IMDb RATING
6.2/10
5.3K
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Charles Dexter Ward's wife enlists the help of a private detective to find out what her husband is up to in a remote cabin owned by his family for centuries.Charles Dexter Ward's wife enlists the help of a private detective to find out what her husband is up to in a remote cabin owned by his family for centuries.Charles Dexter Ward's wife enlists the help of a private detective to find out what her husband is up to in a remote cabin owned by his family for centuries.
- Awards
- 1 win & 3 nominations total
Ken Camroux-Taylor
- Captain Ben Szandor
- (as Ken Camroux)
Patrick P. Pon
- Raymond
- (as Patrick Pon)
Philip Maurice Hayes
- Uniform Cop
- (as Philip Hayes)
Charles K. Pitts
- Ezra Ward
- (as Charles Kristian)
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- Writers
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- Production, box office & more at IMDbPro
Featured reviews
Here's something you do not see everyday, a horror movie that actually remains faithful to book it was adapted from. Often film makers who alter the original product in the name of creativity needlessly dilute or destroy the story in the process. In 'The Resurrected' director Dan O'bannon wisely refrains from such tinkering. He takes H.P. Lovecraft's creepy classic, 'The strange case of Charles Dexter Ward', and places it amid late 20th century trappings. The result is a near perfect horror movie.
The film starts off like a cheap detective novel. A hard boiled trench coat clad private investagator sits in his office waiting for his next case to come along. Enter a beautiful blonde who hires him to discover why her scientist husband is spending all of his time in his secluded lab.
At first the P.I. believes the scientist, one Charles Dexter ward is having an affair. He soon finds Ward is involved not with a lover but a research partner. A mysterious fellow known only as Doctor Ash. The two are apparently engaged in highly secertive experiments involving tons of fresh meat.
Shortly after this revealation, strange things begin happen in and around the Ward estate. Doctor Ash vanishes. Wards begins to conversing in antiquated speech. Ward's neighbors become the victims of grisley killings.
As the case unfolds the detective follows these and other clues down a path that leads further and further into the preternatural.
This film is something rare. A horror movie that is actually scary. It is probably the best ever adaptation of a Lovecraft story. The reason for this is simple. Unlike most filmakers director O'bannon had the common sense to let Lovecraft's masterful writing speak for itself.
The film starts off like a cheap detective novel. A hard boiled trench coat clad private investagator sits in his office waiting for his next case to come along. Enter a beautiful blonde who hires him to discover why her scientist husband is spending all of his time in his secluded lab.
At first the P.I. believes the scientist, one Charles Dexter ward is having an affair. He soon finds Ward is involved not with a lover but a research partner. A mysterious fellow known only as Doctor Ash. The two are apparently engaged in highly secertive experiments involving tons of fresh meat.
Shortly after this revealation, strange things begin happen in and around the Ward estate. Doctor Ash vanishes. Wards begins to conversing in antiquated speech. Ward's neighbors become the victims of grisley killings.
As the case unfolds the detective follows these and other clues down a path that leads further and further into the preternatural.
This film is something rare. A horror movie that is actually scary. It is probably the best ever adaptation of a Lovecraft story. The reason for this is simple. Unlike most filmakers director O'bannon had the common sense to let Lovecraft's masterful writing speak for itself.
"The Resurrected," based on Lovecraft's story "The Case of Charles Dexter Ward," focuses on a Rhode Island P.I. who one day is contacted by the wife of a chemist. She expresses concern over her husband's erratic behavior, which has led to him isolating himself at his remote family estate, where he has been suspected by locals of grave robbing and performing disturbing experiments with human body parts. What they discover is all that and more.
Given that I am not familiar with H.P. Lovecraft, nor am I familiar with director Dan O'Bannon's work or other Lovecraft adaptations, I feel I have a fairly objective opinion to offer here. It seems that the user reviews largely reflect the reactions of (mostly) big Lovecraft fans. From my knowledge, "The Resurrected" essentially takes the premise of the Lovecraft story and situates it in the twentieth century, and more or less is consistent with the story's framework.
The film's beginning is rather dull, and I wondered what I was getting myself into; a drab, single-take shot of Jane Sibbett and John Terry in a very nineties-decor office gave the affect of a cheap television movie—and in all honesty, much of the film does in fact feel like that, from the unimaginative cinematography to the poor editing and sometimes awkward performances. That said, if you stick with the film, it does get progressively interesting and progressively weird.
The final thirty minutes are what really cemented my enjoyment of the film, where it becomes a sort of "Indiana Jones"-esque horror film, and the filmmakers seem to step up their game in terms of the camera-work and atmosphere. The special effects are in some respects dated, but in others look passable by today's standards. The acting, as I said, is a bit of a hodgepodge, with Chris Sarandon overacting at times; John Terry is only mildly likable as the lead detective, and Jane Sibbett ranges from bad to quite good. Robert Romanus has a memorable part as the P.I.'s chain-smoking sidekick. The final showdown is well-handled, though the voiceovers from Terry that conclude the film (and which are present throughout) leave a bit to be desired.
Overall, "The Resurrected" is a pretty decent horror flick. It definitely has the look and feel of a low-budget television movie at times, but it also manages to be atmospheric and quite a lot of fun once its wheels get turning. If the first twenty minutes of early-nineties aesthetic overload is too much, I'd urge you stick with it, as it really starts to demand one's attention about a quarter of the way through. It is not a flawless film by any stretch of the imagination, but it is commendably dark and compelling. 6/10.
Given that I am not familiar with H.P. Lovecraft, nor am I familiar with director Dan O'Bannon's work or other Lovecraft adaptations, I feel I have a fairly objective opinion to offer here. It seems that the user reviews largely reflect the reactions of (mostly) big Lovecraft fans. From my knowledge, "The Resurrected" essentially takes the premise of the Lovecraft story and situates it in the twentieth century, and more or less is consistent with the story's framework.
The film's beginning is rather dull, and I wondered what I was getting myself into; a drab, single-take shot of Jane Sibbett and John Terry in a very nineties-decor office gave the affect of a cheap television movie—and in all honesty, much of the film does in fact feel like that, from the unimaginative cinematography to the poor editing and sometimes awkward performances. That said, if you stick with the film, it does get progressively interesting and progressively weird.
The final thirty minutes are what really cemented my enjoyment of the film, where it becomes a sort of "Indiana Jones"-esque horror film, and the filmmakers seem to step up their game in terms of the camera-work and atmosphere. The special effects are in some respects dated, but in others look passable by today's standards. The acting, as I said, is a bit of a hodgepodge, with Chris Sarandon overacting at times; John Terry is only mildly likable as the lead detective, and Jane Sibbett ranges from bad to quite good. Robert Romanus has a memorable part as the P.I.'s chain-smoking sidekick. The final showdown is well-handled, though the voiceovers from Terry that conclude the film (and which are present throughout) leave a bit to be desired.
Overall, "The Resurrected" is a pretty decent horror flick. It definitely has the look and feel of a low-budget television movie at times, but it also manages to be atmospheric and quite a lot of fun once its wheels get turning. If the first twenty minutes of early-nineties aesthetic overload is too much, I'd urge you stick with it, as it really starts to demand one's attention about a quarter of the way through. It is not a flawless film by any stretch of the imagination, but it is commendably dark and compelling. 6/10.
The nineties were a disappointing decade for the horror genre whichever way you look at it, so it's lucky that filmmakers like Stuart Gordon and Dan O'Bannon were on hand to adapt classic HP Lovecraft stories. Horror fans have got used to seeing a director's credit for the aforementioned Stuart Gordon and a starring role for the great Jeffrey Combs in Lovecraft films; but even though this one has neither, director Dan O'Bannon has succeeded in brining the classic "The Case of Charles Dexter Ward" to screen. Of course, this isn't the first screen adaptation of the classic story; as Roger Corman made a rather good one in 1963 with the classic 'The Haunted Palace'. The plot has shades of Re-Animator, and follows an investigation into a man who may have found a way to cheat death. The story starts when Charles Dexter Ward's wife visits a private detective, asking him to investigate her husband who has become a recluse; living in a house on their estate grounds. A strange smell of death permeates the air surrounding the retreat, and the neighbours are suspicious after seeing the amount of raw meat being delivered...
The film doesn't contain a great deal of suspense, but the director masks this nicely with a great aura of mystery and intrigue. The film builds up to finally discovering the mystery behind what Charles Dexter Ward has been doing, and although it takes a while to get there - the film never gets boring because O'Bannon keeps the mystery bubbling. The special effects are a little silly, but they actually work quite well in the context of the film, and O'Bannon gets to show his twisted imagination with abominations such as a still-living mauled torso and many other otherworldly creatures. There's a lot of blood and guts too, and even though the film appears to be trying to imitate A-class horror, O'Bannon doesn't completely veer away from B-movie cinema. The acting is decent enough, but one of the few weak links for me. John Terry is more than a little unenthusiastic, while Chris Sarandon never completely convinces in the Vincent Price role of the villain. That really isn't important, however, as it's the atmosphere and the story that are the stars of the show here - and The Resurrected is strong in both those areas. This film is indeed a lost gem and one that deserves to be more seen!
The film doesn't contain a great deal of suspense, but the director masks this nicely with a great aura of mystery and intrigue. The film builds up to finally discovering the mystery behind what Charles Dexter Ward has been doing, and although it takes a while to get there - the film never gets boring because O'Bannon keeps the mystery bubbling. The special effects are a little silly, but they actually work quite well in the context of the film, and O'Bannon gets to show his twisted imagination with abominations such as a still-living mauled torso and many other otherworldly creatures. There's a lot of blood and guts too, and even though the film appears to be trying to imitate A-class horror, O'Bannon doesn't completely veer away from B-movie cinema. The acting is decent enough, but one of the few weak links for me. John Terry is more than a little unenthusiastic, while Chris Sarandon never completely convinces in the Vincent Price role of the villain. That really isn't important, however, as it's the atmosphere and the story that are the stars of the show here - and The Resurrected is strong in both those areas. This film is indeed a lost gem and one that deserves to be more seen!
Modern day Rhode Island is the setting for this adaptation of the H.P. Lovecraft yarn "The Case of Charles Dexter Ward". John Terry ("Full Metal Jacket") stars as private eye John March, hired by comely young Claire Ward (Jane Sibbett, 'Friends') to find out what her husband Charles (Chris Sarandon, "Fright Night" and "Child's Play") is up to. Not that long ago, Charles had come into the possessions of an ancestor, and been awfully intrigued by what he found. He sets up a laboratory in a remote locale so he can work on a series of messy (and I do mean MESSY) experiments. Ones that involve a lot of blood and fresh meat.
One of only two feature length directorial efforts for the late screenwriter Dan O'Bannon (the other being, of course, "The Return of the Living Dead"), this picture does have some ominous atmosphere, a twisty story (there are flashbacks within flashbacks), a wonderful music score by Richard Band, and eye popping monster effects by Todd Masters and his company. The acting is variable. Terry is just okay, but he at least comes off better than the bland Sibbett. Sarandon, unsurprisingly, acts rings around them both, and gets to have some fun when he starts behaving even more strangely than before, and speaks using antiquated language. Laurie Briscoe is fine eye candy as March's miniskirt wearing secretary, and the ever amusing Robert Romanus ("Fast Times at Ridgemont High") is amiable as March's leg man Lonnie Peck.
O'Bannon proves himself to be at home in this sort of horror fare. Granted, the production company would tamper with it after he was done, apparently removing the element of humour that one might expect from the man who made RotLd. It's an entertaining story, that begins on a good note, but it's also a protracted one. One major "haunted house walk" set piece occurs a little past the one hour mark, and it could have used some tightening. The film does lead to a dazzling special effects-laden finale, and some horror fans are sure to be delighted by all the gore.
Not a great film, by any means, but reasonably compelling and worth comparing to the 1963 Roger Corman version, "The Haunted Palace".
Seven out of 10.
One of only two feature length directorial efforts for the late screenwriter Dan O'Bannon (the other being, of course, "The Return of the Living Dead"), this picture does have some ominous atmosphere, a twisty story (there are flashbacks within flashbacks), a wonderful music score by Richard Band, and eye popping monster effects by Todd Masters and his company. The acting is variable. Terry is just okay, but he at least comes off better than the bland Sibbett. Sarandon, unsurprisingly, acts rings around them both, and gets to have some fun when he starts behaving even more strangely than before, and speaks using antiquated language. Laurie Briscoe is fine eye candy as March's miniskirt wearing secretary, and the ever amusing Robert Romanus ("Fast Times at Ridgemont High") is amiable as March's leg man Lonnie Peck.
O'Bannon proves himself to be at home in this sort of horror fare. Granted, the production company would tamper with it after he was done, apparently removing the element of humour that one might expect from the man who made RotLd. It's an entertaining story, that begins on a good note, but it's also a protracted one. One major "haunted house walk" set piece occurs a little past the one hour mark, and it could have used some tightening. The film does lead to a dazzling special effects-laden finale, and some horror fans are sure to be delighted by all the gore.
Not a great film, by any means, but reasonably compelling and worth comparing to the 1963 Roger Corman version, "The Haunted Palace".
Seven out of 10.
There is one other film I know of which is based on Lovecrafts "The Case of Charles Dexter Ward", and that is the old Roger Corman movie "Edgar Allen Poe's The Haunted Palace", with Vincent Price as Joseph Curwen and Charles Ward. But The Resurrected is by far the most accurate movie about this story, which is damning it with faint praise.
The Resurrected is set in the modern day and Charles Ward is the head chemist at Belmar Cosmetics. He's rich. He has a beautiful wife. He's Chris Sarandon. But his wife detects that Charles is having some problems and so enlists a detective from the Marsh Agency to investiate. If you like the Call of Cthulhu game as well as Lovecraft you'll recognise how this movie goes: the detective makes his Library Use roll, uses his paid source to get info, makes an initial foray into enemy territory, then eventually finds the deepest secrets of Charles Dexter Ward. Almost everything in the book is in the movie: the painting, the formula for re-animation, the essential saltes, the pits, the initial destruction of Curwen in Revolutionary War times. It's all here and with good acting, costuming, and set. Curwens secret abode is everything you'd expect after reading the book.
Simply put this movie is great. It and maybe one other movie are the reason I still have a Laserdisk player, as it's sadly not yet out on DVD.
The Resurrected is set in the modern day and Charles Ward is the head chemist at Belmar Cosmetics. He's rich. He has a beautiful wife. He's Chris Sarandon. But his wife detects that Charles is having some problems and so enlists a detective from the Marsh Agency to investiate. If you like the Call of Cthulhu game as well as Lovecraft you'll recognise how this movie goes: the detective makes his Library Use roll, uses his paid source to get info, makes an initial foray into enemy territory, then eventually finds the deepest secrets of Charles Dexter Ward. Almost everything in the book is in the movie: the painting, the formula for re-animation, the essential saltes, the pits, the initial destruction of Curwen in Revolutionary War times. It's all here and with good acting, costuming, and set. Curwens secret abode is everything you'd expect after reading the book.
Simply put this movie is great. It and maybe one other movie are the reason I still have a Laserdisk player, as it's sadly not yet out on DVD.
Did you know
- TriviaAccording to Diane O'Bannon, the film was re-cut against her husband's objections and released without his approval; it was re-edited without the humor that he had attempted to put into it.
- GoofsWhen Claire Ward first visits John March, she sits in his office, and we can see Holly the receptionist's desk behind Claire through the glass wall. The first time we see this shot, there is someone who is not Holly behind the desk. The next time we see the shot, Holly is at her desk, but talking to someone, although as far as we know, no one else is there.
- Quotes
Joseph Curwen: Strong as my hunger for knowledge may be, my hunger for food is so much stronger.
- Alternate versionsDirector Dan O'Bannon's original cut ran over two hours and was subsequently edited down by the film's producers. The recent Blu-ray collector's edition of the film released in Germany by OFDb Filmworks contains a work print cut that runs 2 hours and 17 minutes. Additional scenes include a longer introduction of John March and Lonnie Peck, extended and new dream sequences, and a romantic encounter between March and Claire Ward.
- ConnectionsFeatured in 31 Horror Movies in 31 Days: Missed Potential (2018)
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Details
Box office
- Budget
- $4,000,000 (estimated)
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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