Lust for Freedom

Lust for Freedom lands squarely in the low-rent world of 1980s exploitation cinema, bathed in sleaze and saturated with the aesthetic of a late-night cable fever dream. It flirts with the rebellious tone of grindhouse prison flicks, but its attempts at empowerment feel shallow, almost accidental. There's a grimy atmosphere that lingers, not from tension or danger, but from a lack of polish. The cinematography veers between basic and barely functional, with flat lighting, jarring edits, and a handheld style that feels more like necessity than intention. The film never cultivates suspense or urgency; instead, it ambles from scene to scene with a kind of tired shrug.

Performances are exactly what you might expect from a cast assembled more for their willingness than their experience. Judi Trevor, in the lead role, delivers a performance that wobbles between wooden and wildly overdone. She tries to bring fire to her character's struggle, but too often it gets buried under stiff line readings and melodramatic reactions. However, Elizabeth Carlson manages to stand out, even in a supporting role. There's a raw energy in her delivery, a glint of self-awareness that suggests she understood the absurdity of the material and leaned into it just enough to make her scenes feel alive.

Despite its efforts to frame a story of resistance against systemic abuse, the film never quite transcends its base instincts. It wants to be angry, even revolutionary, but can't stop ogling its own characters long enough to build real substance. The prison setting lacks grit or believability; it feels more like a set dressed with props from a discount surplus store. The soundtrack doesn't help either, often clashing with the tone or simply feeling out of place.

What Lust for Freedom does capture, if accidentally, is a kind of cultural snapshot. There's a chaotic energy, a sleazy optimism, that could only exist in a very specific kind of 1987. But that's not quite enough to save it from its own misfires.

There may be messages here about the importance of freedom, but they were lost amid guffaws prompted by the abysmal quality of this movie. The screenplay was awful, the acting for the most part dreadful, the editing appalling.

Melanie Coll is marginally better than most in the film, but hers is hardly a sparkling performance. Many of the rest of the cast appear to be enthusiastic amateurs.

It appears that the censors have forced cuts to the version put on to DVD in the UK in 2004, probably because of excessive violence. But the cuts were made with sheep shears rather than anything sharper, so the viewer is left wondering how the action has moved on so quickly and inexplicably.

Don't waste 90 minutes of your life on this garbage.

I saw this film on USA's Up All Night and it was like finding a priceless gem. It is a great film that everyone should see because it tells about the importance of freedom and how quickly it can be taken away from us. In the wake of 9/11 I think that is the most important message of all. A fine young actress named Melanie Coll stars as a policewoman who is framed and thrown into a hellhole prison and must fight to survive. She gives a really gutsy performance as the courageous young officer.

"Lust for Freedom" is a pretty typical entry in the familiar "Women In Prison" genre from Troma films, and considering the often outrageous and overtly campy nature of many Troma productions, this is actually played rather straight most of the time. That's not to say that it's not without its cheesy charms, of course. Most of the villains *are* overplayed. However, co- writer / director Eric Louzil ("Class of Nuke 'Em High" Parts 2 and 3), making his directing debut, handles things in a surprisingly tame fashion at first: it's a half hour into the story before we get our first shower scene, and he actually makes the viewer until the thing is half over before he starts treating us to more truly exploitative moments, with many appreciable leering shots of the female anatomy. There's also a sufficient amount of gore in the more violent moments.

Gorgeous and sexy Melanie Coll, who somewhat resembles Virginia Madsen, stars as Gillian Kaites, an undercover detective who loses her partner / fiancée in a sting gone bad. Needing a breather, she heads for the hills, only to fall prey to a very crooked ring of corrections officers who abduct mostly innocent young women and keep them prisoner. Gillian doesn't care much about anything since the loss of her beloved, but after witnessing enough depravity towards her fellow inmates, she's motivated to start kicking ass.

In general, "Lust for Freedom" just might not be sleazy or grimy enough to suit the tastes of some trash fans watching. Its script is largely of the routine variety, and Louzils' pacing is a little sluggish, but there's adequate entertainment in eyeing the assorted attractive female cast members. As was said, some of the performances are pretty unsubtle: Judi Trevor as hostile matron Ms. Pusker, Howard Knight as cheerful warden / judge Maxwell. Elizabeth Carlisle is a hoot as tough gal inmate Vicky, as is the towering Dee Booher as thuggish con Big Eddie. John Tallman is likewise fun as the creepy Jud, Elizabeth Carroll is appealing as the innocent Sharon, and William J. Kulzer is very effective in a low key turn as the morally compromised but not completely villainous sheriff; Kulzer also worked behind the scenes, functioning as stunt co-ordinator, associate producer, and special effects creator. Coll is decent in the lead.

If you're an addict of this sort of entertainment, you may be reasonably amused by this one.

Seven out of 10.

Well, let me say that this Troma feature is unlike everything I have seen, an a-typical Troma. This is actually meant to be a lot more serious that the average Troma, and it works fine as a decent semi-exploitation film. I am a fan of Troma films but not really an exploitation enthousiast. The acting is pretty decent. Humorous moments are not a lot, actually they are quite a few. There is some nudity (after all you 're watching a woman-in-prison film...) and a generous amount of violence and sadism. I don't really recommend you to watch it expecting much fun, and if you are looking for casual Troma weirdness & fun, you won't find too much.

Exploitation / woman-in-prison flick enthousiasts , this is a must to discover!!!! You are sure to enjoy it much more than I did.