La Loi de la nuit

The only reason I saw this movie was its filming locale, Boxers on West 4th Street in NYC. (Ironically, the bar had nothing to do with "Boxers" as in pugilists). Its not Boxers that I will remember, its the predecessor on this corner, Boxers decor was the same as the lamented JIMMY DAYS that graced this corner from about 1970 until 1989 or 1990. When Jimmy was forced out by escalating rents, Boxers moved in, keeping the exposed brick ceiling decor the same. Soon, this movie may be the only permanent record of a great NY neighborhood bar known as JIMMY DAYS. There is a Margot Kidder independent movie from the 1970s that was filmed here when it was Jimmy Days, called Willie and Phil.

An ambulance chasing lawyer decides to become a boxing promoter in NYC. However he comes into conflict with money lenders and the local mob. He finds that his talk and promises are meaningless unless he can back them up and he digs himself into deeper trouble with every word.

This is a very low key NY drama in De Niro's career - more typical of the bottom feeders he played in the 70's than the powerful mob figures he has played more recently. This has a depressing feel of inevitability about it - you can see the problems in Fabian's plans long before they happen, giving the film a feel of small time from the very start. This isn't a story about small time making it big, rather a story of a hustler who talks himself into a corner. The story is therefore quite compelling, despite it being very low key, the only weakness being the romance subplot and the fact that it is quite depressing.

De Niro is good as Fabian, his best scenes are when he's talking, trying to create something that isn't. However his character isn't totally believable and when it all comes falling down it isn't that well done. Jessica Lange is good but doesn't have that much to do and again her character isn't convincing when the bad times come. Support is good from the likes of Eli Wallach, Jack Warner, Alan King and others.

Overall this is a good film with an overall air of realism. Not one of De Niro's best and indeed it has it's weaknesses but it's quite good.

This is a remake of Night and the City (1950) directed by Jules Dissan, who was blacklisted by Hollywood because of actions by the House Un-American Activities Committee, and for that reason is dedicated to Dissan who had to continue his career in Europe. The original film starred Richard Widmark, Gene Tierney, Francis L. Sullivan and Herbert Lom. I haven't seen that film, but I understand that it is very good.

This film from 1992 is not bad; however for some reason its reputation isn't much. The voters at IMDb give it a rather tepid 5.7 stars out of 10 while giving the original 8 out of 10. I'm not sure why, but I think it has to do with: (1) Robert De Niro playing a non-heroic character. It certainly doesn't have anything to do with his acting. He is outstanding as Harry Fabian, flimflam low life lawyer and cheap BS artist who tries desperately to make a big splash as a fight promoter. I think most De Niro fans would prefer to see him in a more two-fisted role. At any rate, those who didn't like the movie almost certainly didn't care for De Niro's performance since his character dominates the action.

(2) The ending, which some might see as unfinished and others as disagreeable since, regardless of what transpires, Fabian is still a loser, perhaps bigger than ever.

(3) Some rather cheesy plot play. Near the end Fabian and Helen (Jessica Lange looking as fetching as ever) hide in a dead end alley among dumpsters and trash cans. Well, they should have continued running since the guys after them were only walking. Also when Fabian and Helen run out the side door of the restaurant they go the wrong way so that the heavies can see them running across the street. Had they turned left instead of right (as anybody in their situation would have done) they would not even have been seen. Furthermore, Fabian in a flamboyant gesture throws $12,000 into the air that flutters to the ground in the dead end alley. Nobody bothers to pick it up. That could happen.

What cannot be faulted is the authentic New York atmosphere created by director Irvin Winkler, who is better know as a producer, most notably of the Sylvester Stallone "Rocky" films, and the fine work by the rest of the cast, especially Alan King (Ira "Boom Boom" Grossman), Eli Wallach (Peck), Cliff Gorman (Phil Nasseros), and Jack Warden (Al Grossman). The story itself, from a novel by Gerald Kersh (script by Richard Price), is a variation on the "lovable, colorful loser makes good" theme, only in this case, like an inept noir anti-hero, he falls on his face--more than once, by the way.

No real De Niro fan should miss this. Personally I thought it was one of his best performances. The rapid fire dialogue, the fawning, pathetic, yet somehow uplifting personality were not something most actors could pull off, at least not nearly as well. De Niro became the character he portrayed.

Bottom line: definitely worth seeing. You will not be bored.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)

The picture deals an ambitious, fast-talking lawyer named Harry Fabian(Robert De Niro, Richard Widmark role) in N.Y.C., he's a hustler with several money-making schemes . Harry concocts a plot as boxing's small-time promoter . But he makes erroneous friends, the old boxer's brother(Alan King), a tough gangster. Harry is the role who fills completely the movie , he survives as person who reports false crime in the trials. Harry becoming involved with mobsters and an affair with his barman's spouse(Jessica Lange). But his plans go awry and he's on the run for his life. The story terminates with a persecution excellently filmed with all its rawness .

This noir urban/drama packs good performances though Robert De Niro is overacting. Nice interpretation by Jessica Lange , the only character who shows a bit of kindness on Harry. Supporting casting is frankly well, as Cliff Gorman, Eli Wallach, Jack Warden, Barry Primus, Michael Badalucco, among others , furthermore cameo role by Richard Price, screenplay's author. Dark cinematography by Tak Fujimoto and atmospheric and effective musical score by James Newton Howard. This version about Harry downfall lacks punch and dramatic weight, it results to be much better the classic adaptation (1955), a real masterpiece, set in London with Richard Widmark, Gene Tierney and Herbert Lom. This inferior new version is dedicated to Jules Dassin, the magnificent director of the original picture and adapted from the novel by Gerard Kersh. The motion picture is regularly directed by Irwin Winkler, usual producer of Robert De Niro films and occasionally filmmaker.

There is some good acting in Night and the City, but the movie overall is unremarkable.

I picked this movie up at the video store last week, only because Robert De Niro is in it. I have to admit, even though I see a lot of movies, I don't think I had heard of this movie until I picked it up that evening, even though I had probably skimmed across the cover on the box while browsing at the video store.

I found this movie pretty hard to watch, mainly because De Niro's character Harry Fabian is not very likeable and I tried very hard to like or respect this character, but I only felt sorry for the guy and I found this depressing. However, De Niro and some of the supporting actors are quite good from an acting perspective in some scenes.

I gave this movie a 6 out of 10. I'd only recommend this movie to De Niro fans.