Tough trucker Lincoln Hawk is determined to win back his son and triumph at the world arm wrestling championships.Tough trucker Lincoln Hawk is determined to win back his son and triumph at the world arm wrestling championships.Tough trucker Lincoln Hawk is determined to win back his son and triumph at the world arm wrestling championships.
- Awards
- 4 wins & 3 nominations total
Allan Graf
- Collins
- (as Alan Graf)
Featured reviews
Some LOVE this movie. I do. I LOVE the soundtrack. You'll see a million posts from "critics" on here who will look down their nose at this flick. Do you like a movie? WATCH IT! Forget what these morons say about bad cinematography, etc. Movie-makers create films for one reason -- viewers' pleasure (which brings money). Great 80's movie. Period.
Over the Top is pure Sylvester Stallone: the blue collar man with the heart of gold fighting his way through a world that dismisses him as a loser but he wins at the end with the help of someone who really understands and loves him. Same as the Rocky series, same as the Rambo series.
But I can't help it, I really like Sly. He certainly is no Shakespeare actor but there is that deep honesty he represents in all his flicks and it works. When he first walks into that military school building to fetch his son after cleaning his truck and trying to make himself look his "Sunday best" - I can't help it: it is just great.
Yes it is strange to see a well educated kid (by a military school) being transformed into a "regular guy" by his own father. But in this film that is only a metaphor. The real meaning is: it's the heart that counts, not the social position. Now that's a message which can't be dismissed as junk that easily.
I love the portraits and short interviews of the arm wrestling contestants. Brilliant.
Probably the best scene is when the (always wonderful) Robert Loggia finally accepts the fact that his grandson loves his dad. The "villain" hasn't been beaten. No even better: he has been convinced and transformed.
Over the Top works on two levels: as popcorn entertainment: "Blue collar hero beats the odds" and as good old fashioned, almost Frank Capra- like cinema: "good will always win in the end".
Bottom line: as with many a Sly flick (any film Sylvester Stallone agrees to participate in or where he actually did the writing, directing etc.)we have to work our way through a popcorn flick to find a deeper meaning. And I say it is there in Over the Top hitting it dead center.
So I'm a Sylvester Stallone fan. Now call me names, I can take it.
But I can't help it, I really like Sly. He certainly is no Shakespeare actor but there is that deep honesty he represents in all his flicks and it works. When he first walks into that military school building to fetch his son after cleaning his truck and trying to make himself look his "Sunday best" - I can't help it: it is just great.
Yes it is strange to see a well educated kid (by a military school) being transformed into a "regular guy" by his own father. But in this film that is only a metaphor. The real meaning is: it's the heart that counts, not the social position. Now that's a message which can't be dismissed as junk that easily.
I love the portraits and short interviews of the arm wrestling contestants. Brilliant.
Probably the best scene is when the (always wonderful) Robert Loggia finally accepts the fact that his grandson loves his dad. The "villain" hasn't been beaten. No even better: he has been convinced and transformed.
Over the Top works on two levels: as popcorn entertainment: "Blue collar hero beats the odds" and as good old fashioned, almost Frank Capra- like cinema: "good will always win in the end".
Bottom line: as with many a Sly flick (any film Sylvester Stallone agrees to participate in or where he actually did the writing, directing etc.)we have to work our way through a popcorn flick to find a deeper meaning. And I say it is there in Over the Top hitting it dead center.
So I'm a Sylvester Stallone fan. Now call me names, I can take it.
This movie really touched base with me. I grew up not knowing my father, so I really felt for "Michael Cutler", played by David Mendenhall. This was the first thing I remembered seeing David in and I became a big fan of his thru this movie. I identified with his character so much.
If only there would have been a sequel to this movie. (+:
If only there would have been a sequel to this movie. (+:
7jehn
I recently remembered seeing this film when I was much younger and liking it. When I checked it out on IMDb, I was quite disturbed. Why in the world would I like this weird, arm wrestling movie with Sylvester Stallone? So I rented it again to see why I had liked it as a kid or to see if I had been delirious when I first saw it. The strange thing is, even though it is not at all my type of movie, I still really enjoyed it. I've heard that the kid is a bad actor and all, but I really don't think he is. Maybe I'm still delirious, but I thought the movie was pretty darn heart warming.
This film is all about the thrill of seeing Stallone reveal his more 'sensitive' side. Not to mention the great scenes where he works out the rippling biceps of his 'wrestling arm' using an ingenious hand-weight pulley system in the cab of his truck. Sure it's cheesy, but this film does what any good 80s movie should. The part where he turns his cap backwards before a wrestling match is a highlight, symbolising some kind of metamorphosis from sensitive dad to macho man. What a great flick!
Did you know
- TriviaYears later, Sylvester Stallone explained why he agreed to appear in this movie. "Menahem Golan kept offering me more and more money, until I finally thought, 'What the hell - no one will see it!'"
- GoofsWhen Bull punches Hawk in the nose during their final arm wrestling match, it should've disqualified him immediately.
- Quotes
Lincoln Hawk: The world meets nobody halfway. When you want something, you gotta take it.
- Crazy creditsAn odd prop, specifically a "bucking bicycle" was used in the film. This bicycle was built by Terry Teene, writer and singer of the early 60's monster parody song, "Curse of the Hearse".
- Alternate versionsThe Tubi print plasters the 1987 Warner Bros. logo with the 2001 MGM logo.
- SoundtracksIn This Country
Performed by Robin Zander
Music by Giorgio Moroder
Lyrics by Tom Whitlock
Produced by Giorgio Moroder
Arranged by Anthony Marinelli (uncredited)
Courtesy of Epic Records
Sylvester Stallone's Most Iconic Roles
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Details
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $16,057,580
- Opening weekend US & Canada
- $5,149,200
- Feb 16, 1987
- Gross worldwide
- $16,057,930
- Runtime
- 1h 33m(93 min)
- Color
- Aspect ratio
- 2.35 : 1
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