Malone, un tueur en enfer

The picture talks about a veteran CIA agent attempting to begin a new life in honorable issues , as he hopes for a tranquil life in the placid Pacific Northwest . As C. I. A. Assassin Richard Malone (Burt Reynolds) wishes the retirement , a guy running away from his past, but then things go wrong . The ex-CIA man whose car breaks down in a small town who then gets close to a family ( Cynthia Gibb , Scott Wilson) and attempts to battle an ominous villain . Along the way , nasty enemies led by fascist Delaney (Cliff Robertson) are menacing his plans and then goes into action . They go after him but Malone'll execute his legitimate defense as well as extreme wrath and he'll become in judge , jury and executioner . The woman held the key to his past. The man wanted to buy his future. Now both were trying to kill him. Ex-Cop. Ex-CIA. Ex-PLOSIVE! He didn't start the fight... but he'll sure as hell finish it.

In the film there is action , exciting pursuits , shootouts , thrills , suspense and a little bit of violence . From the beginning to finish the noisy action-packed and fast-moving are continued and that's why it results to be entertaining . The great climax of the film is the final confrontation between the starring and the enemies that's stimulating and moving . The story is an adaptation from the novel "Shotgun," by William Wingate and script by Christopher Frank .Film attempts hard but doesn't succeed in being believable. Burt Reynolds acting is wooden but likeable , as being habitual in his roles as a merciless revenger . As he plays a burnt-out agent with secret missions stumbles into a real state swindle/murder plot in Oregon and sets out to stop it . This picture represents one of a handful of films starring Burt Reynolds playing tough and brave agents or cops or avengers in which he exacts his assignments by violent and expeditive ways , such as Rent-a-Cop, Sharky's Machine , Stick ,White Lightning , Fuzz , Gator , Hustle , Shark , among others . Reynolds is well accompanied by a good cast such as : Clift Robertson as a right-wing extremist plotting a secret revolution , a young Cynthia Gibb , Scott Wilson as her good father , Kenneth McMillan as a corrupt sheriff , Lauren Hutton , Philip Anglim , Tracey Walter , Dennis Burkley , Duncan Fraser , and Dennis Burkley.

It contains an enjoyable and moving musical score by David Newman. As well as colorful and adequate Cinematography by Gerald Hirschfeld . The motion picture was professionally directed by Harley Cokeliss . This filmmaker is a good artisan directing some decent films such as : Paris Connections , An Angel for May , Warlords of the 21st Century , Dream Demon , That Summer , , Black Moon , The Battle of Billy's Pond and making episodes of popular series, such as : Dark Knight , The Immortal , Xena and Hercules. Rating : 6.10 . Good , acceptable and passable movie. The pic will appeal to Burt Reynolds fans. Worthwhile seeing.

There are some films that miss whatever target they are aiming for yet somehow are just great fun to watch. Malone, a fairly obvious updating of Shane, reaches deeply in to the duffers bag of clichés to pull out; the burnt out assassin, the beautiful former colleague, cute teenage girl and her brave but crippled father and, of course, a nutter who along with his evil henchmen are bent on taking over the government. Starting with the most inept of the baddie's henchmen Malone is gradually drawn in to the fight until he achieves his final pyrrhic victory and moves on. Burt Reynolds is actually not a bad actor when he's not trying to be 'a good old boy' all the time. Cliff Roberstson goes jarringly over the top. Laurren Hutton is beautiful, brave and loyal. Cynthia Gib is cute as apple pie in a see-through nightie and the much miss-used Scott Wilson does exactly what he needs to do. So why is this not a good movie? Dunno. There is nothing obviously wrong with the film. It doesn't look cheap, everyone hits their marks and speaks the lines. The end is a bit over the top and perhaps people were reluctant to let Burt Reynolds be serious. Never mind, I've added it to my list of films to be watch every time they turn up in the schedule and I guess I'll just continue to enjoy it for what it is, a good bad movie.

Malone (Burt Reynolds) is a former CIA man who wanders into a town in rural Oregon on pure chance and becomes embroiled in a conflict with a group of far right extremists terrorizing the residents.

Malone was one of a number of Reynolds movies released in the 80s, and like many others was subject to critical derision and financial disappointment. In Malone's case it was unfavorably compared to classic western Shane, and while the comparison isn't unwarranted, Malone is still a well made contemporary action thriller with a traditional western framework.

Reynolds as the titular Malone is actually pretty good in the movie, and it's nice to see Reynolds play against his established persona that had colored his career from Smokey and the Bandit onward. While he still maintains his dry laconic delivery in some humorous instances in the movie, the movie also allows Reynolds to convey a level of simmering intensity hidden behind a stone faced facade of quiet resignation that makes Malone a bit meatier than your average 80s action shoot 'em up. The villains are adequately dispicable and hateful, with Cliff Robertson being a memorably grotesque Delaney and Alex Diakun giving superbly slimey performance as Delaney's sadistic henchman Madrid. The only drawback to Malone really is that the comparisons to Shane are indeed as accurate today as they were then, but is that necessarily a bad thing?

Malone is a perfectly serviceable action film. Burt Reynolds gives a commander performance in what's essentially a classic western dressed up in contemporary clothes. It doesn't have much lasting impact, but it's a perfectly suitable time killer.

Ex-CIA hit-man running from his past (Richard Malone, played by Burt Reynolds) finds just how difficult it is to retire when he runs across a small town controlled by mercenaries and a family that is resisting their control.

Reynolds is a smooth pimp, even kissing a young girl in front of her father. I mean, really, who has the balls to do that? Only Reynolds. And why not, when you can go around and beat people up -- or kill them -- without the police being able to stop you?

An odd mystery: at one point, Malone's birth date is given as February 14, 1941. I wonder if this date was chosen for any particular reason. This is not Reynolds' birthday, and in fact would make Malone a few years younger than Reynolds...

"Malone" manages to at least be watchable without being distinctive in any way. It's pretty much a routine action drama of the time as well as an okay vehicle for veteran star Burt Reynolds. The action is largely perfunctory, and yes, the plot isn't always terribly believable, but a strong supporting cast keeps the attention from wandering too much. There is some effectively brutal violence as bodies get ripped apart by bullets, and some explosions as part of the deal. Harley Cokeliss directs competently if not stylishly. The location shooting in Canada is decent, and that wilderness setting is lovely. (Stock shots of Langley and L.A. are also used). A great score by David Newman is an asset.

The story (scripted by Christopher Frank, based on a novel by William P. Wingate) is awfully familiar stuff: Malone (Reynolds) is a former CIA assassin with no more desire to do his job, so he takes it on the lam. Car trouble forces him to stop at a remote service station run by nice guy Paul Barlow (Scott Wilson), who just so happens to have a cute daughter, Jo (Cynthia Gibb). Malone has arrived in this community just in time to get caught up in the schemes of Delaney (Cliff Robertson), a rich man buying up property like crazy; Delaney turns out to be a right wing zealot hoping to establish a base of operations in the area.

Despite receiving a very serious bullet wound at one point, Malone is a tough s.o.b. who takes on all comers. Fortunately for him, most of Delaney's henchmen are completely useless idiots. That definitely removes a lot of suspense. Reynolds delivers a commendably low key performance in the lead, the ever likable Wilson is excellent as always, Robertson is amusing in a very unsubtle turn, and Gibb (whose character Jo becomes quite attached to Malone) is endearing. Lauren Hutton co-stars as the CIA agent sent to take care of the Malone problem, Kenneth McMillan is the local sheriff, and Tracey Walter and Dennis Burkley play a troublesome pair of redneck brothers working for Delaney.

If nothing else, this obvious "Shane" homage should be a mild diversion for Reynolds fans.

Six out of 10.