Falling from Grace

So so. Couple fine performances from Kay Lenz as a small town tramp and Claude Akins as the mother of all despicable dads helps to elevate this meandering, overly talky film (de rigeur when you ask a great novelist to write the screenplay) slightly above the mediocrity bar. Big problem for me is that I just never bought the basic premise, that a well known country singer would throw over a loving marriage and a successful career to go back home to Doak City Indiana and marry his jilted high school sweetheart. Second biggest problem was John Mellenkamp's dull acting which sure as hell isn't going to get un dull if you're directing yourself. Third biggest problem was scenarist and veteran Texan Larry McMurtry making his Indiana middle border folks sound like they all wandered in from Archer City. Give it a C plus. PS...Nice location shooting in Hoosier country and a good country soundtrack also aid in making the story somewhat digestible.

Celebrity singers have always had a tough time breaking into the movies (the cinema is littered with failed attempts), and one can go on and on speculating as to why John Mellencamp never made it as an actor (to say nothing of his skills as a novice filmmaker). Instead of taking small parts in heartfelt projects, Mellencamp dives right in playing the lead in "Falling From Grace", which he also directed, and the awkward results are as unbecoming as the film's title. Story of a famous singer returning to his hometown in the sticks, opening up old family wounds, boasts a screenplay by Larry McMurtry, but the meandering drama goes nowhere slowly. The decent supporting cast includes quirky Kay Lenz (always a welcome sight), Mariel Hemingway and Claude Akins, and yet there's only one well-directed scene in the movie (when Akins attempts to force himself on Hemingway in the kitchen). John's performance is a mixed bag; he doesn't look particularly comfortable in front of the camera--despite the apparent effort to make him feel at home--and he never makes a direct connection with the audience. Still, this was a bold move for the performer, and the ballsy effort alone results in a bit of admiration. *1/2 from ****

...that's what "Falling from Grace" is about. Released in 1992, John (Cougar) Mellencamp plays a country star, Bud, who tries to come home to Indiana, bringing his tall blond wife (Mariel Hemingway) and daughter. Unfortunately, his dad's a total jerk (Claude Akins) and his high school sweetheart (Kay Lenz) is married to his brother and having an affair with someone linked to both. It seems like the star just wants to take a break from the show business and hang with his buds and family, like in the old days, but melancholy settles in and temptation strikes.

Wow, after seeing this my wife and I gave thanks for our dysfunctional families -- we never knew we had it so good!

This is a solid drama by first-and-only-time director Mellencamp. All the main players noted above do fine in their roles, but some of the side players are flat and unconvincing, like the bearded guy who works for Bud.

The first time I saw this movie I thought it was an okay drama, but I felt it was dragged down by the country star's mopiness, which is fundamental to the story -- I understand -- but it's still frustrating for the viewer. A couple of the key characters are a turn-off as well, but isn't this the way it is in real life? Noted critic Roger Ebert gave "Falling from Grace" his top rating and Gene Siskel also praised it, but Leonard Martin rated it a BOMB in his guide. The critics on Sneak Previews also dogged it. This just goes to show that "Falling from Grace" is a love-or-hate-it piece.

While I'm somewhere in the middle, I enjoyed it a lot more on my second viewing and therefore lean toward the 'love it' side. It's a low-budget film that is better on repeat viewings. I Like the Seymour, Indiana, locations, which is John's actual hometown. The situations reflect real-life and there are some thematic gems to mine, like "the sins of the father" and the negative domino effect of unfaithfulness. I also like the way the movie ends.

Speaking of which, Bud's wife, Alice, shares a great line: "You can't have some secret world in your mind and another one on the street." Chew on that.

The film runs 100 minutes.

GRADE: B

John Mellencamp debuts as star and director in this feature about a country-western star who returns to his home in Indiana. He's tired of the grind of performing, tired of Los Angeles, and hopes to reconnect with roots, but discovers that you can't go home again.

It's a decent little movie, low-key in its performances, with Mellencamp working off a script by Larry McMurtry, and with a good cast that includes Mariel Hemingway, Dub Taylor, Kay Lenz and Claude Akins. Mellencamp doesn't sing, but he gives a solid performance.

This is a reasonably strong directorial debut for rocker Mellencamp, who also gives a good lead performance. In fact, the whole cast is quite effective, and the story moves along at an appropriate pace. Personally, I found the final scenes to be rather weak compared to the rest of the film, but even with the poor ending, I still found this to be a solid effort and a generally good movie.