Jocks

Hunky Los Angeles college tennis player Scott Strader (as "The Kid") likes to party more than practice, so straight-laced pal Perry Lang (as Jeff Andrews) is worried about their championship possibilities. When coach Richard Roundtree (as Chip Williams) takes the team to Las Vegas, the nightlife threatens to ruin the tennis team's chance to bring home L.A. College's first trophy ever… Steve Carver's "Jocks" are an undeniably likable group, but their story is filled with dead humor. Don't expect any more than ONE good topless "girls gone wild" moment.

*** Jocks (1987) Steve Carver ~ Scott Strader, Perry Lang, Richard Roundtree

...from those trash purveyors at Crown International Pictures, who seemed to flood cinema screens in the 1980s with a never-ending wave of low budget high school comedies that were anything but funny. JOCKS is about a team of tennis misfits who must learn skill and humility to beat their opponents, and is notably only for featuring a better supporting cast than is normal for the genre.

Sadly, JOCKS is a film saddled with some truly poor writing when it comes to the central characters, reducing them to mere unlikeable (and unsympathetic) caricatures. Scott Strader's self-centred jerk is a particularly miserable creation so perhaps JERKS would have been a more fitting title. Out of the youthful leads, only Mariska Hargitay - Mickey's daughter - makes an impression due to her natural beauty, alongside Donald Gibbs as wildman Ripper, a role he would play over and over again throughout his career, most notably in Van Damme's BLOODSPORT.

Aside from the usual lame jokes and gratuitous nudity, JOCKS offers a trio of supporting roles from familiar faces. Most notable of these is Christopher Lee, miscast as the school president, although he only gets a few scenes (and the most notable of these lampoons his role in the musketeers films). Then we get a sweaty R. G. Armstrong (PREDATOR) as the coach, and the inimitable Richard Roundtree, wasted in another 'wise elder' type role, imparting knowledge to the kids. In any case, it's a mess of a film, and one worth skipping unless you're a sucker for this sort of stuff. Director Steve Carter previously helmed the enjoyable Chuck Norris action flick AN EYE FOR AN EYE, also starring Lee, and apparently called in a favour to get him to show up here.

Jocks is a production from those purveyors of good taste, Crown International Pictures. In fairness, these guys were responsible for some good movies but most of them came out in the 70's when they put their hand to trends of the day that seemed to work better for them. By the 80's though it appeared to be low budget comedies all the way, and it would not be uncharitable to describe a lot of these as being 'uneven'. Jocks is an example of one of the cinematic staples of the day - the teen sex comedy. Except, there really isn't all that much sex but there is a lot of...tennis. A college sports coach must get a group of misfits under his charge up to a good enough standard to win a tennis tournament in Las Vegas; needless to say, the city attractions coupled with the underhand machinations of their rivals prove a major distraction for his protégés.

Seemingly this one sat on a shelf for a few years, which kind of makes sense when you see that the date of the tournament was '84, yet the film was released in '86. Presumably it was on account of its low quality, although I have frankly seen worse from Crown from the period, although admittedly not that much worse. The comedy is pretty basic stuff and seems to be based primarily around gags that can be elicited from laughing at stereotypes, to that end we have, amongst others, a wild man (played by the guy who starred alongside Jean-Claude Van Damme in Bloodsport (1988) - to say this fella's acting range appears to have been a bit limited would be something of an understatement), there's also a Mexican and a Prince lookalike transvestite. I did chuckle occasionally although I can't actually now even remember what at. So, it's not totally without humour but it is of a very low-brow standard, i.e. an angry man with a beard hitting tennis balls aggressively, out-dated gay humour, etc. It is enlivened a bit by the introduction of some breasts though - by contrast to the humour, this sort of production value never seems to get old for some reason. The film also is kind of notable for improbably starring Christopher Lee as the college head. I think it seems that like many others such as Al Pacino, Harvey Keitel, flared trousers and beards, the 80's was a barren wasteland of a decade for Lee and so he pitched up in some rubbish, only to return with flying colours later on. In the final analysis, this isn't very good but it's not exactly terrible either - if you are a tennis loving Christopher Lee fan, you are probably the demographic that Crown were aiming for, in which case, batter in.

There's a little gem of an eighties film collecting dust in your friendly neighborhood mom and pop video operation that deserves a better fate. Jocks, a 1987 entry into the then-rapidly dying eighties film movement is exactly the way to go out.

The film epitomizes the 80s-college-boys-looking-for-kicks genre; it's unapologetically formulaic, crude, misogynistic, and campy. It features slovenly, under-achieving protagonists, all-too-dastardly villains, a road trip to Vegas, blasphemy, and of course, that staple of all 80's flicks staples: tits. And lots of them.

The lean, mean, air-tight, joke-a-page script is bolstered by one of the most eclectic casts ever assembled. What other movie out there can boast names like Christopher Lee (the guy IS Dracula, okay?) and the TRUE John Shaft himself Richard Roundtree?! You'll also see familiar faces like Stoney Jackson--jheri curls and all--whooping it up on camera to great effect. Don Gibb as the maniacal Ripper is in top form, giving a tour de force performance that nearly surpasses his masterful turns as Ogre in "Revenge of the Nerds", and Ray Jackson in the martial arts watershed "Bloodsport."

If that isn't enough to sell you on Jocks, you've got a young Tom Shadyac hamming it up deliciously as one of the snide, weasely, trust-fund baby villains before he sold his soul to Satan (or Jim Carrey, anyway) and went on to become Hollywood comedy lenser du jour. "Big Wednesday's" Perry Lang is in this mother too--hey, if Milius cast him, he MUST be that damn good (and guys named Perry just rock!). And last, but certainly not least, is Trinadad Silva, Mexico's greatest export to the U.S. in the role of Chito "The Human Backcourt."

All the shilling in the world can't do this movie justice. Seek Jocks out--it's the truth, and it shall set you free. Until the next time, save us those goddamned aisle seats.

The President (Sir Christopher Lee) of L.A. College issues an ultimatum to his athletic director Beetlebom (R.G. Armstrong): produce a championship team, or else. Beetlebom agrees to give tennis coach Chip Williams (Richard "Shaft" Roundtree) a chance, otherwise the whole tennis program is kaput. Naturally, Chips' tennis team is full of life-of-the-party type misfits.

Provided one can tolerate the flagrant stereotypes among the characters and the very 80s trappings of the presentation, "Jocks" offers a mildly engaging rehash of that time-honored "misfits make good" formula. And make no mistake, it IS formulaic, with roadblocks put in our heroes' path, but never much doubt that they'll prove to be stand up guys. Since this is also a Crown International movie, rest assured that it's reasonably exploitative, with a generous dose of breast shots.

The main hero is a guy known only as "The Kid" (Scott Strader), and his assorted teammates include a Mexican (Trinidad Silva), a Prince lookalike (Stoney Jackson), an enormous bearded goon (Don Gibb, a.k.a. Ogre from "Revenge of the Nerds"), a worry wart (Perry Lang), and a gambling expert (Adam Mills). Their nemeses include the smarmy duo Tony (Christopher Murphy) and Chris (Tom Shadyac, future director of things like "Ace Ventura: Pet Detective", "The Nutty Professor" with Eddie Murphy, and "Liar Liar"). And adding eye candy are appealing Katherine Kelly Lang as Julie and future TV star Mariska Hargitay (in one of her earliest roles). The actors are likable enough, but the ones who come off the best are the veterans like Lee (it's odd, but nice to see him in this sort of setting) and Armstrong (you keep wanting to snatch the toupee off his head).

Adequate location shooting in Las Vegas, a peppy rock soundtrack, and some decent action on the tennis court make this an acceptable diversion for 91 minutes.

Six out of 10.