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3.5/10
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A female werewolf runs away from her family, and falls in love with a man who works in the movie business, while a sociologist who studies these creatures is looking for proof of their exist... Read allA female werewolf runs away from her family, and falls in love with a man who works in the movie business, while a sociologist who studies these creatures is looking for proof of their existence.A female werewolf runs away from her family, and falls in love with a man who works in the movie business, while a sociologist who studies these creatures is looking for proof of their existence.
Dagmar Bláhová
- Olga Gorki
- (as Dasha Blahova)
Lee Biolos
- Donny Martin
- (as Leigh Biolos)
Jennifer Vuletic
- Goolah
- (as Jenny Vuletic)
Featured reviews
Found myself really enjoying the first film, an atmospheric and witty film with amazing effects, and of 'The Howling' franchise it is by far the best. Didn't find myself enjoying the sequels as much, when watching them all for franchise completest sake and as someone who appreciates horror hugely, far less as a matter of fact, while not finding them completely disposable. Werewolf films have been done well on film, 'The Howling' is a good example of that but that cannot be said for its sequels.
'Howling III' is not unwatchable and there are far worse films around. It does though have most of the same problems that the second film did to every bit as bad effect, and has problems of its own. Like 'The Howling II: Your Sister is a Werewolf', the sly wit and well-timed eeriness of the first film are completely gone in 'Howling III' and replaced by over-the-top camp and bizarreness, neither of which really done well and there's little charm with either too. It was like watching a completely different franchise.
The scenery is quite nice and there are some atmospheric shots.
Dasha Blahova is suitably formidable and the occasional sly dig at the horror genre was reasonably fun.
Other than Blahova however the acting is dire, with a mix of the actors not looking comfortable in their roles, having little personality or over-compensating. Dame Edna Everage's appearance felt like it was thrown in with no regard as to whether it fitted or not. The all over the place "accents" are best not mentioned but they are only a small part of the problem, it was the character writing and the lack of screen presence that made the acting as bad as it was. The characters are neither interesting or have anything to make one feel anything for them other than frustration and annoyance, some are pointless or make random appearances. The writing is very cheesy with no natural flow, the campness gets really over the top and the stupidity stops being novelty value endearing and becomes intelligence-insulting.
Pacing is erratic, mostly dull as a result of padding out a flimsy story very choppily structured. The direction not only does not make the flaws of the second film but makes them worse. As just said, the story is a mess. There is no tension or suspense here, while it also suffers from being confusing, over-stretched and really tedious from all the dragged out stretches that felt like padding. The production values are poor this time too, the effects and make-up now woefully under-budgeted and often used gratuitously. The soundtrack is very intrusive and doesn't fit the film at all, also sounding cheap, while the ending feels incredibly rushed.
Overall, poorly done but at least it didn't leave me angry. 3/10 Bethany Cox
'Howling III' is not unwatchable and there are far worse films around. It does though have most of the same problems that the second film did to every bit as bad effect, and has problems of its own. Like 'The Howling II: Your Sister is a Werewolf', the sly wit and well-timed eeriness of the first film are completely gone in 'Howling III' and replaced by over-the-top camp and bizarreness, neither of which really done well and there's little charm with either too. It was like watching a completely different franchise.
The scenery is quite nice and there are some atmospheric shots.
Dasha Blahova is suitably formidable and the occasional sly dig at the horror genre was reasonably fun.
Other than Blahova however the acting is dire, with a mix of the actors not looking comfortable in their roles, having little personality or over-compensating. Dame Edna Everage's appearance felt like it was thrown in with no regard as to whether it fitted or not. The all over the place "accents" are best not mentioned but they are only a small part of the problem, it was the character writing and the lack of screen presence that made the acting as bad as it was. The characters are neither interesting or have anything to make one feel anything for them other than frustration and annoyance, some are pointless or make random appearances. The writing is very cheesy with no natural flow, the campness gets really over the top and the stupidity stops being novelty value endearing and becomes intelligence-insulting.
Pacing is erratic, mostly dull as a result of padding out a flimsy story very choppily structured. The direction not only does not make the flaws of the second film but makes them worse. As just said, the story is a mess. There is no tension or suspense here, while it also suffers from being confusing, over-stretched and really tedious from all the dragged out stretches that felt like padding. The production values are poor this time too, the effects and make-up now woefully under-budgeted and often used gratuitously. The soundtrack is very intrusive and doesn't fit the film at all, also sounding cheap, while the ending feels incredibly rushed.
Overall, poorly done but at least it didn't leave me angry. 3/10 Bethany Cox
The box says 'just when you thought it was safe to go down under.' That's got to be a reference to the pouch, right? That's no accident. No one slips on bananas.
This movie was difficult to watch. Confusing and directionless plot, strange characters that appear without warning or purpose no logical connection between scenes...its a mess.
I find it difficult to believe that this film ever saw the big screen. The effects were laughably bad. As far as acting...I caught a little schadenfreude off the quiet desperation of some bit players, particularly the announcer from the final scene. I guess Hollywood has its share of heartbreak.
This film was a disaster, just a disaster. That sad magic mix of bad and boring. I sat down tonight with a whole pile of Howling sequels. This was my first and it fills me with trepidation.
This movie was difficult to watch. Confusing and directionless plot, strange characters that appear without warning or purpose no logical connection between scenes...its a mess.
I find it difficult to believe that this film ever saw the big screen. The effects were laughably bad. As far as acting...I caught a little schadenfreude off the quiet desperation of some bit players, particularly the announcer from the final scene. I guess Hollywood has its share of heartbreak.
This film was a disaster, just a disaster. That sad magic mix of bad and boring. I sat down tonight with a whole pile of Howling sequels. This was my first and it fills me with trepidation.
Howling 3 is yet another horror effort, where excellent ideas and even the mood and atmosphere of a horror classic are not cultivated or nurtured throughout the film.
I was brought up in the era of "The American Werewolf in London", definitely the classic, archetypal werewolf flick. Tough competition by anyone's standards. Yet Howling 3 has just as many good ideas, just as much depth, just as much potential... but just doesn't make it.
The basis of the film resides upon some old Cine8 footage of a werewolf's capture by some natives. Grainy, snowy, short lived images, set the scene well, and could be perceived as scary. The idea of the werewolf being a type of marsupial species, a separate development of human life is interesting, and could be scary in that they have always lived amongst us. Separate werewolf societies, driven to the bleakest habitable places on the planet, but in contact with each other spiritually and genetically... yes, yes, this is definitely going somewhere.
And then three of said werewolves dress up as Nuns, and travel to the big city to retrieve their runaway teen-wolfette, and gain entry to a fancy dress party having changed into actual habit-wearing wolf people... oh perleeease!
A serious film, even a horror, can carry some comedy, but in Howling 3 the comedy is inappropriate, badly timed, and too farcical for words. The more serious horror aspects of the film being ruined by these interruptions. I remained unconvinced by any of the man-to-wolf changes, in fact, they were equally farcical, with their obvious "fur means fear" reliance.
So, a film with potential, which obviously had serious horror intent, became a farce, even a spoof, by it's own making. A real shame and a real sham all in one. Stick to "American Werewolf in London" or even "Dog Soldiers" for that fur-fear-fix!! I rated a "3"
I was brought up in the era of "The American Werewolf in London", definitely the classic, archetypal werewolf flick. Tough competition by anyone's standards. Yet Howling 3 has just as many good ideas, just as much depth, just as much potential... but just doesn't make it.
The basis of the film resides upon some old Cine8 footage of a werewolf's capture by some natives. Grainy, snowy, short lived images, set the scene well, and could be perceived as scary. The idea of the werewolf being a type of marsupial species, a separate development of human life is interesting, and could be scary in that they have always lived amongst us. Separate werewolf societies, driven to the bleakest habitable places on the planet, but in contact with each other spiritually and genetically... yes, yes, this is definitely going somewhere.
And then three of said werewolves dress up as Nuns, and travel to the big city to retrieve their runaway teen-wolfette, and gain entry to a fancy dress party having changed into actual habit-wearing wolf people... oh perleeease!
A serious film, even a horror, can carry some comedy, but in Howling 3 the comedy is inappropriate, badly timed, and too farcical for words. The more serious horror aspects of the film being ruined by these interruptions. I remained unconvinced by any of the man-to-wolf changes, in fact, they were equally farcical, with their obvious "fur means fear" reliance.
So, a film with potential, which obviously had serious horror intent, became a farce, even a spoof, by it's own making. A real shame and a real sham all in one. Stick to "American Werewolf in London" or even "Dog Soldiers" for that fur-fear-fix!! I rated a "3"
Howling III: The Marsupials (Quickie Review) This film revolves around a group of werewolves of some sort that live in Australia and are marsupials with a backdrop where a film crew is making a really awful werewolf film. Almost as bad as this one.
The effects are sub-standard at best and poor when compared to the original, far superior, Howling. Mediocre acting carry along one of the film world's first bastard PG-13 sequels in a previously R-rated franchise. As we all know, the Robocop, Alien, and Predator franchises are just a few following instances of such creative destruction. The writing is fantastically weak and cliché at times with the movie rounding out with an ending that just screams that the writer was just in a hurry to finish up his monstrosity.
Recommended to: Not really anybody, werewolf fans may hate this as much as they tend to have hated Wolf due to it varying wildly from werewolf norms. The Marsupials could've been a good idea, but they went about it all wrong. 3/10 www.ResidentHazard.com
The effects are sub-standard at best and poor when compared to the original, far superior, Howling. Mediocre acting carry along one of the film world's first bastard PG-13 sequels in a previously R-rated franchise. As we all know, the Robocop, Alien, and Predator franchises are just a few following instances of such creative destruction. The writing is fantastically weak and cliché at times with the movie rounding out with an ending that just screams that the writer was just in a hurry to finish up his monstrosity.
Recommended to: Not really anybody, werewolf fans may hate this as much as they tend to have hated Wolf due to it varying wildly from werewolf norms. The Marsupials could've been a good idea, but they went about it all wrong. 3/10 www.ResidentHazard.com
Howling III (1987) was a big improvement over the last film, part two. But by all means it's not a great one either. Philippe Mora directs once again but this time with better results. The film takes place in Australia and the werewolves this time are marsupial in origin. Filled with a not of in jokes and tongue in cheek humor, this film is not that bad but the problem is that the film get's a little to glad handy and it collapses upon itself. Oh well, Mr. Mora should know better next time because he almost got it right. A plethora of aussie film stars have supporting roles as well, A big step over part two but nowhere as brilliant as part one.
Maybe next time!
Slightly recommended.
C
For some reason, the director went Mad Max and made part three P.G.-13. He should have stuck to his guns and made it an R rated flick. What happens when you take a film of this genre and try to conform it for the major market? You'll lose money and produce a mediocre film.
xxx
Maybe next time!
Slightly recommended.
C
For some reason, the director went Mad Max and made part three P.G.-13. He should have stuck to his guns and made it an R rated flick. What happens when you take a film of this genre and try to conform it for the major market? You'll lose money and produce a mediocre film.
xxx
Did you know
- TriviaDespite the title and the fact that it claims to be "based on the books The Howling I, II, and III by Gary Brandner", the film is actually unrelated to any of Brandner's novels other than being a story about werewolves.
- GoofsIn this movie werewolves apparently die when they are shot. However, silver bullets are needed in the previous Howling movies. This could be because in this film they are technically were-thylacines rather than werewolves.
- Crazy creditsInstead of 'The End' film closes with 'Adios Amigos'
- ConnectionsFeatured in Death in Brunswick (1990)
- SoundtracksWipe Your Tears Away
Performed by Vitamin Z
Written by Barradale Lockwood
Produced by Vitamin Z
Recording courtesy of Phonogram Ltd. and Geffen Records
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