Cinglée

In New York, the public defender Aaron Levinsky (Richard Dreyfuss) witnesses the high-class call girl Claudia Draper (Barbra Streisand) beating her attorney while waiting for his hearing in the courtroom. Judge Stanley Murdoch (James Whitmore) assigns him to defend Claudia and soon he learns that she killed her client Allen Green (Leslie Nielsen) in self-defense. However, her mother Rose Kirk (Maureen Stapleton) and her wealthy stepfather Arthur Kirk (Karl Malden) want her declared mentally incompetent to go on trial. Dr. Herbert A. Morrison (Eli Wallach) prepares a medical report stating that she is mentally unstable to support the trial, but Claudia wants to prove that she is sane; otherwise she would spend the rest of her life in a mental institution. Along the hearing, the District Attorney Francis MacMillan (Robert Webber) and Levinsky question the defendant, her mother, her stepfather and Dr. Morring and the painful truth about Claudia's childhood is disclosed.

"Nuts" is one of the best courtroom dramas ever made. The story is developed practically in one location, but the performances are awesome highlighting Barbra Streisand. This actress deserved at least a nomination to the Oscar. The conclusion has a corny moment, when Claudia hugs her mother. My vote is eight.

Title (Brazil): "Querem me Enlouquecer" ("They Want to Drive me Crazy")

Note: On 12 Nov 2018 I saw this film again.

Streisand is still good in this thankless role playing a necessarily annoying character. The real jewel in this film is Maureen Stapleton. As always she gives an award winning performance. The acting is good but the courtroom scenes stretch credibility.

This is the third of three great courtroom dramas from that time. "And Justice for All,"(1979) and "The Verdict," (1982) were the other two.

Because of all the courtroom dramas on television in the 1990's and 2000's, many of the things in the movie now seem as clichés. It is important to remember that it was quite original when it came out. It is only cliché today because it has been copied so much since. Women were generally terrible victims of much psychiatry in the 20th century, this film, "Francis" (1982)and "Suddenly, Last Summer" (1959) are the only three movies that really demonstrate that.

The cast is full of great actors and actresses in small rolls: Eli Wallach, James Whitmore, Maureen Stapleton, and Karl Malden know that less is more and underplay their roles smoothly. The only problem with the casting is Leslie Nielsen as a crazy client. Nielsen became so associated with spoofs like "Airplane" and "The Naked Gun" one almost laughs automatically when he's on the screen, no matter how serious the scene is. Stars Richard Dreyfus and Barbara Streisand are at the top of their form and work well off each other.

The one criticism of this movie that is valid is Streisand's age. She is a bit too old at 45 for the character who is supposed to be in her late 20's. It is a minor irritation, and we should remember that male actors in their 40's also frequently play such roles. For example, Brad Pitt was 41 when he played Achilles, and Sylvester Stallone was 60 when he played in his last "Rocky" movie.

This is Barbara Streisand's grittiest movie with rape, incest, and madness being key themes, yet it still has a lot of witty lines and funny moments. It is just well balanced and well done. The DVD contains some fascinating commentary by Ms. Streisand.

Based on Tom Topors's off broadway play, NUTS is a highly charged drama that raises some uneasy questions. NUTS opened in late 1987 to little hype and mixed reviews.

This is a film that deserves to have a second life on video. While the court room plot devices are predictable, the film raises some important issues and questions. Questions like, "What is normal?" and "Does the law have the right to force help upon those who don't want it?"

What really makes this film worth watching though, is Barbra Strisand's bravura performance in the lead. I cannot believe she failed to receive an Oscar for her work here, it's crime that she wasn't at least nominated. Director Martin Ritt keep the film going at a perfect pace and also gets strong supporting performances from Richard Dreyfss and Maureen Stapleton.

This is a film that deserves more attention then it originally received, it is honest, though-provoking, and features a brilliant performance from Streisand.

My score for this excellent film: 9/10!

In `Nuts,' Barbra Streisand throws her weight around while pretending to play a prostitute who has lost control of her life. There's no doubt, however, who is in control of this movie. In her commentary on the newly released DVD, Barbra smugly remarks that she has often gotten into trouble by bluntly speaking the `truth' just like her character in `Nuts.' Of course, when her character, `Claudia Draper,' screams `listen to me, listen to me' as she often does in the film, who's going to argue? Streisand is also the producer. Don't be fooled. Claudia is no more nuts than you or me. In fact, she's the smartest person in the movie. The members of an impressive supporting cast are nothing more than a bunch of sitting ducks in a shooting gallery, all lined up to be shot down by a domineering superstar. They all have their turn at being told off by Claudia. Not only that, she is not just an ordinary hooker. She's self-employed and, by her own account, the best in the business, doing well enough to rake in $100,000 a year. That's right, we're expected to believe that an older man in his 50's or 60's would pay $500 an hour for a woman in her mid-40's who looks like Barbra Streisand! No sweet young blond bimbo for him. On the DVD, Streisand only mentions the name of director Martin Ritt once and that's to say that theirs was a `collaborative effort.' I'd be interested to know just exactly what he did do. He was certainly powerless to prevent the spectacle of an actress airing the dirty linen of her own childhood in public and passing it off as something universal. Streisand-watchers know that she had a nasty stepfather who abused her mentally if not physically while she was growing up, and a mother who not only stood by and did nothing, but also sought to undermine her daughter's confidence in herself. (Even as late as 1993 and the famous `60 Minutes' interview with Mike Wallace, all it took to bring her to tears was Wallace mentioning a criticism of her mother's). It's pretty obvious that Barbra is still working out her anger over all this in `Nuts,' but I'm not sure why we should be paying to watch. This movie is a slideshow presentation for her analyst.