Bruits de coulisses

21 March 2009. The movie version of the play can't even come close replicating the complex and risky physical comedy that live theater, if done well, explodes into a dazzling sheer hilarious and spectacular presentation in real time. A lot depends on exact timing and the audience knows it. The first and third acts in both the film and live theater productions are fairly similar and the tone of the comedy is approximate. Unfortunately, the movie version's second act, behind the scenes where the movie version breaks down and the liquor bottle comic antics are completely lost. It's hard to keep up with what's going on and the duplicity of the relationships in the movie version. Overall, the movie holds its own in the first act, loses a lot in the second, and is adequately, if not sharp and snappy in its delivery in the second. The movie has a number of great moments mostly due to the playwright's script. The movie is funny, but it just can't hold a plate to a Broadway production of the play. **Since the movie's release, it is with sadness that Christopher Reeves and John Ritter have since past away which in a way deflates the movie, until their performances and the rest of the cast is able to their credit transport us into the past and their live behavior on the screen.** 6/10.

More than 20 years later, Noises Off ages well as the memory of the brilliant stage performance fades in comparison. While not spectacular as a movie production, the movie seems to be more funny and more entertaining than originally seen, especially the second act. So while Noises Off might not come across as great, it has become a nice testament of comedy for the late Christopher Reeve, late John Ritter, and the late Denholm Elliot which Noises Off was to be his final movie. Definitely worth renting for the experience. Reviewed 4/3/2021. 7/10.

I was only twelve years old when I saw this movie in the theaters. I could not stop laughing during the entire movie! Everyone in the theater (sadly it wasn't packed) burst out laughing at what seemed like every single line. Although the play within the movie is a sex farce, other than Nicolette Sheridan running around in her underwear, this movie is still appropriate for the whole family. Parents need not worry about covering their childrens' eyes or ears.

The entire cast was picture perfect in their comedic timing. The visual sequences backstage were stunning in their crispness, all the while making the audience have fits of laughter. I laughed so hard I cried, and this was when I was only twelve. Michael Caine is great as a hard-nosed director. Nobody does physical comedy like John Ritter. Carol Burnett's expressions in the movie are just priceless. And, this is one of the last movies Christopher Reeve made before his riding accident that left him paralyzed. I never knew he could do comedy, having grown up on the Superman movies, but seeing him as a bumbling idiot cracked me up. And kudos to the rest of the cast for a delightful comedy!

Having been involved in several productions in high school, Noises Off hits even closer to home, as the backstage shenanigans, though not as brutal, DO happen quite often, for those of you who've never done theater. I loved watching the movie again after I finished high school and had the experience of having performed on stage. Now there were experiences I could relate to, like two actors hating each other, love triangles (or even quadrilaterals!), and missing props. Backstage during a play can be one of the most hectic places in the world! And the cast superbly brings out the sheer insanity of it, to the delight of the audience.

Looking at the last 10 years, to be cliche, they just don't make movies like this anymore. Now the trend seems to be toilet humor like There's Something About Mary, South Park, and any Jim Carrey movie. Don't get me wrong, I loved the two movies mentioned above and laughed my butt off, but I laughed because of the toilet humor and the raunchiness. And this comedy made me laugh more than I ever have for any movie, bar none. It is all the more refreshing to see a comedy where toilet humor is not needed to leave the audience in stitches. A little sex humor, yes, but it is on the mild side, tame enough even for little kids. It is not about "let's see, what can we put in the movie to REALLY gross out the audience?"

So, go rent this movie today! It is worth however much it costs! If you have never done theater in your life, you will find it a nonstop comedy of errors. If you have done/are doing theater, you will love this movie on another level. Watch it by yourself; watch it with others. It really doesn't matter, but most likely you'll want to share this movie with your family, your friends, your loved ones, etc.

The timing, the plot, the acting, the variety of people, all of this make up a movie which literally had me crying with laughter for the entire second half of the film. I wanted to watch it again immediately, and likely would have if it hadn't been 2:30 am. The idea of the film is that these actors - playing actors - pull together, fight, and put up with each other to keep a play going. This is John Ritter as his amusing self, without going overboard. This is Christopher Reeve: tall, good looking, humble, funny. Carol Burnett being just ... HER. This is Julie Haggerty meek, mild, and under control. Mostly. This is Michael Caine, sly and cranky. Typecasting? NOOOO!!*grin* The whole cast is perfect for their respective roles. Tiny TINY bit of language, but otherwise something for a variety of ages. Find it, make popcorn, sit and watch - but don't eat the popcorn around the second half, you might choke.

Maer

I am involved with the theater and I would just like to say that everything that happened in this movie is true! Anything and everything always goes wrong. It makes you truly appreciate what happens backstage, even when everything does decide to go right. I appreciate this movie to the fullest, and I would love to see the play sometime.

"Noises Off" brings door-slamming hilariousness to the screen as an adaptation of the stage play. With the cast to die for: Michael Caine, Carole Burnett, Nicolette Sheridan, Julie Haggarty, Christopher Reeve, Denholm Elliott, and John Ritter, the storyline of a cast preparing for out of town run of a comedy quickly descends to back-stage antics, jealousy, lost contact lenses, and sardines at every turn. Peter Bogdonovich steers this witty production of a play, in a play, in a play with multiple staging's as dress rehearsal, opening night, and the worst night in Cleveland is turned into a Broadway triumph.

The initial opening dress rehearsal sets up the story of the play's characters, their original entrances and exits, key lines, and props if all went well. From then on, the production deteriorates with backstage gossip, romances, and fiasco mistakes that quickly become running jokes of missed timing, malfunctioning props, and erratic ego's out of control. Each character's quirks are their achilles heel and from start to finish, the play's momentum keeps the cast on their toes as they step on and over each other to curtain.

If you've ever done theatre at any level, this film is for you. It is simply the most hysterical comedy of timing and entrances. If you've wondered about theatre productions, this film is for you. And, if you just love the theater, this film is definitely for you. It is filled with trueisms that have happened, will happen, and could happen in all the disastrous and varied forms.

I caught this film originally on HBO and laughed so hard I had to buy the video. It is a wonderful film for great performances by the late actors, Reeve, Ritter, and Elliott, and their brilliance is all the more bittersweet by the excellence of their timing, physical humor, and read of the lines. For the sex is Desperate Housewife, Nicolette Sheridan in her underwear from moment one to last scene, on her knees, and blind as a bat without contacts. Michael Caine should have been acknowledged for this performance as he is so perfect as the harried director that it makes his work in drama all the better.

Each time I catch this film, it gets funnier and makes me laugh to tears. See it just to cry over what great talent has been lost too young, and just be amazed and amuzed at what great ensemble casting is all about behind and in front of the curtain.