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Un cœur en hiver

Original title: Un coeur en hiver
  • 1992
  • Tous publics
  • 1h 45m
IMDb RATING
7.6/10
11K
YOUR RATING
Emmanuelle Béart in Un cœur en hiver (1992)
DramaMusicRomance

Stéphane is an emotionally distant but professionally dedicated violin restorer whose cold heart is tested when his employer's new girlfriend, a beautiful violinist, falls for him.Stéphane is an emotionally distant but professionally dedicated violin restorer whose cold heart is tested when his employer's new girlfriend, a beautiful violinist, falls for him.Stéphane is an emotionally distant but professionally dedicated violin restorer whose cold heart is tested when his employer's new girlfriend, a beautiful violinist, falls for him.

  • Director
    • Claude Sautet
  • Writers
    • Claude Sautet
    • Jacques Fieschi
    • Jérôme Tonnerre
  • Stars
    • Daniel Auteuil
    • Emmanuelle Béart
    • André Dussollier
  • See production info at IMDbPro
  • IMDb RATING
    7.6/10
    11K
    YOUR RATING
    • Director
      • Claude Sautet
    • Writers
      • Claude Sautet
      • Jacques Fieschi
      • Jérôme Tonnerre
    • Stars
      • Daniel Auteuil
      • Emmanuelle Béart
      • André Dussollier
    • 77User reviews
    • 29Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Nominated for 1 BAFTA Award
      • 16 wins & 13 nominations total

    Photos36

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    Top cast27

    Edit
    Daniel Auteuil
    Daniel Auteuil
    • Stéphane
    Emmanuelle Béart
    Emmanuelle Béart
    • Camille
    André Dussollier
    André Dussollier
    • Maxime
    Elizabeth Bourgine
    • Hélène
    Brigitte Catillon
    Brigitte Catillon
    • Régine
    Myriam Boyer
    Myriam Boyer
    • Mme. Amet
    Jean-Claude Bouillaud
    Stanislas Carré de Malberg
    Stanislas Carré de Malberg
    • Brice
    Dominique De Williencourt
    • Christophe
    Jeffrey Grice
    Luben Yordanoff
    Nanou Garcia
    François Domange
    Van Doude
    Van Doude
    Jacques Villa
    Galaxie Barbouth
    Benoît Bellal
    Pierre Cheremetieff
    • Director
      • Claude Sautet
    • Writers
      • Claude Sautet
      • Jacques Fieschi
      • Jérôme Tonnerre
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews77

    7.611.2K
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    Featured reviews

    icon-7

    Who cares about plot? As beautiful to listen to as to watch.

    A visually-beautiful film. Even if the plot were not good (but it is) it would still be worth seeing for its good-looks.

    Beart (Camille) is magnificent! When I first saw the film I thought she was a real violinist, so convincing was her 'playing'. She and Auteuil (Stephane) employ that subtle 'facial' acting, so popular in French cinema. As both their faces are quite lovely, this is a pleasure to watch. Is Beart the most beautiful woman on screen? Probably.

    This movie is like a dream sometimes. It gives clues to the riddles of the characters, but does not reveal their essences. Sometimes you have to wonder if the story is really a kind of allegory, with the characters as symbols, their full significance yet to be revealed.

    Look out for what appears to be an important scene featuring Stephane's parents, towards the end of the film. It is not obviously enlightening, but it may prove to hold the key to his love-less character. There is a climax to the story, but no real resolution or explanation. Yes, it's the 'Picnic at Hanging Rock' unresolved-ending phenomenon back with a vengeance. And how much more interesting it makes this intriguing story!

    Oh - and the music is a substantial part of the film - not just 'background', which is a good thing.
    10kevhaw

    Beart's performance is heart-wrenching!

    Un Coeur En Hiver is a deeply moving film. Beart's achingly beautiful performance as a violinist who becomes infatuated with an emotionally stunted craftsman, is breathtaking to behold. The craftsman, played by Auteuil, displays an almost unbelievable emptiness of emotion, as he rejects the "unrejectable" Camile(Beart)! The soundtrack of this movie conveys as much emotion as the lead characters do, and is hauntingly beautiful to the ear. This movie is a must for Beart fans! Just seeing those beautiful intense eyes is reason enough to view this film.
    jorge-ryder

    Sautet adapted Lermontov

    I read that Claude Sautet inspired himself in the Pechorin's Diaries, a part of Mikhael Lermontov's "A Hero Of Our Time". In Phoenix Cinema blog: "For those interested–to understand Stephan's character, read Lermontov's novel A Hero of Our Time. (The novel is even mentioned in the film.) Stephan is a modern-day version of Pechorin." Now Pechorin is a complex Byronesque character that has ambiguous but plausible reasons for his apparent "winter" heart. He is a formidable character in Russian literature (like Oneguine, for instance) and the paradox of his coldness is enough to make a film director/screen writer wanting to start something. This tip should be taken into account before engaging in more audacious explanations for the character of Stéphane.
    8asank

    Thoughtful and brilliantly acted

    I think it is an engaging and thoughtful movie - the kind that you keep thinking about, long after you have finished watching.

    The plot deals with the central character's coldness in relationships with people around him. He is definitely gifted in what he does. He is sincere and hardworking. People around him tend to be friendly and caring. But it seems our guy has some intimacy issues – he can't go beyond a certain level.

    I am not really sure as to what message did the movie want to convey. It can't just be - if you are cold in nature, you are a loser. I don't think Stéphane was cold by choice – he couldn't just change his nature so as to make others happy. I found it odd that a person of such nature would speak with frankness and openness about these issues – the way Stéphane tells Camille in the restaurant. His friendship with Hélène also seems unexplained - what was the basis – did they expect it to go further?

    What struck as peculiar was attention given to details on mundane activities - like the craftsmanship involved in making musical instruments or dealing with the restaurant manager. In some ways, these elements helped in keeping one occupied and expectant of things to come.

    Daniel Auteuil's portrayal of Stéphane was very natural. Always immaculately dressed, the way he interacted, sometimes with a smirk on his face - it made you empathize with his character. Also at times you felt like saying - what's wrong with this guy? – probably the kind of response director would have wanted to evoke from the audience. Emmanuelle Béart has acted brilliantly and looks amazingly beautiful. André Dussollier also put in a strong performance in his portrayal of Maxime.

    Dialogues are thoughtful - but at times their gravity made you feel that these are not the most natural of conversations. Cinematography is splendid – with close shots of characters and focus on eye and facial expressions.
    Eelsnake

    The Violinist-Psychologist not quite in Love

    The plot revolves around the 'love triangle' of Camille, Stephan, and Maxine. Camille is a young up and coming concert violinist, and Stephan and Maxine are violin craftsmen. Camille is one of their many clients. The main character of this film, Stephan--played by Daniel Auteuil--is brilliant. He is a good looking and quiet man who knows what he wants and is secure in this: solitude--regardless of the amorous advances of Camille, the beautiful and brilliant young violinist who winds up dating his business partner Maxime, and whom he could seduce very easily. Many people analyzing Stephan's character would immediately say that he is sociopathic, deranged, insecure, or whatever. But Stephan is actually fully in control of his life throughout the whole film. He is not aware of fleeting passions like infatuation because he does not exist outside of passion: He is passion incarnate as he is very in tune with what he wants and is skillful at asserting his desires; so much so that those who encounter him become very jarred. His personna functions as a mirror that reflects other people's neuroses and fears back at them instead of absorbing them into itself and thus becoming poisoned. In this way, he's almost like a freelance mobile psychoanalyst passing through different bistros and concert halls in Paris, and disrupting the otherwise 'normal' relationships of those he encounters. The psychological tension throughout the film is thick from the start, and reaches a point of absolute saturation at its apogee. The viewer cannot help but find himself emotionally invested in the plot. The background score of the film is beautiful.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Emmanuelle Béart learned to play the violin for the part.
    • Connections
      Featured in Claude Sautet ou La magie invisible (2003)
    • Soundtracks
      Musique extraite des Sonates et Trio
      de Maurice Ravel

      Durand S.A. Editions Musicales et A.R.I.M.A. Ltd

      Direction musicale Philippe Sarde

      Enregistrée aux Studios Guillaume Tell par Jean-Jacques Kantorow, Howard Shelley,

      Keith Harvey

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    FAQ16

    • How long is A Heart in Winter?Powered by Alexa

    Details

    Edit
    • Release date
      • September 2, 1992 (France)
    • Country of origin
      • France
    • Language
      • French
    • Also known as
      • A Heart in Winter
    • Filming locations
      • Rue Beaurepaire, Paris 10, Paris, France(Camille and Stéphane under the rain)
    • Production companies
      • Film Par Film
      • Cinéa
      • Orly Films
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $1,605,437
    • Gross worldwide
      • $1,605,437
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 45 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Stereo
    • Aspect ratio
      • 1.66 : 1

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