Jeux d'adultes

. . .but the weirdest thing is - it is eerily similar to the Aykroyd/Belushi film "Neighbors." Heavily derided in it's time, it matters not whether you liked it, it had some really weird elements to it. NOW - take out the weird elements and leave a basic plot: "Exciting" guy with a bad bleach-job and his sexy wife move in next door to thoroughly-mundane guy and his attractive wife; who, by the way have a sexless marriage. Kline/Belushi are set up as "marks" immediately, and almost as immediately the new neighbors begin a contrived "seduction of the innocent". Soon, the mundane guy finds himself trapped in an existential hell of Blondie's making(Spacey/Aykroyd). Well. Consenting Adults is not a good movie - or even interesting. Spacey gives a charismatic performance as usual, but the script lacks any originality. This was another entry in the ". . .from Hell" high-concept series of scripts from the early-90's. Babysitter. . .Cop. . .Neighbor. . .Dentist. ..I wish I could say that the best parts of this film ended up on the editing room floor - considering the cast - but there's no way this script was ever anything but stale.

This movie had been in my Netflix Queue for sometime and I decided to give it a watch after meeting Mary Elizabeth Mastrontonio in person (very gracious lady). Anyway, I'd seen the film before, but it had been many years. After viewing it again this time around, I came to the same conclusion. The first half of the story is very engaging and interesting. Kevin Spacey is brilliant in one of his early roles. Mastrontonio and Kline are also very appealing. You like the characters and you care about them. However, the second half of the film, the "thriller" portion, is so lame and unrealistic that I completely lost interest. It's as if the writers simply gave up on how to finish this film off. They created very interesting characters, set up a nice story, but the story didn't have anyplace interesting to go. I'd love for someone to try a rewrite of this thing. Anyway, not much going on here with this film. The only relevance it has is if you are a Spacey, Kline, or Mastrontonio fan. Rating 5 of 10 stars and that is being somewhat kind.

Kevin Kline is cleverly framed for the murder of his best friend's wife, with a seemingly airtight case against him. Equal cleverness in working out this story seemed called for. Instead, the frame-up basically unravels by improbable happenstance and concludes with trite Hollywood-isms, finally throwing in the towel with a few assault-weapon blasts. Real subtle, yes?

Not too bad a way to pass the time, but ultimately a let-down.

Fans of Forest Whitaker ("The Crying Game") will be pleased to see this talented actor appearing as a very southern, shy, soft-spoken insurance investigator.

Consenting adults has a strong cast, a decent script and a deeper than expected story, that builds and sustains enough tension throughout; without sinking into as much sexually explicit detail, as the title may suggest.

Kevin Kline, Kevin Spacey, Mary Elizabeth Mastrantonio and Rebecca Miller all portray there characters well, with Spacey and Miller stealing most of the credit.

Consenting Adults is a reasonably safe choice for most thriller fans, it's not the best out there; but its entertaining and intriguing enough to please.

6/10

This is odd. The director and co-star of "Sophie's Choice" teamed up again and made one of the most confusing movies. Kevin Kline and Mary Elizabeth Mastrantonio play a laid-back couple whose new neighbors (Kevin Spacey and Rebecca Miller) aren't quite what they seem. Spacey's role gives a faint hit of Lester Burnham, but there's no real way to compare "Consenting Adults" with "American Beauty". The movie is just weird. I'm befuddled as to how Alan J. Pakula, the man behind "Klute", "The Parallax View", "All the President's Men" and "Sophie's Choice", could fall down to this. Admittedly, not everyone can have a perfect record, but something as low-quality as this? Just bizarre.