Scanners III: Puissance maximum

Of the five "Scanners" movies that have been made to date, "Scanners III: The Takeover" is the least of the series. That is not to say that it isn't fun to watch; if you like B movies, this particular one does have some entertaining elements. It's pretty well made for what was a low budget, there are some pleasing splatter moments here and there, and the core of the story does have some intriguing idea that had potential. However, the actual execution of the story does have some unsatisfying aspects to it. Even though the movie runs only 95 or so minutes, you can really feel the padding; it didn't have to run as long as it did. The expansion of the powers of the scanners gets downright silly and unbelievable at times, even though this is a B movie. And the occasional attempts at humor run all over the map, ranging from being low key effective to downright embarrassing. If you liked the other entries of this series, you'll probably find enough to enjoy here, but you'll still think that the screenplay (by four writers!) should have had some serious rewrites before filming started.

A young female scanner turns from a sweet young thing into a murderous, power-crazed villain after she takes an experimental drug developed by her father. Her brother, who is also a scanner, is the only one powerful enough to stop her.

We start out with the standard good and evil plot, brother against sister... but, in all fairness, this is a plot structure that works. From there, it actually gets much more creative, introducing the use of Eastern meditation to control the scanning and the use of TV to more widely broadcast scanning.

Some memorable moments are here, too, including the mind-control dance scene, the Taiwanese boxing and plenty of firefights and explosions, including an arm that flies off.

As with "Scanners II", this definitely could have been a series, even more than the last film. The ideas developed here really set up a broader picture of good scanners against bad ones, and how such powers could be used not just on a combat level, but to actually infiltrate and dominate society. There is much potential.

During the Christmas party in her apartment, Joyce Stone (Valérie Valois) welcomes the stepbrothers Helena Monet (Liliana Komorowska) and Alex Monet (Steve Parrish), who is her boyfriend. Alex's best friend asks him to demonstrate his abilities of scanner and during his demonstration, Alex is distracted by a guest and accidentally kills his friend. Alex is considered non-guilty but decides to travel to a monastery in Thailand to learn to control his powers.

Two years later, Joyce and Helena are attacked by a gang in an alley and Helena activates her ability of scanner to save them. She has a severe migraine associated to the sound of voices and her stepfather Elton Monet (Colin Fox) shows an experimental EPH-3 patch that he is developing in his company to be used in scanners. Helena offers to be the guinea pig, but he does not accept the offer since he is still studying the side effects. During the night, Helena opens his wallet and secretly uses the EPH-3. Immediately her migraine disappears and she feels good; however her personality changes to an evil person. She humiliates her boss Mark Dragon (Peter Wright), who is the owner of the TV network where she works, and later she destroys him to assume the control of the television; she kills Elton to assume the control of his company and research; she kills Dr. Baumann (Harry Hill), who conducted painful experiments on her when she was a teenager. Meanwhile Alex's lawyer and friend Michael (Daniel Pilon) travels to Thailand to warn Alex about the changes in Helena but he is murdered by a scanner sent by Helena to follow him. The Monk (Sith Sekae) gives a final training to Alex and he returns home. Will Alex succeed to control Helena?

"Scanners III: The Takeover" is not a bad movie as indicated in the IMDb Users Rating; actually it is a good sequel of Scanners. The plot is well constructed through a tight screenplay; the story has a great villain; the acting is reasonable for a movie directly released on video. The transformation of a sweet woman into a powerful villain is a great idea and there is also humor, like when the gang is thrown into the garbage truck or her boss dancing in the restaurant; or Alex waking up and walking in the morgue. My vote is six.

Title (Brazil): "Scanners III - O Duelo Final ("Scanners III: The Final Duel")

It seemed to have been a curse of good 80's films with exploitable theme to sink ever lower depth, cheaper effects and amateurish actors, the more Roman numerals one would attach to them. Remember "RoboCop"? Half-decent sequel, a third part that reeked. "Warlock"? Cult-classic first part, mediocre second, unwatchable third. "Highlander"? "American Ninja"? "Batman"? The list could go on.

"Scanners III" neatly fits into that mould; the original being a true classic, the second part a cartoonish but enjoyable romp and the third, well, it makes you glad they didn't film a third "The Fly"-film (although an African video-vendor tried to sell me a bootleg of "The Fly III", but that's another story).

Short story shorter: a pair of Scanner siblings, one good one who has learned to control his powers and his evil sister, who chemically boosts her powers in order to take over the world, battle it out with the usual Scanner abilities. The powers are stronger, the theatrics – mostly due to the lack of acting abilities – are even more theatrical but the human-factor of the original "Scanners" has left the franchise forever. The original Scanners were mostly portrayed as average people who had to deal both with a power and a disease. One felt for their misery and, through the minimalist approach of original director David Cronenberg, one could almost imagine those people were troubled, but real people. The Scanners of this film seem like comic book heroes (and villains) who might well have fitted in with some cheap TV-production of "Super Friends".

This film isn't even cartoon anymore; it's the purest of C-grade straight-to-video Dreck. But there's the golden 80's principle and the producers had a concept there: most of the fans still slavishly rented or purchased the film, same as they did with "Scanner Cop" and "Scanner Cop II". I know I did. And I watched all the RoboCops because, you never know, there might be a shine of former brilliance to surface yet. People, we've all been conned. Will I go watch another sequel or a remake? Sure, I'm an incorrect able sucker for franchises and plan to stick to that – one can always complain later.

And by the way: when in East-Africa and they somebody tries to sell you a video-copy of "The Fly III", don't buy it! It's just a cheap horror-film, left on the cutting board table somewhere in Hong Kong, about a woman who stings herself on a mutated plant and gives birth to a giant killer-bug. Trust me: I know what I'm talking about! Four points for the film, one for nostalgia.

Christian Duguay directed in 1991 "Scanners II: The New Order", that same year he directed a third part, "Scanners III: The Takeover". The second film was amazing but this third part is weak, some good acting and gore, interesting scenes but the film is not that good, the comedy used in some moments is stupid. The script could be better. "Scanners" and "Scanners II: The New Order" are great films, but "Scanners III: The Takeover" is not good but not that bad either.