Johnny Suede

Now, personally, I would give this movie a 7. But from a viewing perspective, and general public take, I would give it a 5 or 5.5.

It tells the story of a young man who is aiming to become a big shot musician. He is struggling to reach that state, and it is clear he is not trying very hard to get his career running. He meets a few girls along the way, performs with his band, meets some good industry connections, and then there's something about a suede shoe.

It's a good movie, and definitely a movie that's all Brad Pitt.

6 Stars

Several years before his roles as the leader of a fight club, a backwards-aging man, and a Nazi-slaughtering redneck, Brad Pitt played the title role in Tom DiCillo's "Johnny Suede". Johnny is man on skid row with ambitions to be the next Ricky Nelson. He already has a band, and even starts up a relationship with young Darlette (Alison Moir). But as his music career goes nowhere, she leaves him. Upon meeting the offbeat Yvonne (Catherine Keener), Johnny starts to wonder if maybe there's more to life than trying to be a rock star.

I didn't find this movie to be any sort of masterpiece, but I still thought that it was worth seeing. More than just an early vehicle for Pitt - sporting an absurdly large pompadour - and Keener, it shows Johnny's eventually having to recognize reality, especially given the world that he inhabits (the movie doesn't present a flattering look at Brooklyn).

There are also two supporting cast members playing roles totally the opposite of their most famous ones. Tina Louise, far removed from Ginger Grant, plays Darlette's manipulative mother. Samuel L. Jackson plays one of the band members. Ginger Grant co-starred with the guy who said "mother---king snakes on a mother---king plane" (although they don't share any scenes).

Anyway, I recommend "Johnny Suede". A look at lost dreams - much of the movie is in fact made to look dreamlike, probably stressing the contrast between Johnny's fantasies and reality - along with some very surprising stuff. Nick Cave appears as another man with a crazy hairdo. Tom DiCillo later directed "Living in Oblivion", starring Steve Buscemi as a man going through hell trying to make a movie.

Tom Dicillo, after Living in Oblivion and Box of Moonlight, has proved himself to be one of the best writers and directors in the business. This, his feature film debut as director, is a nice tale which is solid entertainment but not as good as his later films.

Brad Pitt looks a bit too pretty throughout the film (watch Living in Oblivion, the James LeGros character is a parody of Pitt) but there is a good supporting cast, and the film has some very good moments. Definitely worth watching. 7 out of 10

Big hair-pieced Brad Pitt (as Johnny Suede) moves to a large American city, from North Dakota; he wants to become a Big pop music star. He has everything except "Black Suede Shoes". One evening, he discovers a woman being roughed up in an alley/alcove. While in a nearby phone booth, calling for help, Pitt is practically hit over the head with his blessed "Black Suede Shoes". Then, he feels he is on his way. Pitt is hampered by an underwhelming singing voice, and poor material; but, due to his muscular good looks, he is successful with women. Pitt has several sexy underwear scenes; and, he slips under the sheets with quirky Catherine Keener (as Yvonne) and alluring Alison Moir (as Darlette).

Pitt idolizes Ricky Nelson (who certainly would have gotten a *kick* out of this movie). For the record, the most frequently played song, Rick Nelson's "Teen Age Idol" could not have been turned over to play "Travelin' Man", as Pitt does in an effective scene with Ms. Moir. The two Nelson hits were on different Imperial singles. The record album hanging on Pitt's apartment wall is the excellent "Ricky Sings Again" album. "Midtown" is the best of the "original" tunes; it has some of the breezy feel evident in Nelson's early Decca material.

Moir, Ms. Keener, and Calvin Levels (as Deke) perform very well. Keener won an "Independent Spirit Award"; but, Moir and Mr. Leeds are also very impressive. Tempting Tina Louise (as Mrs. Fontaine), from "Gilligan's Island", has a leggy cameo; and, Nick Cave is a "Freak Storm". Debuting director Tom DiCillo's "Johnny Suede" is filled with style and good intentions.

****** Johnny Suede (1991) Tom DiCillo ~ Brad Pitt, Catherine Keener, Calvin Levels

Independent filmmaker Tom DiCillo made his debut here with this hip, refreshingly quirky character study, with Brad Pitt scoring as the central character. He plays Johnny Suede, aspiring musician who idolizes Ricky Nelson and occupies a fairly run down apartment in Brooklyn. The film follows Johnny around as he alternates between reality and his own dream world. His relationships with women are a focal point, first as he hooks up with Darlette (Alison Moir) whose mom (Tina Louise) has connections to the music business. Then he chances to meet schoolteacher Yvonne (Catherine Keener) and falls for her hard enough to be ready to make some changes in his life. DiCillo injects some moments of amusing surrealism into his film while still basically handling his material in a straightforward manner, never going for stylistic choices when it isn't necessary. The dialogue is sometimes quite funny, and really comes to life in the hands of these talented actors. Among the other people in Johnny's offbeat life are his friend and bandmate Deke (Calvin Levels); Samuel L. Jackson has a brief, one scene part as the bass player in his band. The brightest moments belong to real-life music star Nick Cave, playing a character named Freak Storm; his scenes with Pitt are fun. DiCillo does a good job with visual detail, right down to the clothes that his characters wear. The story, as has been pointed out, is about so much more than just a specific kind of music (although the music is wonderful throughout) - it goes to great lengths to depict this amiable, ordinary guy struggling not just to make it as a musician but to adjust to the highs and lows of everyday life. Pitt shows here, as he has on so many occasions, to be more than just a pretty face, and an actor of range and depth. You like Johnny and want to see him find happiness. And at the end you can't help but sympathize with him. Overall, this is an endearing little gem, one in which DiCillo refrains from giving in to predictability and finds a realistic centre amid the more offbeat aspects to the world he creates. Well worth a look. Eight out of 10.