Tetsuo II: Body Hammer

The bad things here: repetitive music, shaky cam, most of the action takes place in scenes where the light is obscured a lot. There is only one sound for the protagonist.

The good stuff: manic overacting, great VFX, Shinya Tsukamoto as the main villain, insane sweaty buff monks. Lots of body horror albeit a bit light.

What a movie. You don't stumble onto a film like Tetsuo II: Body Hammer every day, and that's probably a good thing. The jerkier-than-Blair Witch cinematography, the wild & crazy stop motion special effects, and the bucketloads of gore are fairly sufficient to ensure that some viewers won't like this movie. Since you're actually reading this, though, you're probably a pretty jaded and open-minded film fan, which is exactly the audience that would end up liking Body Hammer. It's one of the craziest and most extreme movies I've ever seen, particularly in the brutal, nearly unwatchable flashback sequence which occurs in the last twenty minutes. It's one of those scenes that you never, ever, ever forget. But aside from the brutal and bizarre violence, there is great artistry here; the scenes between Taniguchi and his family strike a real chord of tragedy, and the special effects somehow succeed precisely because they DON'T look real at all. And Tsukamoto's vision of Tokyo is terrifying-- he makes the city look like a nearly uninhabited frozen hell of silent glass towers and crumbling steel factories. If any of this sounds appealing, you might just like this movie as much as I do. Tsukamoto's style can be incredibly jarring, but you'll end up running out to find everything else he's directed (to my knowledge, his only other films available in the US are the original Tetsuo and his horrific boxing film Tokyo Fist). Shinya Tsukamoto is one of the most inventive directors alive-- you never know what abomination he's going to create next. And Tetsuo: Body Hammer might just be his best film.

This movie is highly recommended for the fans of its predecessor, although it's not in black and white, doesn't have as good of a soundtrack or have as much surrealism as the first film, but it remains to be a bit more action-packed and (let's not forget) makes a bit more sense. This time, the salary man (the protagonist from the first film) lives a normal life with his family until one day his son gets kidnapped and the salary man is forced to be experimented on by a large a gang of skinheads which speeds up the mutating process of becoming a part-metal weapon and part-human being. It's not really a sequel but it surely is one of the greatest underrated films of-all-time and is about as good as the first film (TETSUO), if not, better.

Tetsuo II: Body Hammer is Tsukamoto's Evil Dead II, a sequel that reworks the original with more technical polish on a larger budget. There's a big thematic shift from the erotic to the militaristic, with a greater focus on biogenetic weaponry, one that's far less frantic, instead focusing on developing its characters and providing them with a narrative to inhabit. The production values are much higher than that of its predecessor with Tsukamoto's head-spinning experimentation still on full display, the move away from monochrome allowing him to add strong colour filtration to a heady visual brew of crazy editing and bizarre cinematography. Shinya Tsukamoto is a man who knows what he's doing at this point. Ultimately while Tetsuo II: Body Hammer may lack the more disturbing elements of the original, the eccentricities are still here; filled with some excellent sequences and something to say about industrialisation while incorporating some top-notch effects work, leaving it as a very solid piece of filmmaking and a prime example of confrontational underground Japanese Cyperpunk cinema.

Tetsuo II: The body hammer has a really cool title and after seeing the first one, I was very excited to watch it. Unfortunately I was very disappointed. Tetsuo II like many other reviewers have noted, spends a lot more time developing a plot.

What is the plot? Tetsuo's son and eventually himself and his wife get captured by some guys who are keen on cyber implants. While captured they hook up a helmet to Tetsuo's head that let's them choose what memories he thinks of. They decide to kill tetsuo but tetsuo gets angry and kills them instead. Other stuff happens too.

What does this movie have to do with the original? Absolutely nothing! The original was a stunning visual story about a man transforming into metal. It was so abstract, the plot was up to interpretation, but most importantly it was fast paced and constantly challenging the viewer with fucked up imagery. In the second film Tetsuo apparently didn't go on a killing spree with his friend (as they mutually decided to at the end of the first film) In fact Tetsuo is now a family man with a wife and kid, and his enemy/friend from the first film (like everything else from the first film) doesn't even get mentioned.

The biggest problem with Tetsuo II is that the fast pace of the first film was abbandoned. Now scenes last a long time and there is hardly any cool imagery. Remember all the amazing stop motion from the first film that looked as though it would have taken a lot of effort to accomplish? Apparently the director got sick of all the time and effort of stop motion, because this film, although it obviously has a higher budget than the first, has about a third of the stop motion.

I believe Tetsuo I was such a sucess because even though the director didn't have a clear idea of the plot, the outstanding and inventive visuals carried the loose plot to interesting places. Tetsuo II on the other hand focused on a conventional plot without developing an interesting story first, resulting in a crappy incredable hulk rip off.

If you saw the first Tetsuo you might as well see this, but don't expect much.

two stars out of four