Medicine Man - Le sorcier de l'océan vert

When this movie came out in 1992, many critics seemed to feel that it was mediocre, or average at best. Even as a hardcore Connery fan I avoided the film simply based on a handful of reviews I had read in the media at the time.

Fast forward nearly ten years and the mixed reviews here on imdb reinforced my apathy towards the film. It wasn't until I borrowed a copy through a local library that I finally watched the movie just now, and I fail to see why it's supposedly not up to par. I thought it was a fine film in most respects: the storytelling was good, the dialogue was snappy, the cinematography was wonderful, and it had a positive message. It's not an action movie, but I never felt bored at all...if anything, it was a refreshing change of pace and scenery, and Sean Connery continues to astound me with his versatility. His acting was superb, which is not really a big suprise, but he seemed more into this role than some others I've seen him in. Even the wig and ponytail looked real!

Like a lot of other people, I found Lorraine Bracco's character quite annoying, almost insufferable at certain points, but that's the whole point: her character is supposed to be like that, and the truth is that if she didn't come across as so irritating then that would have been failed acting skills on her part. I think she did a great job at being annoying, which is what she was supposed to do. I imagine that if you took some ivy league lab rat scholar and dumped them right in the middle of a situation and place that's totally foreign to them, you'd probably get a reaction like the one she portrayed. I found the two leads had a good chemistry, and the constant tension and conflict between them was very convincing and helped to propel the story along.

All in all an enjoyable film, but some of the other aspects could have and should have been expanded. I felt that they spent too much time searching the trees for the plant they needed, and the whole conflict with the developers was thrown in at too late a juncture. These aren't major failings however, so I'd recommend the film to anyone looking for something a bit different, and it's a must for any Connery fan. Don't wait ten years to see it simply because some critics didn't think it was a masterpiece. Screw the critics!

A fine movie, not to be judged on the basis of Hollywood's usual recipe for storytelling. The eccentric scientist Robert Campbell (Connery) who has found a cure for cancer out in the jungle, is not able to reproduce its exact composition. Biologist Rae Crane (Bracco) biologist has dropped in from academia to be his judge and jury and decide on Campbell's continued funding.

The film pays a fair amount of attention to scientific detail (such as "running baselines" and using "experimental controls") interspersing it throughout with lively and shrewd exchanges between Campbell and Crane. To that they add mildly sarcastic observations on field work and fund-raising committees. Whilst this scientific sub-story line runs along, we are shown glimpses of life in a sympathetic tribe for which Campbell has become a sort of sugar daddy. Ethics and personal choice confront both scientists as they struggle with the decision to reserve the last bit of serum either for the good of humanity or the life of one of the tribe's children.

McTiernan has weaved all these elements excellently and Connery and Bracco play their roles so convincingly that you could be excused for thinking they may have scientific backgrounds in real life.

The film is a feast for educated people - which is probably the reason why many of the critics have missed the fine points and proceeded to rattle off some vitriolic commentary more aimed, in my view, at self-aggrandizement than constructive film criticism. One even complained that Medicine Man didn't quite match up to Die Hard. Now there is a proper comparison for you.

I've never understood why this movie is so poorly received. Sure, Lorraine Bracco is a bit shrill. No one said she came from a "high class" family, just that she was marrying well. My sister-in-law is a scientist with NIH and she came from humble roots. That Bracco got through to the tribe's medicine man when Connery had failed was the contrast between the two approaches the "white man" could make toward the natives. Bracco's negotiating skills and stubborn common sense contrasted nicely with Connery's unintentionally patronizing approach. Who COULD have been cast who would have been more convincing as the "civilized" woman "going native". Lauren Hutton, maybe. The solution to the mystery of "compound 37" was a genuine surprise, even though it was partially revealed on two separate occasions. The climax was intensely dramatic, ironic and sad; though, it too helped usher in the satisfying conclusion. Jerry Goldsmith's superb score raises what is already an outstanding movie. I don't care about anyone else's opinion. For me, "Medicine Man" is a "10".

Eccentric scientist Dr. Robert Campbell (Sean Connery) asks for an assistant and a gas chromatograph after 3 years of silence in the Amazon jungle. The drug company sends Dr. Rae Crane (Lorraine Bracco) who is out of her elements. She finds Campbell completely immersed with the natives. She's actually there to judge his progress and whether or not to cut off funding. He believes that he has found a cure for cancer. Only he can't reproduce it and the bulldozers are coming.

I think people missed the fact that this is very much a formulaic rom-com. The serious matter of cancer cure and Amazon destruction masks that fact from almost everybody. The formula is simple. They hate each other and then they fall in love. I actually find Lorraine Bracco hilariously adorable but I guess most people found her annoying. Not everybody likes a woman who talks back. Jerry Goldsmith's music is memorable as always. This is a fun rom-com if one lets it be. And climbing among the trees is visually stunning.

While this film not a hugely profound experience, and has been sanitised for a mainstream audience, it is nevertheless enjoyable and entertaining. Action auteur John McTiernan tries his hand at a different genre, and for the most part, actually succeeds very well. He crafts an easy-going, stylish and witty film that while mainly dialogue driven is engrossing and well-paced right up to the films conclusion.

However, it is the conclusion that is the main weakness of the film. The film sets everything up plot wise very well, and I was expecting something more spectacular regarding the films climax. There was a great opportunity to have a much greater set piece as the audience never really sees that actual impact of the series of events that take place in the film's final act play out – too much is implied by jumping events forward to the aftermath of a major event.

Filmed on location in the Mexican jungle (doubling for the Amazon) McTiernan gets some very good performances from the Native American actors. While Lorraine Bracco in my view came in for too much criticism. Initially she does not seem to have a grip on her character and the performance comes off as forced – and is dangerously close to wooden. However, as the film goes along her character evolves well and gradually becomes more likable and warm. What probably complicates matters is she is up against the trenchant screen presence that is Sean Connery. Yet again he absolutely dominates the film by sheer charisma, and his flawed Robert Campbell character is truly engaging and carries the picture – but also makes Bracco's performance appear second rate for a large chunk of the film. However, Bracco getting a Razzie nomination was just an excuse for a bit of celebrity bashing.

Director McTiernan is ably supported by excellent technical contributions, most notable Don McAlpine's excellent photography, but particularly Jerry Goldsmith's outstanding score, which elevates the material and creates a terrific atmosphere. It is particularly effective in heightening the moments of tension towards the film's climax.

Overall, an enjoyable film that is marred only by Bracco's uneven performance at the start of the film, and a rushed in unsatisfying climax.