L'heure du crime

Killing Time treads familiar ground in the thriller genre, offering a serviceable but unremarkable viewing experience.

Despite the committed performances of its cast, the film struggles to transcend its formulaic plot and lacks the ingenuity needed to captivate audiences.

While there are fleeting moments of suspense, they're often overshadowed by predictable twists and clichéd tropes.

Watching Early Sutherland is the highlight of the movie, even though his performance is a little understated.

Ultimately, Killing Time may provide mild entertainment for those seeking a straightforward thriller, but it fails to leave a lasting impression or offer anything new to the genre :)

The script of this movie never shows why or how a seemingly decent, almost boring small-town cop is transformed into a scheming bad-ass who plans not only murder, but to pin the blame for it on a fellow officer. Love is just not enough, especially when the object of it, Camelia Kath, is so woefully lacking in the femme fatale department. Then there is Keifer, who is excellent, except we don't get to see much of him. A lot could have been done with this character, but instead we get large dollops of the poisonous relationship between two quite unattractive people (Kath and her nasty, clichéd, property tycoon husband). Hitchcock could probably have pulled off a denouement in sand dunes on an overcast day but probably not many others could. However, I thoroughly enjoyed Joe Don Baker's performance as the old sheriff.

If you are in it for the long game ... well you may have more success than others. But an interesting take and interesting character Sutherland gets to play here. Overall it still has its flaws (pacing and otherwise), but it is more than a decent thriller - casting alone made sure of that.

You may see where this is going and there are glimpses of two sides of Sutherland. Who is channeling quite a lot here. He came a long way since then, but he is multitalented, also playing music quite succesfully. Keep your expectations a bit low and you'll be more than entertained by what you get served here - no pun intended. Even if it is quite predictable.

This one could have been better. The scenario works, the good cop not being totally good and the bad guy not entirely bad. Beau Bridges does a reliable job and Kiefer Sutherland even works to do a role out of the ordinary kiefer. However, the director ruins everything. The result is boring beyond limits. All the suspense comes from the screenplay and the final is totally flat. As a matter of fact, I have never seen a movie where screenplay and direction differ in quality as clearly as in this one.

Kiefer Sutherland is an unknown killer, who comes to a peaceful coastal town pretending to be the new deputy sheriff. He starts working with Sam Wayburn (the expressionless Beau Bridges) and Carl Cunningham (Joe Don Baker), who is going to retire. Sam is in love with his high school sweetheart Laura Winslow (Camelia Kath), who is married with a powerful and wealth man, Jake Winslow (Wayne Rogers). Sam and Laura decides to kill Jake and put the blame on the new comer, but things will not work as planned. This movie is not totally bad, although full of clichés and very predictable. The situations are easily resolved and the plot is neither moralist nor amoral: it is shallow. Maybe in the hands of the Cohen brothers or other good director, it could be a great movie. My vote is six.

Title (Brazil): "Tempo de Vingança" ("Time of Revenge")