IMDb RATING
7.2/10
30K
YOUR RATING
A maverick dancer risks his career by performing an unusual routine and sets out to succeed with a new partner.A maverick dancer risks his career by performing an unusual routine and sets out to succeed with a new partner.A maverick dancer risks his career by performing an unusual routine and sets out to succeed with a new partner.
- Won 3 BAFTA Awards
- 19 wins & 20 nominations total
Featured reviews
Yes, yes, I agree with all of the wonderful comments below, but here are a few things nobody has mentioned:
1. The EDITING is superb. All too often we focus on the actors, music, or cinematography. This is natural, and in this film all of these are superb. But keep a close watch of the editing - wow, it is perfect and ties the whole film together flawlessly. There are so many cuts that make the perspective magical.(And no, I am not a film editor.)
2. Look at WHO is dancing together as couples, right at the end. This, like so many other fine details, carries lots of significance.
3. When Scott and Fran are practising on the deck at her house, under the instruction of her family, her Spanish father dances with her and says "Muy bien, muy bien, Fran. Very good!" Notice that he uses her Anglo name "Fran" rather than her Spanish name, and converts over to English. The look he gives her tells us that he is probably seeing his (deceased) wife, via his daughter whom he loves, and that he finally ACCEPTS her and her Anglo boyfriend. This is but one of many small scenes that have more depth than may be first apparent.
My wife and I grabbed this video to 'fill in time' during a quiet weekend. We were astounded at how it captivated us since we had already seen it when it first came out. Like other comments below, we have watched the end repeatedly, and it always 'revs us up' into the clouds. Bravo!
1. The EDITING is superb. All too often we focus on the actors, music, or cinematography. This is natural, and in this film all of these are superb. But keep a close watch of the editing - wow, it is perfect and ties the whole film together flawlessly. There are so many cuts that make the perspective magical.(And no, I am not a film editor.)
2. Look at WHO is dancing together as couples, right at the end. This, like so many other fine details, carries lots of significance.
3. When Scott and Fran are practising on the deck at her house, under the instruction of her family, her Spanish father dances with her and says "Muy bien, muy bien, Fran. Very good!" Notice that he uses her Anglo name "Fran" rather than her Spanish name, and converts over to English. The look he gives her tells us that he is probably seeing his (deceased) wife, via his daughter whom he loves, and that he finally ACCEPTS her and her Anglo boyfriend. This is but one of many small scenes that have more depth than may be first apparent.
My wife and I grabbed this video to 'fill in time' during a quiet weekend. We were astounded at how it captivated us since we had already seen it when it first came out. Like other comments below, we have watched the end repeatedly, and it always 'revs us up' into the clouds. Bravo!
The first time I saw Strictly Ballroom I tuned in accidentally to the grand climax while flipping through my cable channels: I was transfixed, and when the ten minutes was over I felt emotionally spent and stimulated at the same time, as if some door had been opened in my psyche. I knew I had to find the movie and watch it in its entirety. Now, fifteen viewings, a VHS tape, audio tape, and music CD of SB later, I happened upon it again tonight (interspliced with Sister Act by Emile Ardolino...), and I again watched the grand climax, with a bit of lead-in, with my wife and young sons. It was just as emotional and powerful as the first time, and I cried yet again. This is a very very special film. Baz Luhrman takes risks that most directors would not dare to, and his movies work because he gets to the heart of the matter, gets to the truth. In this case, the truth is "To thine own self be true", a familiar message told in a fresh and wonderful way. Bravo.
Waltz, Rumba, Samba, Tango, Cha Cha, Step Salsa... Never seen a movie with that much rich choreography before. That's Baz Luhrmann, who is an expert at swinging a visual feast; and Strictly Ballroom is his red curtain trio opening(together with Romeo+Juliet and Moulin Rouge!).
With his own style of cinematography and overdrive speed of camera work, it's impossible to watch a 94 minutes film in exact 94 minutes. Otherwise you'd be falling into anxiety saying to yourself: "Ooops! Did i just miss a scene?" I still rewind on many scenes each time I watch Strictly Ballroom and Moulin Rouge!
Here are some unforgettable and timelessly cult scenes and moments I most like:
1- Scott&Francesca dancing in front of the Coca Cola broad sheet at the roof 2- Scott&Francesca dancing with Doris Day's "Perhaps,Perhaps, Perhaps(1954 version)" behind the red curtain 3- Francesca and Scott's meeting scene and the way she introducing herself to Scott 4- Scott practicing his style of dance and watching himself by the mirror 5- Scott's father starting clapping in unison when Scott&Francesca turned back to the stage where they are banned 6- Francesca persuading Scott upon the choices they look forward to make beside the wire fences they walk through in the night
Strictly Ballroom is one of the best choices to watch and enjoy it with your beloved. It will keep you locked in a close embrace. It is also the best choice to start learning couples' dancing.
But, if you're looking for some silver screen accomplishment, which I mostly do for every movie I watched, there is only the noteworthy achievement of costume design. Directing-editing-screenplay are collaboratively proper since it is Baz Luhrmann's own project. I only disliked the sound editing.
With his own style of cinematography and overdrive speed of camera work, it's impossible to watch a 94 minutes film in exact 94 minutes. Otherwise you'd be falling into anxiety saying to yourself: "Ooops! Did i just miss a scene?" I still rewind on many scenes each time I watch Strictly Ballroom and Moulin Rouge!
Here are some unforgettable and timelessly cult scenes and moments I most like:
1- Scott&Francesca dancing in front of the Coca Cola broad sheet at the roof 2- Scott&Francesca dancing with Doris Day's "Perhaps,Perhaps, Perhaps(1954 version)" behind the red curtain 3- Francesca and Scott's meeting scene and the way she introducing herself to Scott 4- Scott practicing his style of dance and watching himself by the mirror 5- Scott's father starting clapping in unison when Scott&Francesca turned back to the stage where they are banned 6- Francesca persuading Scott upon the choices they look forward to make beside the wire fences they walk through in the night
Strictly Ballroom is one of the best choices to watch and enjoy it with your beloved. It will keep you locked in a close embrace. It is also the best choice to start learning couples' dancing.
But, if you're looking for some silver screen accomplishment, which I mostly do for every movie I watched, there is only the noteworthy achievement of costume design. Directing-editing-screenplay are collaboratively proper since it is Baz Luhrmann's own project. I only disliked the sound editing.
Long before the visually flamboyant director Baz Luhrmann gave us the blockbuster "Moulin Rouge", he made his debut with this quirky Aussie dancecom. The spirit of "Strictly Ballroom" is very campy, tongue-in-cheek and outright parodic, mercilessly skewering the pretentious world of ballroom dance competitions in a way that makes us wonder what planet this film was shot on.
Immediately you might be reminded of the hilarious Christopher Guest mockumentaries (Spinal Tap, A Mighty Wind, etc), but Baz gives this production an extra little push over the cliff. Unapologetically departing from reality, he hits us with a hyper-saturated visual feast, coupled with the fact that the story is set in the 1970s, taking us to the edge of absurdist fantasy. The presentation is almost claustrophobic, in that the entire story takes place on basically just 3 sets: the dance school, the girl's home, and the competition arena), and yet the magnificent use of colorful sets, elegant camera work, and large spaces makes us feel like we're in some sort of bizarre Aussie Wonderland. That's the Terry Gilliam (Brazil) part.
And if that blend isn't bizarre enough, get this. The plot itself is rooted in a very cute John Hughes-ish teen rebel story (Sixteen Candles, Ferris Bueller), thus appealing to our inner misfit youth. The combination is a real treat, and if any of these elements interest you, I guarantee you'll have a wild ride.
The dancing and choreography is absolutely stunning. Paul Mercurio ("Scott") definitely has moves that would make Fred Astaire tip his top hat, and Baz allows for a few long segments so we can take it all in. At the same time, the dance segments don't interrupt the pacing and flow of the story. Somehow it all blends together seamlessly. I have to say, dance, comedy and surrealism is an unlikely mix, but it comes together brilliantly. That's something I haven't seen since the days of Jerry Lewis directing.
"Strictly Ballroom" is one of the most entertaining and engaging movies about dancing I've ever seen. If you enjoy this flick, definitely check out "Razzle Dazzle", another hilarious Aussie dancecom, which also features the lovely Tara Morice ("Fran") but in a role I guarantee you wouldn't recognize her in if I hadn't told you.
Immediately you might be reminded of the hilarious Christopher Guest mockumentaries (Spinal Tap, A Mighty Wind, etc), but Baz gives this production an extra little push over the cliff. Unapologetically departing from reality, he hits us with a hyper-saturated visual feast, coupled with the fact that the story is set in the 1970s, taking us to the edge of absurdist fantasy. The presentation is almost claustrophobic, in that the entire story takes place on basically just 3 sets: the dance school, the girl's home, and the competition arena), and yet the magnificent use of colorful sets, elegant camera work, and large spaces makes us feel like we're in some sort of bizarre Aussie Wonderland. That's the Terry Gilliam (Brazil) part.
And if that blend isn't bizarre enough, get this. The plot itself is rooted in a very cute John Hughes-ish teen rebel story (Sixteen Candles, Ferris Bueller), thus appealing to our inner misfit youth. The combination is a real treat, and if any of these elements interest you, I guarantee you'll have a wild ride.
The dancing and choreography is absolutely stunning. Paul Mercurio ("Scott") definitely has moves that would make Fred Astaire tip his top hat, and Baz allows for a few long segments so we can take it all in. At the same time, the dance segments don't interrupt the pacing and flow of the story. Somehow it all blends together seamlessly. I have to say, dance, comedy and surrealism is an unlikely mix, but it comes together brilliantly. That's something I haven't seen since the days of Jerry Lewis directing.
"Strictly Ballroom" is one of the most entertaining and engaging movies about dancing I've ever seen. If you enjoy this flick, definitely check out "Razzle Dazzle", another hilarious Aussie dancecom, which also features the lovely Tara Morice ("Fran") but in a role I guarantee you wouldn't recognize her in if I hadn't told you.
I wasn't sure I was going to like this so imagine my surprise when I found out that I absolutely loved it! Contains and comprises all the right ingredients, perfectly proportioned, blended and mixed to make you laugh, cry, smile and grimace. Slip on your dancing shoes, glide onto the dance floor and free yourself for ninety minutes of antipodean ballroom brilliance.
Did you know
- TriviaFran's house was a set built on to an existing railway station. In the most expensive shot in the entire film, a train was hired to pass by the house twice. Once, a real food inspector came onto the set and demanded paperwork because he thought it was a real shop.
- GoofsWhen Shirley Hastings finally rips the calendar pages off in anger shouting, "It was his year," some of the pages underneath also show days marked off and the Pan-Pacific date circled in red.
- Crazy creditsAt the end of the film credits on VHS, a message appears saying "And the dancing continues...", and then it plays the video that was made at the time for John Paul Young's Love Is In The Air, the video having been made to go with the film's release.
- SoundtracksLove Is In The Air
Vocal by John Paul Young
Written by Harry Vanda & George Young
(c) 1978 J. Albert & Son Pty Ltd
by Courtesy of Albert Productions
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Strictly Ballroom
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- A$3,000,000 (estimated)
- Gross US & Canada
- $11,738,022
- Opening weekend US & Canada
- $145,977
- Feb 15, 1993
- Gross worldwide
- $11,761,116
- Runtime
- 1h 34m(94 min)
- Color
- Aspect ratio
- 1.85 : 1
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