In the Mood

The real life adventures of "Sonny" Wisecarver do seem like the stuff for a laugh-out-loud comedy, but that's not how it ends up in this retelling. To be sure, there are some humorous moments that did make me laugh, but most of the movie is not made out to be "ha ha" funny. Instead, it is lightly amusing. I think this was the right course for the movie to take, because it gives the events of the movie a sweetness that's somewhat charming. And while the movie is not hilarious, it's made up for in a large part by the story of the movie being so interesting, you'll wonder where it will end up.

Dempsey was a good choice for the lead role. He is very likable, and acts in a way that you understand why older women would fall for him. His character does do some stupid things in the movie... but he's a teenager, and we all did dumb stuff as a teenager. Another positive thing about the movie is that the period detail is very good.

Still, I could not help but wonder what people would think if the sexes of the movie had been switched. Just goes to show that when it comes to love and romance, there is a double standard.

In 1944, `Sonny' Wisecarver (Patrick Dempsey) is a fifteen years old teenager having very weird and depressive parents. He gets closer to his neighbor Judy Cusimano (Talia Balsam), a twenty-one years old woman living with a brutal man, Carlo (Tony Longo). His sensitive and delicate way of treating her makes Judy falls in love with him. They decide to escape to get married in a nearby town. A few days later, Carlo calls the police and the couple is arrested. The cases gets publicity, and the tender words of Judy about `Sonny' makes him famous as a heart-breaker. This is the beginning of a nice and funny movie, with Patrick Dempsey in the beginning of his career performing a character who really knows how women are to be treated. A good entertainment, recommended for those who likes comedy. My vote is seven.

This film is so wonderfully quirky, it could be British. In fact, I was sure it was the work of a British filmmaker until I saw it was written and directed by Phil Alden Robinson, who then went on to make Field of Dreams and Sneakers.

It's nothing at all like those bigger, more "Hollywood" style movies. This is charming, low-key, and, well, goofy. It's played for oddness and smiles instead of big laughs. It's also smart and completely won us over. And it's a true story.

Definitely one of my very favorite sleepers.

I rated this movie.."FG"..for "Feel Good". It moves along rapidly, the storyline and the soundtrack are the key. Great period music, including Jennifer Holiday's version of the title track, is terrific background for this 15 yr. old kid who somehow learns to treat women(older and married always) exactly the way they want to be treated. The fact that this is a true story takes the "yeh sure, this could never happen" out of the mouths of pragmatists.

Dempsey is terrific in these type roles(see: Can't Buy Me Love). Talia Balsam and Beverly D'Angelo are also excellent. But it's the subtle words and facial expressions of Michael Constantine,who plays the father, that give the film that added panache.

If you're looking for a fun and fairly brainless movie to rent for an evening I'd recommend this one.

In these days of headlines about women abusing boys for their own emotional and sexual needs, this movie definitely is a creepy idea. Even though it is generally thought that boys and men will get "it" wherever they can, the truth is, inappropriate relationships cause psychological damage to all concerned. A 15-year old boy has an unformed character, the same as a 15-year old girl, has an unformed personality, not yet strong enough to withstand the impact of a sexual relationship and emerge unscathed. And a woman who would enter into such a relationship obviously is already damaged goods.

Patrick Dempsey himself did apparently have an appreciation for older women and went on to marry a woman who played a character on a train in the movie. He was 21 at the time and she was 48.