Orphans

I saw this film about 100 times as a child and it forever stuck in our household as a classic to watch every Christmas.

The film is about 2 young boys, Treat, an angry young man who must make his living through petty thievery, and his house-ridden younger brother, Phillip, who never leaves the house from fear of "the toxic air outside" which apparently nearly killed him as a child. A third character, Harold who is supposedly a rich businessman,played by film veteran Albert Finney, comes into the lives of the two boys after they attempt to kidnap him and hold him for ransom. Little do they know that Harold has a thing or two to teach the boys about life, family, and how to become grown men.

Orphans is an old film, but is absolutely wonderful. I am saddened by the fact that it didn't make it into the mainstream to be regarded a classic along the lines of Casablanca, Gone with the wind, Titanic, etc.

I recommend this film for anybody who has a heart.

This drama was very powerful in spots but I found it too uncomfortable in the long run. It was interesting but, frankly, I wouldn't want to see it again. Two young guys (at time time) - Matthew Modine ("Treat") and Kevin Anderson ("Phillip") - play characters that not always each to watch. It gets a little too mean-spirited, as the latter is mentally slow.

As interesting as those two guys are, the best character is played by Albert Finney. His role as "Harold" - nobody has a last name in this movie - is hard to figure at times. He is older than the other two guys, low-life mental cases, and he winds up being kidnapped by the younger guys. He, too, as it turns out, was an orphan and all three share a sad and somewhat sordid backgrounds. He winds up just about being a foster-type father to these kidnappers. However, there are strong homosexual overtones in this movie, too, which could lead to other conclusions. It's a bizarre story.

Whatever, this is extremely well-acted movie but too unpleasant for my tastes.

i saw this movie in the late 80's and it's only been equaled by one other movie (imho). when you watch the movie, you have to understand that it was a play adapted to a movie and plays tend to be acted a little "over the top"... which is needed to reach out and grab an audience that is physically all around you. however, don't let that steer you away from the incredible acting and story that is told. it's about a basic and fundamental need in all human beings, the need to be loved and cared for in naturing way. this movie is so raw in it's needs and emotions, it can be hard to watch. really, it can be painful and some people don't like that. sometimes we just want to be entertained. this movie can be entertaining at times, but if you want to watch something that will speak directly to your heart and not sugarcoat reality in any way, you can do no better than this film. all 3 actors are exceptional in this movie and for it to get no critical acclaim is criminal. i see 12 reviews on IMDb.com. wow. i know the movie is a bit obscure, but not that obscure... the actors are well known and do such an incredible job. please make every effort to watch this and you won't be disappointed. if you aren't affected by this movie, you aren't human.

Two ignorant, semi-depraved brothers, dead-end kids abandoned by their parents and living (so to speak) in a condemned house near Newark, New Jersey, kidnap a drunken Irish dandy and hold him for ransom, but get more than they bargained for after daylight and sobriety transforms their prisoner into a cunning thief (and surrogate father). Director Alan J. Pakula makes little attempt to open up the stage play that inspired the film, and the artificial theatricality of the setting and dialogue doesn't translate well to the big screen. But the often absorbing dynamics between each of the three high-caliber actors is enough reason to recommend the play itself, if only to stage buffs.

I just watched "The Browning version", a later film that united Mathew Modine and Albert Finney, purely on the basis that I was so compelled by their performances together in 'The Orphans'. A film that I saw some time ago, but has stayed with me since.

"The Orphans" is based on two young men, existing on the fringe of society. No doubt due to their background and the neglect of their upbringing, that they subsequently suffer various emotional and mental illness. Enter Albert Finney. A gangster whom they kidnap purely to rob. Yet despite their aggressive intentions and perhaps also because of it, he identifies with the boys and sympathises from his own orphan upbringing. Albert Finney's character intrinsically sets about to break down their defences. Battling the conflicts in a very touching transition from mugging victim to a foster father role. A situation that conflicts the boys security against the emotional needs that they require to challenge their fears and build any kind of self pride to live in society, and not on the fringe of it.

Like the previous comments have said, the film is very much like an on screenplay. I imagine that it was written as a play but don't let that put you off. I was completely compelled throughout this film and do not recall being bored from a lack of visual stimuli. Despite my usually short attention span, it was simply not the case. An unknown gem of a film that is truly a treasure when found.