IMDb RATING
6.8/10
4.3K
YOUR RATING
A young man learns how to come to terms with his disability after becoming paralyzed in a hiking accident.A young man learns how to come to terms with his disability after becoming paralyzed in a hiking accident.A young man learns how to come to terms with his disability after becoming paralyzed in a hiking accident.
- Awards
- 5 wins & 5 nominations total
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a nice surprise. Good actors deliver superbly the tough work they are meant for. They are all people with kinetic problems, recovering from accidents. They have to live with each other - yet they are so different characters.
There is depth in this film. Support, dignity, bitterness, self-sarcasm - yes, the film even dares to be humorous in some parts, and it scores again, without being stupid or anything. Actually this is a great film about a difficult subject, people having to confront a new reality: loss of half body's movements...
This is not another stupid US drama, this has got a heart!
There is depth in this film. Support, dignity, bitterness, self-sarcasm - yes, the film even dares to be humorous in some parts, and it scores again, without being stupid or anything. Actually this is a great film about a difficult subject, people having to confront a new reality: loss of half body's movements...
This is not another stupid US drama, this has got a heart!
THE WATERDANCE (1992) ***1/2 Eric Stoltz, Helen Hunt, Wesley Snipes, William Forsythe, Elizabeth Pena, Grace Zibriskie. Excellent character study of a young author's freak paralyzing accident opens his eyes to the challenges life truly offers despite the limitations. Ensemble work at its finest and inspired in part autobiography of co-director Neal Jiminez' fate( he co-directed with Michael Steinberg).
Author Joel Garcia (Eric Stoltz) is paralyzed after a hiking accident. Anna (Helen Hunt) struggles to choose between her husband and her affair with Joel. Les and Rosa (Elizabeth Peña) are his physical therapists. Other patients include brash womanizer Raymond Hill (Wesley Snipes) trying to reconnect with his family, Victor (Tony Genaro) with a large Latino family, and racist biker Bloss (William Forsythe) looking to sue with his mother (Grace Zabriskie)'s help. Each has trouble dealing with their lives.
Stoltz is restricted physically but performs masterfully. Raymond and Bloss are pretty broad characters. They needed to be toned down slightly. There are some compelling elements. I like Stoltz's take but not everything else is working. The motel room scene is devastating but Helen Hunt probably needs more screen time to show her life with her husband. The material has some greatness but I don't think it's all there.
Stoltz is restricted physically but performs masterfully. Raymond and Bloss are pretty broad characters. They needed to be toned down slightly. There are some compelling elements. I like Stoltz's take but not everything else is working. The motel room scene is devastating but Helen Hunt probably needs more screen time to show her life with her husband. The material has some greatness but I don't think it's all there.
Eric Stoltz, Wesley Snipes and William Forsythe play three very different men brought together into a hospital ward after each of them has received a paralyzing injury. This is a great film based on the true life experiences of writer/co-director Neil Jiminez. This isn't your typical, sappy, uplifting film about men overcoming personal tragedy. The characters here aren't idealized. They aren't saints. They are alternately angry, confused, prejudiced, self-pitying or funny: in other words, real human beings. This is perhaps the best film ever about men in wheelchairs, but don't let that image scare you. This film is both funny and poignant. Don't miss it.
_Waterdance_ explores a wide variety of aspects of the life of the spinally injured artfully. From the petty torments of faulty fluorescent lights flashing overhead to sexuality, masculinity and depression, the experience of disability is laid open.
The diversity of the central characters themselves underscores the complexity of the material examined - Joel, the writer, Raymond, the black man with a murky past, and Bloss, the racist biker. At first, these men are united by nothing other than the nature of their injuries, but retain their competitive spirit. Over time, shared experience, both good and bad, brings them together as friends to support one another.
Most obvious of the transformations is that experienced by Joel, who initially distances himself from his fellow patients with sunglasses, headphones and curtains. As he comes to accept the changes that disablement has made to his life, Joel discards these props and begins to involve himself in the struggles of the men with whom he shares the ward.
The dance referred to in the title is a reference to this daily struggle to keep one's head above water; to give up the dance is to reject life. _Waterdance_ is a moving and powerful film on many levels, and I do not hesitate to recommend it.
The diversity of the central characters themselves underscores the complexity of the material examined - Joel, the writer, Raymond, the black man with a murky past, and Bloss, the racist biker. At first, these men are united by nothing other than the nature of their injuries, but retain their competitive spirit. Over time, shared experience, both good and bad, brings them together as friends to support one another.
Most obvious of the transformations is that experienced by Joel, who initially distances himself from his fellow patients with sunglasses, headphones and curtains. As he comes to accept the changes that disablement has made to his life, Joel discards these props and begins to involve himself in the struggles of the men with whom he shares the ward.
The dance referred to in the title is a reference to this daily struggle to keep one's head above water; to give up the dance is to reject life. _Waterdance_ is a moving and powerful film on many levels, and I do not hesitate to recommend it.
Did you know
- TriviaThis is a semi-autobiographical film for co-director Neal Jimenez who became a paraplegic after a hiking accident.
- Quotes
[after Joel nearly crashes the van they're in]
Joel Garcia: Boy, he sure came out of nowhere, didn't he?
Sang: It's a good thing we're already paralyzed.
- SoundtracksHarry Dean
Performed by Penelope Houston & The Birdboys
- How long is The Waterdance?Powered by Alexa
Details
Box office
- Budget
- $2,700,000 (estimated)
- Gross US & Canada
- $1,723,319
- Opening weekend US & Canada
- $138,313
- May 17, 1992
- Gross worldwide
- $1,723,319
- Runtime
- 1h 46m(106 min)
- Color
- Aspect ratio
- 1.85 : 1
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