A group of skinheads become alarmed at the way their neighbourhood is changing.A group of skinheads become alarmed at the way their neighbourhood is changing.A group of skinheads become alarmed at the way their neighbourhood is changing.
- Awards
- 8 wins & 7 nominations total
Chris McLean
- Luke
- (as Christopher McLean)
Tony Le Nguyen
- Tiger
- (as Tony Lee)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
One of the better Australian movies to emanate from the 90's stars Russell Crowe before home-wrecking, hotel telephones and Oscars as an aggressive skinhead (Hando) whose relationship with best friend Daniel Pollock (Davy) sours over the ever-escalating brand of racism he practices, and the presence of Jacqueline Mackenzie's character with whom both are involved - Crowe's neglect paves the way for Pollock's advances and so the rivalry emerges.
Apart from Crowe (who is essentially monotone in-character) and Mackenzie as a misguided rich kid rebelling in the extreme, only Sam Wyllie is recognisable as one of the motley crew. Though Pollock could have potentially become a recognisable actor, tragically his life ended prematurely shortly following this film.
Generally, like a great many Australian pictures, "Romper Stomper" is edgy and raw, and the content of the film is fairly uncompromising in its violent and sometimes graphic detail (read nudity). This all bodes well if you're comfortable with the subject matter as you shouldn't be disappointed.
Apart from Crowe (who is essentially monotone in-character) and Mackenzie as a misguided rich kid rebelling in the extreme, only Sam Wyllie is recognisable as one of the motley crew. Though Pollock could have potentially become a recognisable actor, tragically his life ended prematurely shortly following this film.
Generally, like a great many Australian pictures, "Romper Stomper" is edgy and raw, and the content of the film is fairly uncompromising in its violent and sometimes graphic detail (read nudity). This all bodes well if you're comfortable with the subject matter as you shouldn't be disappointed.
I'm sure people may have dismissed this movie as a nazi tribute to white power. On the contrary, it gives an excellent picture of what happens when powerless people try to find some control over their lives. Nazi-ism itself is scapegoating and blame disguised as fascism, and this movie uses it to paint a picture of desolation and desperation.
White power and immigrant-hatred are not what this movie is about. It's about friendship and the need to belong to something. Russell Crowe's Hando is powerful - I couldn't take my eyes off of him. Hando uses that magnetism to draw people into his ideology, thus creating control and power for himself. Things begin to unravel when Gabe, the girl who comes between Hando and Davey, throws off the hold Hando has enjoyed over his little crowd. Remember what Orwell says: Absolute Power corrupts absolutely? Well, so does arrogance. Arrogance and the lack of respect for one's fellow man, regardless of race or creed, are key players in this plot.
I wish there had been more of Davey (Daniel Pollock) in this film, and I'm sorry to have learned of his real-life suicide in the weeks after it's completion. I recommend this film to people who are interested in how poverty, ignorance, and powerlessness change people into strange earthly demons capable of indiscriminate violence.
White power and immigrant-hatred are not what this movie is about. It's about friendship and the need to belong to something. Russell Crowe's Hando is powerful - I couldn't take my eyes off of him. Hando uses that magnetism to draw people into his ideology, thus creating control and power for himself. Things begin to unravel when Gabe, the girl who comes between Hando and Davey, throws off the hold Hando has enjoyed over his little crowd. Remember what Orwell says: Absolute Power corrupts absolutely? Well, so does arrogance. Arrogance and the lack of respect for one's fellow man, regardless of race or creed, are key players in this plot.
I wish there had been more of Davey (Daniel Pollock) in this film, and I'm sorry to have learned of his real-life suicide in the weeks after it's completion. I recommend this film to people who are interested in how poverty, ignorance, and powerlessness change people into strange earthly demons capable of indiscriminate violence.
This film will stay with you for quite awhile. It tells the story of Hando (Crowe) and his best mate Davey. Both are Skinheads in the Melbourne area, 1980's. Hando and Davey's lives revolve around collecting Nazi relics and attacking Orientals that have chosen to live in Australia. The two are very tight and big believers in the cause, keep Australia free of outsiders. However, when a girl enters the picture, one will start to see that life is more than just mindless violence and the other will go mad as he sees that his small group of Skins cannot change the fate of his country. This film is not preachy and does not come across as black and white. Both Hando and Davey have positive and negative traits. Instead, the picture tries to show what motivates Skins in doing what they do. The film has some violence, but only in attempt to show how pointless violence is. In my opinion, this is Crowe's finest performance. Moreover, the actor that played Davey is brilliant as well (sadly, he died shortly after the film was finished). If you want to see an excellent historical lesson about hate and how it destroys, see Romper Stomper.
A group of skinheads become alarmed at the way their neighborhood is changing.
So this was Russell Crowe's breakout performance? Being a tough guy who beats people up? Sounds about right, at least as far as his image is generally concerned.
I do not have much to say about this one. It lies on a plane somewhere between "A Clockwork Orange" and "American History X", with the racism turned against the Vietnamese rather than African-Americans. I know nothing about racial tension in Australia, so I cannot comment on this aspect -- I did not know they had a Neo-Nazi movement, even a small one.
So this was Russell Crowe's breakout performance? Being a tough guy who beats people up? Sounds about right, at least as far as his image is generally concerned.
I do not have much to say about this one. It lies on a plane somewhere between "A Clockwork Orange" and "American History X", with the racism turned against the Vietnamese rather than African-Americans. I know nothing about racial tension in Australia, so I cannot comment on this aspect -- I did not know they had a Neo-Nazi movement, even a small one.
I wish I had seen it earlier when it was on TV. Finally just got round to watching it on recommendation from a mate. I've never actually seen a Crowe film, Gladiator has now become a priority due to his performance in this. I have to say that it's not often a film will make me cringe, neither is it often that a film will have me so emotionally engrossed with the characters as ROMPER STOMPER did. It's hard to explain, but even though I hated what the characters stood for, I couldn't help but cheer them on! It's nice to see a film which doesn't just portray the 'goodies'. My favorite scenes are the party, the rich man's house and of course the mammoth battle. An excellent film which definitely makes it into my all time favorite flicks...9/10
Did you know
- TriviaDaniel Pollock, who plays Davey, committed suicide before the film's release.
- GoofsOne of the tourists from the tour bus has his finger over his camera's lens as he takes pictures.
- Crazy creditsThe end credits roll over a sideways viewpoint of the beach from the dying Hando that fades to gray and then to black.
- Alternate versionsAn edited, R-rated version is available on video in the U.S.
- ConnectionsEdited into Terror Nullius (2018)
- SoundtracksLes pecheurs de perles
Composed by Georges Bizet
Details
- Release date
- Country of origin
- Languages
- Also known as
- Fanatic - Romper Stomper
- Filming locations
- Richmond, Melbourne, Victoria, Australia(train station.)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $175,340
- Opening weekend US & Canada
- $8,233
- Jun 13, 1993
- Gross worldwide
- $175,732
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