of scenes, which were shot entirely at night. Then, when the filter wasn't used, the backgrounds were in blue. Then, I guess for a diversion, some scenes used a bright red filter. I mean everything was red. Blue, red and dark. In conclusion, everything was difficult to see clearly, you had to use your imagination.

A foreign film has to be really good to gain acceptance from me. This film wasn't close. However, I am not meaning to put down people who like this sort of stuff. I am sure that this film does include elements that will be are greatly appreciated by some viewers. This is not a main stream film. Steer clear of this type of film-making.