Twin Peaks : Les 7 derniers jours de Laura Palmer

This was one of the most critically panned movies of the decade, but only because the world's film critics are too full of their own self-importance to bother watching a masterful TV series like Twin Peaks. All Twin Peaks fans know that this movie is monumental enough to transcend criticism, sure it makes no sense to those who have never seen the TV series, but those people have never lived anyway. Twin Peaks: FWWM, brings a genuine sense of tragic martyrdom to the death of Laura Palmer, as well as being one of the scariest, most surreal and atmospheric movies ever made. Never seen Twin Peaks? Watch the TV series on video first, and then see this incredible prequel.

Not Lynch at his best(that would be Blue Velvet, though personal favourite is The Elephant Man), it is a very good film and should please fans of the TV series, even if darker in tone and lacking the show's humour. Lynch's films may be strange, unconventional and not always easy to understand for some, but all of them are visually striking, dynamically scored and with great performances, atmosphere and direction as well as working amazingly as mood pieces and being among the most unique films in existence- the only film of his that I didn't care for was Dune, was mixed on Inland Empire too but that still had a lot of the above components.

Twin Peaks: Fire Walk with Me may not be as good as the TV series but did not deserve the negative reception it got at the time. The few flaws it has has nothing to do with being darker and lacking the show's humour, they are not even flaws. David Bowie did stick out like a sore thumb and to me was embarrassingly bad(though a lot of it was to do with how his character was written) but the film's biggest flaw was that you could tell that it was originally written as a much longer film, with so much truncated there were parts where things felt under-explained and incomplete, a longer length would have helped(personal opinion of course and not one other people will share).

Coming onto however what was good about Twin Peaks: Fire Walk With Me, the film does everything else right. As said before, Lynch's films are always visually great, and to say that Twin Peaks: Fire Walk With Me looks great visually is not enough. The film in fact has wonderfully moody cinematography and lovingly designed sets, while the surreal imagery looks so mesmerising that regardless of whether the story confuses you you cannot possibly look away. Lynch's direction as ever is impeccable, his style unmistakable and the haunting soundtrack draws you in effortlessly. The story won't be everyone's cup of tea, I did find myself completely engrossed and found it along with Sophie Scholl: The Final Days one of the most powerful films personally seen in a while. Sure, it did feel under-explained and incomplete in parts but it never bored me and like every other Lynch film as a mood piece it's amazing. Parts were incredibly intense and shocking(the most intense parts making for one of the most disturbing films there is) but others were genuinely emotional as well. Regarding individual scenes in a film where one hypnotic scene follows another, the strobe-lit disco degradation stuck out in particular.

Apart from Bowie, Twin Peaks: Fire Walk With Me is very well-acted, Sheryl Lee is superb and at times heart-breaking as an easy-to-root-for character while Ray Wise is just terrifying as one of the scariest father figures on film. Harry Dean Stanton, Kiefer Sutherland and Kyle MacLauchlan are on fun form too. In conclusion, a very under-appreciated film and undeservedly so. 8/10 Bethany Cox

This remains my favorite of Lynch's "difficult" films of the last decade, which include "Lost Highway" and "Mulholland Dr." Absolutely no one can establish a mood of dread like Lynch, and this film is superlative in this respect. Images, sound design, and Sheryl Lee's near-miraculous performance all contribute to something much closer to a Horror Film than the genre with the actual namesake.

It seems that many fans of the Twin Peaks TV series were very disappointed with this film. I read over and over how "peakies" feel the movie lacks the "quirky, off-beat, kinda funny" tone of the TV series. Well, step back and consider something: the central themes of the movie AND the TV show are 1.) father-daughter incest, 2.) drug addiction, and 3.) murder. I guess we're all pretty desensitized, what with TV shows like "Law and Order" and Jerry Bruckheimer movies all purporting to give us action and thrills that are gritty and hard-bitten.

Lemme tell ya, that stuff ain't gritty and hard-bitten. Rape victims on TV shows are paper-thin stereotypes compared to the Laura Palmer of "Fire Walk With Me." Why? Because Lynch shows us the HORROR, the inescapable, fenced-into-a-corner hysterical inevitableness of a young girl who can't cope with her father's abuse of her, who then turns to drugs and increasingly can't cope with those either, and who finally sees the true tragedy of her life before it's even finished playing out. The wings disappear from the picture.

What "Fire Walk" offers in its portrait of evil and abuse is the full gamut of emotions, not just fear and anger (though there is plenty of that), but also aching, aching sadness, loneliness, abandonment. Lynch did a fairly good job of conveying this within the confines of a TV show with commercials (remember how the first half hour of the pilot was just people crying?), but in the movie he really gets to go town.

Incest and drug abuse are absolutely devastating. This movie is absolutely devastating, and so touches the truth.

If you were not a fan of the Twin Peaks television series you would not want to bother watching this film. Fire Walk with Me pretty much requires the viewer to have already seen every episode of the television show. If you haven't you will be well and truly lost as you watch this film unfold in the bizarre Twin Peaks universe. Assuming you have the requisite working knowledge of all things Twin Peaks heading in you'll at least be able to understand the film. Whether you'll like the film is an iffy proposition at best.

Fire Walk with Me is a prequel to the television series which means Laura Palmer is alive. But before we can get to Laura there's a thirty-minute or so prologue (a prequel within a prequel?) about the investigation into the murder of Teresa Banks, whom all the Twin Peaks die-hards know was the first victim of the killer who would eventually murder Laura. After what any fan of the television show will see as some typical weirdness, and not much in the way of resolution, the prologue ends and we move forward in time, jumping into the final week of Laura Palmer's life. It's nice to see Laura alive for the first time. The television show had already established Laura was not the sweet, innocent homecoming queen she seemed but her demons were, for the most part, only hinted at on TV. In Fire Walk with Me those demons are on full display. Where the television show was subtle, the movie is in your face. A little too much in your face some might say as David Lynch takes full advantage of all the opportunities provided by producing an R-rated movie. Certainly nothing is held back here as we watch Laura Palmer spiral downward towards her sad end.

In the rather brutal telling of the story of Laura Palmer's final days all the charm of the television series has been lost. For all the terrible things that occurred in the series the show always had that small-town, quirky charm. Not here. For the Twin Peaks fan it's nice to see those familiar characters again. And the film does add a lot to the Laura Palmer story and allows you to get to know her much better. But you may come away wishing you hadn't gotten to know her quite so well. Perhaps some things are better left unspoken and unseen. There were two sides of Laura Palmer and this film shows you much too much of the dark side. There was a lot of good in her, watching this film makes it hard to remember that even as you can't help but sympathize with the way she is being taken advantage of and the way she will meet her ultimate fate.

If you're a real Twin Peaks fan you really do have to see the movie. There is a lot to like about it. The story is captivating as ever, if decidedly less charming in this go-around. And the performances from the cast are mostly very good, most notably from Sheryl Lee who finally gets to play a living, breathing Laura Palmer after having been introduced to the world dead and wrapped in plastic. And Ray Wise as Laura's father Leland also does fine work in portraying a disturbing and complicated character. We never got to see Leland and Laura interact in the series and their relationship is fascinating to watch. Fascinating and also more than a little creepy as the movie's Leland is a constantly ominous, threatening presence. You'll miss Lara Flynn Boyle who for the film has been replaced in the role of Donna by Moira Kelly. Kelly fails to bring the same spark to the character that Boyle did. And while many of the characters from the show return you'll miss those who notably don't. Audrey and Benjamin Horne, Sheriff Truman, Deputies Andy and Hawk, Doc Hayward and Pete Martell and Big Ed...would have been nice to see them and some others one last time if even just briefly. It is nice to have the opportunity to go back to the Twin Peaks universe. Unfortunately it's not quite the universe you remember. This is a much darker, sinister and decidedly less enjoyable Twin Peaks. Sometimes you can't go home again.

Since the first line of TP:FWWM is "Get me Agent Chester Desmond in Fargo, North Dakota," some might argue that I am biased in my praise for one of Lynch's most underrated motion pictures. The truth is, my life has never been the same since the fateful midnight in high school when I experienced Eraserhead for the first time. TP:FWWM was savaged by most critics, who are unlikely ever to laud the unconventional Lynch again (unless he makes another film that connects like Blue Velvet). Few other filmmakers have had the ability to depict so tangibly the intangibility of our dreams and the worlds contained therein. Couple this with Lynch's corner on the "uncanny" market, and you have TP:FWWM, a film impossible to confuse with any other. My only complaint concerns the absence of Ben and Audrey Horne, who were such interesting and engaging characters on the television series.