Varlam, the despotic mayor of a small town, dies. After his funeral, his body is repeatedly unearthed and buried again. Through flashbacks and dreamlike scenes, we witness his rise, power an... Read allVarlam, the despotic mayor of a small town, dies. After his funeral, his body is repeatedly unearthed and buried again. Through flashbacks and dreamlike scenes, we witness his rise, power and ambiguities.Varlam, the despotic mayor of a small town, dies. After his funeral, his body is repeatedly unearthed and buried again. Through flashbacks and dreamlike scenes, we witness his rise, power and ambiguities.
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- 12 wins & 2 nominations total
- Guliko
- (as Iya Ninidze)
- Sandro Barateli
- (as Edisher Giorgobiani)
- Elene Korisheli
- (as Nino Zaqariadze)
- Mose
- (as Levan Antadze)
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Featured reviews
25 dec 2004
Today I've watched the movie once again after the reading of Montefiore's book "Stalin - the court of the Red Tsar. In this book I've found the story of Kawtaradze family. Sergo Kawtaradze, old revolutionist and comrade of Stalin during the great purge, in 1936 was arrested with his wife Sofia. Both were cruelly tortured in Lubianka. Daughter Maya, 11 years old, wrote many letters to Stalin, begging for the parents' life. After 3 years of imprisonment Kawtaradzes were freed but still in danger of arresting again. Few weeks later suddenly at 6 AM Stalin & Beria came to Kawtaradzes. Stalin kindly spoke with daughter Maya. In her memories she wrote that he was charming and kind. He also sang a song with "pleasant tenor". They also ate dinner (Stalin ordered it in the best georgian restaurant in Moscow, Aragwi. I'm sure that episode in the movie when Warlam and Doxopulo visits Sandro's home is loosely based on this event
"Repentance" is a very surreal sort of film--one which has many story elements that seem dreamy and unreal while the rest of it is quite literal. While there were purges, seeing the 20th century purges carried out by knights in armor, a living statue of Justice and many other story elements are dream-like and strange. This is not really a complaint--just an observation. The film looks almost like Dalí or Buñuel added a few touches here and there...just a few.
The story begins in the present day. The beloved mayor of a Georgian town, Varlem, has died and folks come to his funeral to pay their respects. However, several times after the funeral, the body of this man has been taken from the crypt and placed in his yard! After the third time, they catch the woman responsible and she is taken into custody. At the hearing, she openly admits having done it and tells a story of long ago--when Varlem first became mayor. At that time, he made a name for himself persecuting the innocent--and the story is about how this impacted the woman personally.
Following her long tale, the story goes to the present day. The hypocrisy and evil of Valem's friends are examined as well--including one case about a man who struggles between Atheism and Christianity. Under Christianity, he SHOULD feel guilt--and he ultimately gets to meet the Devil (this is pretty weird...and clever). Other folks all begin to confront their own part in Varlem's reign of terror.
Instead of this film directly attacking Stalinism, it clearly attacks these tactics on a smaller scale. And, I am sure it was not unintentional that Varlem looked much like a bloated Hitler! A very strange but daring film. While today it might be seen as very tame, back in the mid-1980s it must have caused the filmmakers a lot of problems--and potentially prison. Quite clever but quite slow and strange. Well worth seeing--especially if you lived through this era.
It was really interesting to see the story of Totalitarian regime through this `fairy tale' angle. They make a lot of films that are meant to be much more historically precise than `Repentance', but most of them are flat and look more like TV dramatizations of some definite actual events than the works of art. And `Repentance' is an art-film in a very good sense of this word.
The closing sequence of Old Woman walking up the street (looking for the Temple - justice, freedom, happiness?) accompanied by heavenly classic music is one of the most beautiful film episodes I've ever seen.
Not surprisingly, the movie couldn't get released immediately. It wasn't until after Gorbachev came to power that it got a release. I'd say that the ugly parts of history are more important to know about that the pleasant parts of history, to ensure that they don't get repeated. I understand that Beria was particularly vicious.
We don't get to see many movies from Georgia. I wish that I could see more of them. Part of it is that I like getting to see cultures that we don't often get to see, but I would also like to have more insight into their perspective on things. As the 2008 war made clear, Russo-Georgian tensions didn't end with the collapse of the Soviet Union.
Anyway, it's an outstanding movie. While it is a bit long, the plot makes up for that. I recommend it.
Did you know
- TriviaVarlam Aravidze's appearance is made of a mix of different despots: Beria (pince-nez glasses), Stalin (haircut), Hitler (moustache), Mussolini (dark shirt, braces).
- GoofsAfter Varlam's corpse has been reburied the second time, an iron cage is placed over his grave to protect it from further intrusion. But as the perpetrator starts to exhume him for the third time, there is no cage.
- Quotes
Female Voice: Shortly before his death, Einstein raised his voice for the last time to tell the world of the tragedy of a modern scientist. This was his testament: "The fate of a modern scientist is tragic. His inspiration leads him to clarity and inner independence. By almost superhuman efforts he had forged a weapon of his own social enslavement and destruction of his personality. The situation even reached a point where the political authorities had muzzled him. Has the time really passed when the scientist's intellectual freedom and independent research could enlighten and enrich people's lives? Has he forgotten, in his blind quest for the scientific truth, about his moral responsibility before humanity and about his honour? Our world is under threat of a crisis the scope of which seems not to be realized by those in authority. The released power of the atom changed everything but our way of thinking, and thus we keep sliding down to a catastrophe never seen heretofore. For the mankind to survive, we have to learn to think in a new way. The most difficult task of our time is to avert this threat. At this decisive moment, I'll be appealing to you with all my feeble capacity."
- ConnectionsFeatured in Namedni 1961-2003: Nasha Era: Namedni 1987 (1997)
- SoundtracksVals Venezolano N°1 (Tatiana)
Written by Antonio Lauro
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Details
Box office
- Gross US & Canada
- $215,496