IMDb RATING
5.7/10
1.1K
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Cute Katya starts as window dresser at a Pittsburgh department store. She dates a reporter. A fan stalks her and is increasingly nasty.Cute Katya starts as window dresser at a Pittsburgh department store. She dates a reporter. A fan stalks her and is increasingly nasty.Cute Katya starts as window dresser at a Pittsburgh department store. She dates a reporter. A fan stalks her and is increasingly nasty.
Clayton Hill
- Policeman #1
- (as Clayton D. Hill)
Zachary Mott
- Printer
- (as Zack Mott)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Diane Lane finally gets a solid part in a pretty good picture; so often, Lane is stuck in unsuitable parts in rather lousy movies ("The Cotton Club", "Streets Of Fire"), so much so that her career nearly evaporated after a promising start. She's first-rate here playing big-city career girl dressing windows for a department store, intriguing a married man who becomes obsessed with her. Surprisingly subtle B-movie overcomes the minimal budget with smart writing and direction, good performances by all in the cast. Lane's converted warehouse digs uncomfortably reminds one of "Flashdance", but the revenge-angle in the second-half is clever and well-done; nicely attuned climax too, making its point without going over-the-top. **1/2 from ****
It is hardly believable for most of its running time, but at least it keeps you watching. It begins when Lane sort of pushes her way into a job as a window dresser. This was the second film of '87 to feature one following the Andrew McCarthy comedy "Mannequin" (this one is even replete with a flamboyantly gay co-worker, too). But, ooh boy, is this a much different movie. Lane's gutsy and provocative displays get her noticed in good and bad ways, one of which is by a perverted x-ray technician, played by Woods. First we get the typical stalking; she's followed home; he steals her mail; harrassing phone calls. But at one point the perv scales the wall of her apartment/loft, takes a bath, and does something rather gross to one of her nighties. All the while talks to the police are mostly kept off-screen an d Lane keeps putting up with everything. Which, again, is one of the many implausible elements of the film. Only in movieland would the victim accept the challenge and begin playing cat and mouse games with the wacko. Plus the MANY unintentional laughs, like Woods dancing around her place in a bathtowel, him doing a Spiderman impression by climbing down the side of her building on a rope so he can break in, and Lane cursing her mirror while she repeatedly spits on it. The ending is a downer, too, kind of a letdown. Though different, it's mostly ineffective. And what the hell happened to Smith's character? All of a sudden he's dropped and never mentioned again (I'm sure he didn't care considering that love scene he got to do with Lane, hubba hubba). I must say the performances are there big time. Lane, aside from being absolutely gorgeous, which is saying nothing of her eye-popping (among other things, hehe) topless shot, really conveys her loss of freedom. At times the stuff she spouts is a little over the top, but is delivered nice enough. And if Woods is indeed James Woods brother, talent is definitely in the bloodline. His characters' only mis-step is not being more agressive with Lane. Early on she talks suggestive to Smith on the phone, appearing to be open sexually about herself (which is also indicated by her window displays). But Woods approach is more scary, which just makes her pissed. This was one of only a few good movies from the quickly defunct Scotti Bros. before they withered away and is too bad. Though pretty much unknown, it's a decent little thriller.
This movie definitely has a Grade B feel to it. Diane Lane is only "star" actor in here and she wasn't that big a name in '87 anyway. The story is sleazy one about a window dresser (Lane) who displays almost-pornographic displays with her window mannequins.
These semi-erotic dressing attract a stalker to Lane and that's where the suspense come in....good suspense, to be fair. Lane is great to ogle and is not modest in showing herself to us. Actually, this film seems to be only a vehicle or an excuse for the pretty actress to show off her breasts. Otherwise, it's standard "B" fare, because the story sure isn't much.
These semi-erotic dressing attract a stalker to Lane and that's where the suspense come in....good suspense, to be fair. Lane is great to ogle and is not modest in showing herself to us. Actually, this film seems to be only a vehicle or an excuse for the pretty actress to show off her breasts. Otherwise, it's standard "B" fare, because the story sure isn't much.
The only reason to watch this movie is to see Diane Lane naked. There are 4 or 5 scenes where you, along with the stalker and her lover, get to see Diane's breasts and beautiful body. Basically the movie sucks! Diane's character is a sexually frustrated working woman who gets stalked by an admirer who is very disturbed. She has an erotic dreams about her work and bathes in her studio apt. with no shades. She gets bothered by the stalking and can't really have sex with anyone she's seeing. She almost does after stripping down for her lover, but can't quite do it. Oh, well. You still got to see this outstanding actress shed her clothes. That's the only reason to watch this one.
I find this movie every few years and watch it again. Something about it is haunting. Diane Lane makes the whole movie. Her New York loft is a crucial piece of the plot - almost another character. The males characters are fine but she's divine.
Did you know
- TriviaDirector Karen Arthur disowned (and nearly took her name off of) the finished film. Against her wishes, the studio re-edited the film to show more nudity on the part of Diane Lane. In addition, the studio minimized Cotter Smith's performance, and all scenes with Viveca Lindfors were eliminated; both actors played characters integral to the plot, and these eliminations made the film more confusing.
- GoofsAt one point when Katya walks down the street and enters a building, the scrunchie in her hair appears and disappears between shots.
- SoundtracksLady Beware
Written by David Hallyday and Lisa Catherine Cohen
Performed by David Hallyday
Produced by Craig Safan and Richie Wise
Arranged by Claude Gaudette
Courtesy of Scotti Brothers Records
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Box office
- Gross US & Canada
- $169,600
- Gross worldwide
- $169,600
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