Iron Warrior

I recently watched the Italian fantasy film 🇮🇹 Iron Warrior (1987) on Tubi. The storyline follows a kingdom plagued by a witch who returns who they threw out before and is back for revenge. The princess of the kingdom escapes and seeks help from a man with a grudge against the witch. Can they overthrow her together?

Directed by Alfonso Brescia (The Conqueror of Atlantis), the film stars Miles O'Keeffe (The Blade Master), Elisabeth Kaza (Rosebud), Savina Gersak (The Lone Runner), and Iris Peynado (Warriors of the Wasteland).

Iron Warrior is undeniably low-budget, and it shows. The costumes, props, wigs, and sets all appear cheap, giving the film a made-for-television feel. It embodies the essence of the 80s with its characters and premise. The acting and dialogue leave much to be desired, and the random poses by characters come across as awkward. However, it's worth noting that the Italian damsels are gorgeous, and there is occasional splashes of nudity. The soundtrack, reminiscent of 80s arcade video game background music, and stands out as a positive aspect.

In conclusion, Iron Warrior is a mediocre addition to the fantasy genre that may only appeal to diehard fans. I would rate it 4/10.

I saw another Ator movie on MST3K under the title "Cave Dwellers". It was one of the worst-made movies I've ever seen. Unfortunately, I saw Iron Warrior without the benefit of the MST3K crew, and it was very hard to endure. The film concerns the quest of Ator to stop a witch, but most of the time he just wanders around with no apparent agenda. He occasionally fights his brother, now the silver skull-masked "Master of the Sword", and is featured in many, many slow-motion scenes which seem to exist solely to make the movie last longer. Painfully boring, but it's a little better than Cave Dwellers in that it has some blood and nudity.

My review was written in March 1987 after a screening at Manhattan's UA Twin.

"Iron Warrior" pretends to be a fantasy adventure, but it's really just an ad for the Malta tourist board, Beautiful locations filmed on the islands of Malta and Gozo provide the backdrop for incoherent filler, shot in 1985 under the title "Echoes of Wizardry" by producer Ovidio G. Assonitis, whose name is understandably missing from the credits crawl.

Miles O'Keeffe returns for the third time as Ator, mythical warrior given a new history here: his twin brother was kidnapped in childhood by evil witch Phoedra (Elizabeth Kaza in a red fright wig). Some 18 years later Ator is tapped by the nice sorceress Deeva (Iris Peynado) to protect Princess Janna (Savina Gersak) against evil, in the form of his brother who wears a silver skull mask, red bandana and breathes like Darth Vader.

Ator and Janna trek around the rugged Malta rock faces on various missions for Deeva with absolutely no continuity to the narrative and some of the worst editing ever used in a feature film. Every couple of minutes Ator gets involved in boring swordplay with baddies and, to pad the running time, footage of another actor (who doesn't resemble O'Keeffe at all) wearing a babushka over his mouth is inserted fighting men on horseback with his sword. A dragon-style monster is shown on the poster and ads but fails to show up during the film.

Italian potboiler director Alfonso Brescia ("you can call me Al Bradley") imitates numerous George Lucas films here, lifting equal amounts from both the "Star Wars" sagas and "Indiana Jones" films. Out-theme is a poor imitation of "Star Trek: The Wrath of Khan" music.

O'Keeffe is embarrassing, posing instead of acting and, like the rest of the cast, stuck with a funny-looking punk-influenced hairdo. Deborah Raffin-lookalike heroine Savina Gersak at least wears see-through gowns throughout the picture, but the editor nastily deletes her several wet T-shirt scenes. Best thing in the pic is the exotic, blue-eyed black actress Iris Peynado, previously seen in Lamberto Bava's "Monster Shark".

Pic was obviously made for home video and undemanding foreign markets, but it's another insult from distrib TWE to Stateside theatrical B-picture fans. Oh for the days when Lippert and other second-feature labels gave us engrossing little films starring Dane Clark or Cesar Romero, with interesting storylines and talented supporting casts.

The first Ator film, Ator The Fighting Eagle, was, for undiscriminating sword and sorcery fans, an enjoyable enough low-budget Conan ripoff. It was about on par with the first Deathstalker movie. The second Ator film, The Blade Master, was incredibly cheap and cheesy with hang-gliding and possibly the fakest looking giant snake I have ever seen in a motion picture. The fourth film, Quest for the Mighty Sword, did not have Miles O'Keefe as Ator and thus was not the same. I have no idea why O'Keefe did not come back for the fourth film, maybe because he knew there was no way it would top the third, Iron Warrior, easily the weirdest entry in the series.

Weird, how, some may ask. Joe D'Amato is gone as director and new director and co-writer Alfonso Brescia (Al Bradley) brings an artificially arty look to the film and proceedings. Its low-fi existentialism suggests Monte Hellman making a fantasy, but the bright colored lighting is like mid-1980s Miami Vice. Iron Warrior does far more than suggest with some of its influences.

Remember that scene in the 1978 Superman movie when General Zod and his co-conspirators are tried and exiled? Well, prepare to see a variation on the scene early on in Iron Warrior. How about when the evil sorceress Phoedra crashes the princess's birthday party with a "gift," a scene that comes straight from Sleeping Beauty. Fantasy fans may remember how in Excalibur Morgana imprisoned Merlin, well, guess what, it is here as well. Oh, a boulder similar to The Raiders of the Lost Ark is also present. These blatant thefts, in a way, add to the film's unusual charm.

Charm? Is there anything to recommend Iron Warrior? Yes, Miles O'Keefe, who played Ator in the first three films, brings some much needed gravity to the role in this movie. The character has lost his swagger and is more weary. O'Keefe plays this well. Iron Warrior does have the best performance I have ever seen from O'Keefe. Second, the film is not boring. It is so odd that one keeps wondering what will happen next.

Iron Warrior's story is mostly typical of fantasy films - an evil sorceress, separated brothers, a princess, and a quest. There is disappointingly no monster however. The film does have an unusual, for the genre, female driven plotline. The beings controlling the mere mortals are all women, sorceresses. It is a change that makes Iron Warrior feel different than the other Ator movies. Although, to be honest, story continuity is pretty much ignored throughout the Ator series.

Some may wonder why I am defending what is clearly a low budget, genre-robbing movie.

Sometimes one will watch a "good" movie and like it but never watch it a second time, either deliberately or one just never gets in a mood to re-watch it. Then, there is the occasional "bad" film that one will watch multiple times. I have watched Iron Warrior twice now. I strongly suspect I will watch it at least a third time. I do still prefer Ator, the Fighting Eagle, but I have soft spot for Iron Warrior.

Ator il guerriero di ferro (Iron Warrior) is a 1987 Italian sword and sorcery movie and third entry in the Ator series, the only one not directed by the legendary exploitation and erotica director Joe D'Amato (a man of many pseudonyms) but instead directed by Alfonso Brescia (credited as Al Bradley) Joe D'Amato, who denounced this sequel as a cash-in to "Ator l'invincibile", a film which was a direct copy and cash-in of the 1982 John Millus film "Conan the Barbarian", would later return in 1990 to direct the fourth and final entry "Quest for the Mighty Sword" (Ator III: The Hobgoblin) "Iron Warrior" is often considered the overlooked addition in the series and often criticized for taking itself more serious than Joe D'Amato's more unintentionally campier movies.

But for me, the change of tone is welcomed. Alfonso Brescia has a different style and a different vision making the movie a breath of fresh air and stands out in the series.

Miles O'Keefe returns as Ator in name only. This would mark his final appearance as the bare chested warrior before being replaced by Eric Allan Kramer.

The movie might not be as hilariously campy and entertainingly bad as the previous two entries or the forth film, but it's a unique film in its own right with some beautiful location shots of Malta that sets the mood for a mystical world perfectly, the most has clearly been used with the limited budget at the filmmakers disposal. The movie is an interesting blend of b-movie cheese and art-house creativity. The story is paper thin but is made up for it in the visuals.

One scene in particular features Ator standing in front of a mirror as he practices with a sword, flexing his muscles, a poignant moment that orchestrates the often narcissistic vanity of heroes. There's also a catch, the scene has a second layer, with Ator training in his symmetrical reflection and the ball promptly shattering it, it creates a foreboding sense of the hero being warned that his twin brother Trogar, seduced by the dark side to be become the titular Iron Warrior, has returned.

Despite it's more artistic tone, the movie contains many characteristics to Italian exploitation films, the dubbing, the over the top acting, in particular Elisabeth Kaza who is clearly having fun in the role of the villainess and gives an energetic flare to the film, and most of all, the blatant copying of more bigger known Hollywood movies. "2019: After the Fall of New York" borrowed from "John Carpenter's Escape from New York", "Hell of the Living Dead" borrowed from "Dawn of the Dead" in the case of "Iron Warrior", it's a mix of "Masters of the Universe" and for a complete genre change "Superman II".

A noteworthy mention is the soundtrack, to many sci-fi fans they will no doubt recognize it as Jerry Goldsmith's theme to "Star Trek: The Motion Picture", later reused for the intro for "Star Trek: The Next Generation", once again following the movie's trend of being influenced by science fiction as opposed to traditional sword and sorcery.

So sit back, sharpen your swords and embark on a mythical journey to the realm of Dragor for the unconventional Ator and fantasy film, "Iron Warrior"