Jane et la cité perdue

This film begins during World War 2 with both Great Britain and Germany locked in a death struggle and each one desperately needing money to finance their conflict. So, when a large deposit of diamonds is rumored to be located in a mysterious "lost city" in Africa, both countries send out a small party to retrieve them. Heading the British party is a bumbling Army "Colonel" (played by Robin Bailey) his servant "Tombs" (Graham Stark) and an attractive female employee named "Jane" (Kirsten Hughes). Not to be outdone, however, the Germans also send a party commanded by an SS officer named "Lola Pagola" (Maud Adams) who is extremely determined and ruthless. And she is willing to do whatever it takes to bring these diamonds back to Berlin. Now rather than reveal any more I will just say that this was a peculiar comedy which lacked the necessary humor to be very effective. Campy but not very funny. Likewise, there were repeated attempts at titillation involving Kirsten Hughes which weren't that impressive either. Even so, I suppose it wasn't a terrible film by any means, and for that reason I have rated it accordingly. Slightly below average.

To its credit, many of the supporting roles are played so well, we almost have a decent Indian Jones type movie.

Everything everyone says here is true, which just shows how subjective enjoyment of a film can be. Comparison is made to the Carry On films, which is close ... but the Carry On films really relish their everything-is-about-sex undertone, while Jane And The Lost City prefers the innocence approach. Yes, Jane loses her clothing half-a-dozen times, but it always feels a bit out of place -- as if they really wanted to go Indiana Jones, but were saddled with this pinup-girl concept.

For me, there were just enough good comic moments to sustain through the ones that fell flat (mainly Jasper Carrott's endless mugging). I've seen my share of not-very-good jungle films; this ranks just about right, with the occasional clothes-ripped-off seemingly punched in for novelty. I think it would have been funnier to make that a more central concept -- even to play with audience expectation by having it almost happen, then partially happen, then not happen when you expect it to, then happen to someone else, etc -- you see? A running gag should be explored for all of its possibilities, not just the same gag used as window dressing, then sold as main attraction.

Patterned after the book by H. Rider Haggard "King Salomon's Mines" follows along the lines of the original first 3 films but this one has used a comedic theme to help it along ... i found jane to be plenty erotic enough for heroine and defender of god and country ... i had a feww good laughs

I remember watching this year's ago on T.V. one quiet Sunday afternoon. This is one of those films that are so bad their good. I can't imagine why all involved thought this would be a good idea. It looks cheap and is terribly edited (there's a plane crash early on where you don't actually see crash). Every single performance is appalling though Jasper Carrot has to be singled out as worst offender (shouting your every line in a awful German accent just isn't acting). The whole thing is just so terrible you can't help but laugh at it, trying to guess what the next plot contrivance will be to allow Jane's clothes to be ripped off her yet again. I highly recommend this film and suggest you all try and watch it as soon as possible.

Anybody unfamiliar with British comic strips of the 40s and 50s might find this movie trite and contrived, but that was the way the strips played. Lost cities, buried treasure, wicked Eurotrash countesses, etc. etc., all of the usual comic strip clichés are here. The movie's creators worked hard and generally succeeded in capturing the original strip's silly tone and obvious contrivances - Jane loses her dress about every other scene and has to cavort about in embarrassment in her lingerie, and her hunky Jungle Jack boyfriend gets hit on the head or chained to a wall and needs rescuing by his distaff partner almost as often. The cast play the silly lines and sight gags with appropriately straight faces, and the result is a fairly obvious but entertaining comedy of an older fashion, rather like a vintage Carry On movie but in color.