Arizona Junior

The Coen Brothers first "masterpiece" black comedy was a 1987 surprise hit that raised the bar in the comedy genre. Future Academy Award winners Cage and Hunter star in what may be one of the most original stories ever to come out of Arizona. Goodman shows the world he can be funny as the misunderstood and somewhat crazy escaped convict. Cage and Hunter have so much love to give, they steal a baby from Mr. Arizona himself. A modern day (80's) fantasy that chooses an interesting setting to tell its tale. The hilarious innocence is non-stop as Raising Arizona showcases relationship, friendship, vanity, ignorance, and the search for peace and forgiveness. Who knows....maybe it was Utah?

When I first heard of Raising Arizona, I was 8 years old. I was spending a weekend with my dad and it was on a Friday night. Usually when I see a movie for the first time on television, I either direct my attention to the screen to see what it is or direct my attention to something that I was doing. I came in right in the middle of the movie and I didn't know what it was about and I certainly didn't understand the concept behind it. But, I do remember laughing and having a good time while watching this movie. Now, looking back on it, it still makes me laugh even harder and longer.

The story centers around a convict/loser named H.I. McDunnough, (Nicholas Cage). His friends called him Hi. For the last several years, Hi has been robbing convenience stores and ending up in the slammer. After three times, Hi decides to go straight. He seeks the attraction of a pretty cop named Edwina "Ed" McDunnough, (Holly Hunter). Soon after, Hi and Ed get married. But, there's just one problem. They want to raise a family. So, the couple decides to keep trying. But according to a local gynecologist, Ed is infertile, meaning that she can't have kids. According to Hi's perspective, he can't "plant his seed" into Ed. Hopeless, the couple decides to steal one of the Arizona quints. One night, Hi and Ed steal one of the quints from a very wealthy businessman, (Sam McMurray), who owns a furniture store in Arizona.

As the movie progresses, the humor starts to kick in when the local police and the F.B.I. conduct a manhunt on the missing quint. Meanwhile, two prisoners, (John Goodman and William Forsythe), escaped from prison and take shelter in Hi's home. But, the two prisoners want Hi to go along with them to pull off a heist. While that is going, another character comes walking into the story. An deranged and hellish lone motorcycle driver, (Randall 'Tex' Cobb), enters the story through Hi's dreams and his job is to find the quint and find the people who stole him.

You can see that the movie is quite ambitious for its own kind. To tell you the truth, it is. This is the first comedy being made by the always entertaining movie-making duo, Joel and Ethan Coen. Their movies never ceased to amaze me. They have really carved out a reputation of movie- making with their witty scripts and their zany approach to a story. What surprises me is that this movie is actually their first comedy. Before the Coen brothers made Raising Arizona, they wrote and direct a very dark and violent neo-noir film, Blood Simple, which was released three earlier. This is quite surprising because Blood Simple was a very serious and sometimes bloody film that had a lot of twists and turns in it.

Here, it's a change of pace. How they were to pull this one off is something that strikes me dumb. Watching the movie, I found myself laughing more than ever since I now understand the themes involved. One of the funniest scenes that I saw and it is the most significant one is when Cage's character robs a convenience store and disguised himself by putting pantyhose on his head. This plan doesn't since his wife leaves him behind, having him deal with the trigger-happy clerk and the police. The chase goes all over the place with Cage being chased by the clerk, the police and a pack of dogs. Even in the middle of the chase, Cage is even given a lift with an screaming hayseed driver. The way the chase sequence is shot makes it seems that the chase is being played as a cartoon. Maybe that's why the scene made me laugh the first time around. It's that sense of wacko humor that generates a laugh out of the audience. Not only the film's humor made me laugh, but toward the end of the movie, there's a bittersweet sense that ties the movie together with the characters trying hard to have a family.

The writing by the brothers is very funny and even the performances by Cage, Hunter, Goodman and even Forsthye are excellent. I did believe that Nicholas Cage was really Hi. The fact that he sports a mustache and a dopey appearance when he is getting his mugshot done is very funny and also interesting.

I'm not really a big fan of comedies because most of them are done pretty badly and never seem to hit me with their humor. That is true in today's movies. In today's movies, you can get away with everything. You can get a kick out of a audience that admired slapstick humor or bathroom humor. I understand that perspective. But, I enjoyed watching comedies that have funny dialogue in it. i believe that if you can make an audience laugh out loud with the dialogue, then that can be funny alone. The Coen brothers know how to generate a laugh out of the audience with their style of writing.

Even in the today world, the Coen brothers are still going strong. Last year, they written and directed the Oscar-nominated picture, Inside Llewyn Davis. The brothers seem to really be shifting gears according to the genres. They can frightened you and tantalizes you with Blood Simple. They can make you laugh with Raising Arizona. They can compel you with Miller's Crossing. And they can jolt you with The Big Lebowski. I wonder what they're going to do next. ★★★ 1/2 3 1/2 stars.

I always say that my favourite Coen brothers movie is the last one I watched. A slight exaggeration, but as they have had very few real misses in their career it's easy to forget just how great most of their movies are. For me 'Raising Arizona' ties with 'The Big Lebowski' as their single most entertaining movie, and Arizona is arguably the funnier of the two if you are looking at sheer belly laughs. This movie is the Coen's most cartoonish and shows that they learned a lot from their involvement in Sam Raimi's 'The Evil Dead' and 'Crimewave'. The movie is full of fun, clever touches and infectious energy. It just never lets up. Calling a movie "a roller coaster ride" is a cliche, but it's a perfect description for this. The opening pre-credit sequence has more packed into it than most movies do in their complete running time! Nicholas Cage has recently got sidetracked making dumb action movies but back in the 80s and early 90s he was one of the most interesting and adventurous leading men in Hollywood, making unusual movies like 'Birdy', this, 'Vampire's Kiss' and 'Wild At Heart'. 'Adaptation' is a step back in the right direction for him. I hope he continues in this vein instead of say, 'Con Air 2'. Cage is just terrific as H.I. and I haven't enjoyed Holly Hunter as much in any other movie. Together they make one of the best on screen couples in many a moon. The supporting cast are all fantastic, especially John Goodman and William Forsythe as H.I.'s prison buddies. The psycho biker played by "Tex" Cobb is a also a brilliant touch. There are so many memorable bits in 'Raising Arizona' I could be here all day pointing them out. Just see for yourself. There were lots of lousy movies made in the 1980s, the Spielberg/Lucas/Simpson/Bruckheimer/John Hughes decade that dumbed down mainstream movies forever, but there were also thankfully some wonderfully inspired ones like this, 'Blue Velvet', 'Brazil', 'RoboCop', 'Repo Man', 'Eating Raoul', 'Beetlejuice', and 'The King Of Comedy'.

This amusing picture concerns about an ex-convict (Nicolas Cage) who falls in love for a policewoman (Holly Hunter) who takes him a picture each time he goes to prison . Both of whom wish sons but cannot have any . Then they decide to abduct one from a couple with five children . Meanwhile , a pair of ex convicts (John Goodman and William Forshyte) meddle themselves in their marriage life . Besides , a bounty hunter (Randall Tex Cobb) called the ¨lone biker of apocalypse¨ sets off in pursuit the protagonists for obtaining the reward offered by the child's dad .

The film blends irony , humor , tongue-in-cheek , chase scenes , slapstick and is very amusing and entertaining . It's a splendid comedy with set pieces cartoon where the action and humor is continuous from the presentation until the ending . The film was influenced by the works of Preston Sturges and writers such as William Faulkner and Flannery O'Connor , known for her southern literature . Enthusiastic performances by the two main stars , Nicolas Cage is perfectly casted , though his relationship with the Coen Brothers wasn't respectful , but turbulent . When he arrived on-set, and at various other points during production , Cage offered suggestions to the Coen brothers, which they ignored . And Holly Hunter is sympathetic , giving an attractive acting . The movie that was shot in 10 weeks has its moments here and there and being pretty enjoyable and bemusing . Many crew members who had worked with the Coen Brothers on Blood simple (1984) returned for this film , including cinematographer Barry Sonnenfeld , co-producer Mark Silverman , production designer Jane Musky , associate producer and assistant director Deborah Reinisch , and film composer Carter Burwell . Breathtaking cinematography by Barry Sonnenfeld who makes a great camera work , after becoming a famous director with many smash hits (Men in black) . Excellent musical score by Carter Burwell (Rob Roy) , he's habitual musician of Cohen brothers films . Rating : High recommendation. Above average . Well worth watching.

Parentless recidivist H.I. regards prison as his home. No matter it is a partiality or a revenge in his own words, he robs convenience stores; he goes to jail; he talks nice to a parole board; the cycle repeats itself. And finally falls in love with a policewoman, ED. Life goes easy on them at first. They bask on the folding chairs, dreaming to have a youth to share their thoughts and feelings.Then the story abruptly turns sad. ED.is barren. what should they do?

Tempe is a rock place that bears women deprived of the happiness at conceiving babies.Their wombs are barren and hard like the rocks in the desert. Florence,Dot and ED are the victims of the metaphor.One takes fertility pills,another adopts orphans,the other after being turn down adoption,steals a baby named Nathan Jr.

Nothing could be more exciting than a rebirth. The film tells us what a rebirth is like. Push hard through the saturated mud above your head at the 99% risk of being stifled to death. One second delay would be too late. That's Gale and Evelle's narrow escape from the jail. It sounds surrealist. But that's Coens's wit lies. They twist reality and exaggeration into knots to spin our noggins.Snatching a packet of diapers in a convenience store can be a life-or-death chase scene, without mentioning the leather-clad,bonehead,bounty hunter Biker, who can browbeat nothing except little animals.

Troubles arrive in sequence. That's the way the life is. At the end of the film, H.I. and ED returns the Nathan Jr.to his parents.It doesn't belong to them and will never be theirs.Why not keep the dream of having kids go on? If H.I.'s dream of the hellion Biker is not a phantasm, his dream of being blessed with descendants might come true some day.

In despite of the superficially hilarious scenarios, it is a sad story to the marrow. H.I. and ED's sorrow is not skin-deep and can be felt by any of us who puts heart into this film.