The Lonely Passion of Judith Hearne

This was a strong and moving movie. In fact, it even made me both a bit upset and a bit depressed - because Miss Hearne's fate in upper middle age, was my own big fear before I met my husband and had my children. Not until I had two children I felt reasonably safe. This was because like Miss Hearne I had no siblings, and where she had only an old aunt, who later died, I had my parents - but they were also old and I knew that half my life I would live without them...

Miss Hearne's sad and lonely life, waiting for Mr Right who she as a young girl pictured as "tall, dark, and handsome" (well - what girl hasn't..?), in time lowering her expectations more and more, and seeking comfort in religion as well as the bottle - is only too common also in real life.

The acting was excellent all around, as was the picture of the time, and the melancholy mood created by bleak photo and classical music both beautiful and sad.

I really recommend this movie, but with one exception: if you are yourself in the same situation as Miss Hearse - then maybe you should not watch it. Because it is the opposite of feel-good, and can make you only sadder.

Maggie Smith is enormously affecting as Irish piano teacher Judith Hearne, whose life is plagued by Catholic guilt; painful memories of her early life with a difficult, wealthy aunt; and the less-than-genteel situation in which she now finds herself. At the shabby boarding house where she lives, Hearne meets the brother of her landlady. As they become friendlier, she seizes on the chance that this man will save her from a dismal life as a poor spinster.

The uniformly fine cast includes Bob Hoskins and Prunella Scales. I cannot recommend this movie highly enough to anyone who enjoys character-driven stories.

Playing an atypically quiet character for the most part, Maggie Smith is excellent in this film, and she deservedly won the BAFTA award for Best Actress for her role. As for the film itself, it is also powered by some fine acting from Marie Kean, and the motivations are interesting for each and every character - the film is a study of why different persons do what they do and what they expect in return. Sadly the snail's pacing is a bit slow for the material to have vigor, and some techniques used do not come off well, such as the melding of flashbacks and double narration with two characters each saying their thoughts. The gloom and anger in the film tend to verge on the excessive, but yet these sad emotions bring extra power to the story, and there really is not much of a story - in terms of events - to work with, but the film manages to do a satisfactory job. However, to call Smith satisfactory would not be justice at all. She is simply wonderful, in one of her last great performances, and the film is worth seeing for her work in it alone.

An unsparing portrait of a lonely spinster with nothing to go on but her own ever-weakening faith. All the performances are wonderful, but Maggie Smith in the title role is revelatory. One of the best performances by an actress that I've ever seen.

This is a mediocre movie containing one performance so brilliant and so powerful and so beautiful that it deserves ten stars all by itself. Obviously I'm talking about Maggie Smith as Judith Hearne. The other actors - Hoskins, Kean, McNiece and the rest - are fine, but beside Smith in THIS role they come off as amateurs.

The story is so annoyingly melodramatic and manipulative that I would have turned it off if Smith hadn't been there in almost every scene, transforming a cheap soap opera into a vehicle for the finest, smartest, rawest, most moving and most exhilarating acting performance I have ever seen in the thousands of movies I've watched in the past 60+ years.

Thank God this performance was not made tawdry and commonplace by winning an Oscar. It is much too good for so sleazy an award.