Meurtres en VHS

I like this film alot. It is quite like Videodrome in that the whole movie is obsessed with itself and also obsessed with video formats and makes references to the video revolution of the 1980's.

My review was written in August 1988 after watching the movie on International Video Entertainment video cassette.

"Remote Control" is an unsuccessful attempt to use the home video phenomenon as a plot peg for science fiction. Given the subject matter, pic appropriately has been released direct to video stores, bypassing the originally intended theatrical release step.

Kevin Dillon, Matt's bro (starring here before he topline "The Rescue" and "The Blob"), energetically portrays a clerk at a video store who unwittingly becomes the chief suspect, along with his boss Christopher Wynne, , in a murder case when a neighbor spots them at the crime scene.

Farfetched premise has aliens from Outer Space fabricating a film on video, a black & white feature purporting to be a sci-fi made in the '50s, which causes the viewer to see himself acting within the film and turns him into a homicidal maniac. Dillon's mission, on the lam with Wynne and his dream girl Deborah Goodrich, is to destroy all copies of the video and its manufacturing plant, run by Bert Remsen.

Helmer Jeff Lieberman, whose horror pic "Squirm" was an effective 1970s B title, does well with the b&w film-within-a-film footage (also titled "Remote Control"), but claustrophobic approach fails to elaborate on the basic storyline. Though opening title sets the action on "Earth 1987", Daniel Paredes' fanciful costumes create something of a parallel-world atmosphere. Various details ring false, particularly Dillon's memorizing the English-dubbed dialog from a video of Francois Truffaut's "Stolen Kisses" in order to impress (which he suceds in doing) Goodrich, a fan of that Antoine Doinel feature.

Cast, particularly Jennifer Tilly in a supporting role (with kookie hairdo and voice) as Dillon's new wave girlfriend, is peppy. Remsen previously was featured in a dissimilar sci-fi film about aliens invadiing via tv, "Terrorvision".

Cosmo DiClemente and Georgie are two video rental store employees.They discover that science-fiction film from early 50's called "Remote Control" contains subliminal mind-control messages that turn all viewers into mindless killers.Distribution of the film predates an upcoming alien invasion.I love Jeff Lieberman's "Squirm" and "Just Before Dawn",so it was the highest time to check out his "Remote Control".The film is a fun sci-fi/horror spoof with likable central performances by Kevin Dillon and Deborah Goodrich.The premise of killer videotapes is quite absurd,but the film works as a parody.It's not on par with fantastic "Just Before Dawn",though.7 aliens out of 10.

A cold-war-era style tale of alien invaders brainwashing the masses via VHS, Remote Control stars Kevin Dillon (younger brother of Matt) as video store clerk Cosmo, who discovers a plot by extraterrestrials to destroy mankind by altering an old sci-fi movie so that it causes uncontrollable violence when viewed. With the help of his best pal Georgie (Christopher Wynne) and babe Belinda Watson (Deborah Goodrich), Cosmo sets out to destroy all the copies of the film on video before they can be shipped nationwide, but can they succeed without being exposed to the deadly movie themselves?

How '80s do you like your films? I only ask because this quirky little sci-fi flick from director Jeff Lieberman (Just Before Dawn/Satan's Little Helper) takes everything already tacky about the decade of day-glo and back-combing and pushes them to the limits, with exaggerated fashion disasters and bizarre hairstyles that make Cyndi Lauper and A Flock of Seagulls look positively reserved by comparison. If you find the idea of metallic lame blouson jackets at all upsetting, then you would probably be better off giving this one a miss. If, however, you appreciate absurd low budget obscurities and revel in the colourful and kitsch, then dive on in.

In addition to its clever plot device (whereby the '50s film that the aliens use to control their victims has the same narrative as the film we are watching) and all of the gaudy 80s style, Remote Control delivers lots of nostalgia for those who grew up in the video era (check out all of the cool titles and posters in the video stores!), some cheesy fight action, Jennifer Tilly sporting a truly awful hairdo, a surprisingly good explosion, and an impressive full body burn stunt. While not quite as accomplished as Jeff Lieberman's horror movies—a bigger budget would certainly have helped to fully realise its potential—Remote Control is still a unique experience from a true auteur, and should provide a fun time for those curious enough to seek it out.

God I love Jeff Lieberman's work and it never seems to amaze me. 'Remote Control' is no different, and it's probably his most obscure feature. All this guy needs is quite a healthy budget to let those innovative ideas and visions truly evolve. What's lined up in the VCR (yep it's the glorious video era) is a B-grade Sci-fi retro spoof on 1950's Sci-fi set in modern times and the late 80s video boom that's mainly spot on with its send up, even with such limited resources and slight material. It's quite well done (in typical 80s spirit) and ejects rather an inventive premise that have aliens using an mind-controlling video which features an hilarious shoddy old-fashion Sci-fi film called "Remote Control' that sees the viewer becoming apart of the screen action and virtually losing control, killing anybody near. So it's up to a video clerk who discovers the secret to put a stop to it all. Something only the 80s could spit out.

From the get-go everything falls on the quirky and low-key side. It's daft, but it knows it and plays it accordingly with its often witty, but undemanding script. Where it builds upon paranoia and conspiracy laced inclusions, but despite its small groundwork Lieberman's able direction makes it work and the self-parody is hard to dislike. Even Peter Bernstein's music, expertly harked back to those eerie 50's sci-fi scores. The vibe that was created was perfectly pitched. Tim Suhrstedt's camera-work sparsely moves around and effectively judged which it's at its best during the attack scenes.

Little to no FX is used (which would be due to the considerably low-budget), but an attempt at story-telling and heighten suspense comes to the forefront. It works to its strengths and this is what makes it more so successful. Some passages can get slack or repetitive, but the pace manages to be snappy and the fashionable décor holds your attention. Not letting you forget what era this was from. There's convincing performances (done in mock-seriousness approach) from a reliable Kevin Dillon, a wonderful Deborah Goodrich and an all too short, but a perky Jennifer Tilly. No matter how small her part is, Tilly always does her best to leave an imprint on proceedings. I didn't think that Dillon would be strong enough to carry the lead role, but surprisingly he looks and acts the part.