Documentary on Otis Redding's performance at the 1967 Monterey Pop Festival.Documentary on Otis Redding's performance at the 1967 Monterey Pop Festival.Documentary on Otis Redding's performance at the 1967 Monterey Pop Festival.
- Directors
- Stars
Al Jackson Jr.
- Self - Booker T. & the MG's
- (archive footage)
Featured reviews
Otis Redding performs at Montrey. In this period, he was an enormously popular performer, rivaled only by James Brown for the level of his energy. Yet while everyone was in awe of Brown, Redding had something more important: people paid attention to his performances, and changed what they wer doing. He was influential.
Looking at this documentary, you can see why. There's an innocence in his stage personna, a sense ofhe's getting up there, having fun,and somewhat surprised that people are enjoying it. He can see that pleasure in his sidemen, the smiling drummer, the guitarist racing to keep up. He was a genuine artist and he's been greatly missed
Looking at this documentary, you can see why. There's an innocence in his stage personna, a sense ofhe's getting up there, having fun,and somewhat surprised that people are enjoying it. He can see that pleasure in his sidemen, the smiling drummer, the guitarist racing to keep up. He was a genuine artist and he's been greatly missed
10Popeye-8
Otis Redding was one of the titanic figures in rock/soul music history...this video should be required viewing for ALL fans of music, if for no other reason but to see what we lost so long ago. Redding took what soul artists were calling "Whitey's Festival" and made it HIS showcase, despite getting the worst spot on the bill. Again, a "must see" for any music history fan.
A legend at play showing why he was a legend. Epic but all too brief. Like his life.
It's June 17, 1967 Monterey, California. Tommy Smothers comes on stage and introduces Otis Redding. It's twenty minutes of Otis performing. This is exactly what you expect, no more, no less. Sure, it's great for fans but it's great for any music lovers. His music is easy to love. There is one weird thing that the filmmakers did with "Try a Little Tenderness". They took the words "Young girls they do get wearied" to literally start a montage of every girl at the festival. It's a little weird and a little stalkery. Maybe I'm being too sensitive.
During the Monterey Festival, D.A. Pennebaker shot the whole festival, and then released 2 special films focusing on 2 artists, one is Jimi Hendrix (which I've also reviewed) and the other is Otis Rettig. Let me just pause here and say I knew NOTHING about Otis when I watched this (he wrote Sitting On The Dock Of The Bay, right?) and while I STILL don't know much about him, I sure got to see him perform! It's interesting to see that this film by Pennebaker gets higher ratings by the people who have seen it, and I agree, because this guy puts on a SHOW that even I was amazed by. Full of great soul numbers and surprise inclusions (Satisfaction and Respect get great covers) the man doesn't care if it's pouring rain out (which it was) or if it was 1:00a (ditto) all his energy went into this performance, and it truly is a sight to behold.
Did you know
- TriviaRedding was notorious for forgetting the lyrics to his own songs, and a good example of it is his performance of "Respect," in which he essentially sings the same verse ("Hey, little girl...") over and over again.
- Quotes
Otis Redding: We're gonna slow it down this time and sing a soulful number. This song is a song that, you know, we all ought to sing sometime. This is the love crowd, right? We all love each other, don't we? Am I right? Let me hear you say yeah then!
Crowd: Yeah!
Otis Redding: All right.
[singing]
Otis Redding: I've been - loving you - too long - to stop now, You were tiiiiiiiiiiiiiiired and you want to be free, My love is growing stronger, as you become a habit to me...
- ConnectionsEdited from Monterey Pop (1968)
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