Wayne's World

WAYNE'S WORLD is actually one of the best SNL-inspired comedies ever made. Mike Myers and Dana Carvey are way cool as Wayne and Garth. It's just shameful that the movie contains mostly wasted music...HYUH, RIGHT, if monkeys fly out of my butt. I think it the music here is excellent. Tia Carerre is hot as Wayne's love interest, and Rob Lowe does a fine job as the con artist who buys Wayne and Garth's show. Believe me, it's worthy.

4 out of 5

As a middle-aged lover of world and art-house cinema, the lovably goofy Waynes World might seem an odd one for me to like and enjoy.

I've never owned it myself but as it's just been on Channel 4, I thought I'd see it once again, to see how it still fares. Though it's far from being my favourite movie of all time, it still hits the targets its designed to and manages to smell sweet when compared to the more recent torrent of comparative sewage that is hailed as gross-out 'comedy'.

Oddly, perhaps, it's impossible to dislike or find the two (Mike Myers and Dana Carvey) super-geeks annoying. The film is bright and breezy and rolls along like a continual Friday night out and the rock music references, including the famous Bohemian Rhapsody sung in their tiny car, always welcome.

The dream women in their lives are indeed good-looking girls and their portrayal are a fair balance between teenage male hormonal fantasy and real people with substance and character.

Considering Waynes World is supposed to be a Cult Movie, I'm surprised how few reviews there are here, on Amazon. Whether new audiences will ever warm to WW is a different matter altogether but for of us who's seen it come, go and now hang around, it still offers many pleasures.

One of the classica of my teenager years, Wayne's World was de facto included in all our all night movie marathons. Watching it with my son now, 30 years later, it still holds up as a funny and weird movie. Excellent!

Wayne's World—which it's hard to believe is two decades old this year—still provides me with a good time, Mike Meyers' unique brand of surreal humour still managing to tickle my ribs, the music still causing my head to bang (only perhaps not quite as hard), and Tia Carrere still making me wanna go 'Schwing!' . I don't know how much of this enjoyment is down to nostalgia—I was a metal/heavy rock fan in my twenties when I first saw the film—but my kids seem to enjoy its random, scatter-shot craziness just as much as I do, despite not understanding many of the 90s cultural references (and, thankfully, some of the more 'adult' humour).

7.5 out of 10, rounded up to 8 for being able to whisk me back to a time when torn jeans, mullets and rock music ruled (I listen to BBC Radio 1 these days and I silently weep for the modern generation).

Ask most men within a decade of my age in either direction to list the 100 best movie scenes of all time, and the scene from "Wayne's World" where they sing/lip sync Bohemian Rhapsody in the car will be on more lists than not. It might even make every list. Not designed for the "critically acclaimed" snob set, Wayne's World, the film adaptation of the extremely popular Saturday Night Live skit by the same name, targets its audience perfectly and never even enters the water, let alone jumps any sharks. The movie is true to itself from start to finish.

The bedrock of the film, as well as the skit, is the unbending friendship of Wayne and Garth. Most children have one best friend who stands out above all others, and there's no mistaking that Wayne (SNL alum Mike Myers) and Garth (SNL alum Dana Carvey) have that type of friendship. The best friends host a cable access show in Aurora, Illinois, also sharing the skit's title. Other SNL alums, such as Brian Doyle-Murray (Noah) and Chris Farley (a concert security guard), round out the cast.

The plot centers around an opportunistic television producer named Benjamin Kane (Rob Lowe), who, with funding from an arcade owner, turns Wayne's World into a slickly produced national show, causing it to lose touch with its audience, and causing friction between Wayne and Garth, who feel they have sold out their fans and their roots. A love interest is tossed to Wayne in the form of Cassandra (Tia Carerre), in triangular form due to the attention paid to her by Kane as well as Wayne.

The pop-culture cuisinart responsible for most of the SNL skits was working in overdrive in this film, and that's a good thing. Everything from product placements, to gratuitous sex, to lame plot devices were lampooned. Rob Lowe was excellent as the sleazeball junior television executive, while cameos abound from the rock world, including Alice Cooper and Meat Loaf. Though not publicized as much as the other quotables from the movie, my personal favorite scene was when Wayne and Garth were each laying on parked cars, and Garth starts whistling the closing theme from Star Trek.

SNL-based movies have been hit-or-miss since their inception, but this was unquestionably a hit.