Shotgun

loved it because i just love watching Hall act, he's absolutely amazing and natural.

plot wise, even though i'm not an action fan, i found it interesting. of course there is cinematic substitutions and allowances, it's not going to be a spot on representation of the army or war but it still managed to capture your interest. if nothing else you'll keep watching to see what Hall's character does or says.

it can get a little confusing at times but i guess that just might have been my problem at not fully understanding where the movie was set.

a great watch, i don't know why it didn't do better in the box office.

AMH is amazing as usual, very natural actor. I am going through all of his films and am completely captivated by him.

just watch the film, it really is great.

I rented this movie only because I like Michael Pare, and the box looked nice, and (though I could've easily found something better) it wasn't bad.

Anthony Michael Hall (Just as his career was going going down the drain) and Michael Pare are well cast for their roles and the sets were well done. Hall plays a successful Hollywood megastar sent to an air force base to research his upcoming role. Pare is a pilot assigned to show him around and teach him the ropes. Pare instantly dislikes Hall, but can't back out. The two get caught up in the middle of a battle and are forced to crash land in the desert. They are then taken hostage and the movie keeps going, and going , and going. Though it was short, it felt like it was three hours, and going nowhere.

+ (GOOD THINGS) 1.) Casting of Hall and Pare 2.) Aerial shots 3.) The sets

• (BAD THINGS) 1.) The bad guys 2.) The length 3.) The pacing

TOTAL: 5.5/10

Anthony Michael Hall plays an actor who gets into more than he bargained when he tries to learn how to fly fighter planes from Michael Pare for a new role. While the movie is predictable and not all that great it does have a few good comedic moments and does hold your interest..good lighthearted fare

on a scale of one to ten.. a 6

This film doesn't appear to want it's own identity. Instead it steals concepts from other, more successful films. The main theme is the turbulent relationship between Michael Pares character and Anthony Michael Halls which then evolves predictably into some sort of twisted buddy film.

If you are interested in this sort of comedy, see The Hard Way, which has a similar plot but is better paced, better scripted and better acted by James Woods and Michael J Fox.

A pilot and an actor are thrown into a life of death situation when they are shot down in enemy territory.

For the budget director Fritz Kiersch (Children of the Corn (1984) delivers some well staged and directed scenes, Steve Grass' cinematography give the real locations scope, aside from the shoehorned aerial stock footage (taken from Iron Eagle). The sets are well lit and offer some atmosphere. Writers John Brancato and Michael Ferris offer a Rambo III-like second act with the borrowed concept of The Hard Way (1991) , an actor gets thrown into a real dangerous situation with mixed results.

In amongst the bookend dogfights and compound explosions underrated Michael Paré does a good job with the paint by numbers screenplay along with likeable Anthony Michael Hall. A few familiar faces pop up including Terry Kiser, Linden Ashby, Deborah Moore and Brian Haley. Tonally it's up and down, a comedy one moment, then serious action in a flash in a bid to appease as wider audience as possible.

Ultimately, it's better than it should be, probably more rewarding than 80 percent of the films that are churned out these days, thanks to the even production and cast.