À la poursuite de Lori

Formulaic, uninspired but painless teen comedy. It's the typical formula where the young hero encounters every imaginable object as he tries to get to his (constantly changing) destination; thanks to his wits, and to pure luck, he overcomes all of them. This film shares with many 80s comedies ("Stripes" comes to mind) the bad habit of turning into an action film halfway through, but the beautiful locations (beautifully photographed) keep it pleasant enough. (**)

Danny Bartlett can't wait until he and his girlfriend, Lori Conenberg head out with her family on a Caribbean vacation. But what stands in his way of this perfect dream is a final chemistry exam, which he left to study for the night before (oh that brings back memories ;)). What occurs is that Danny flunks his exam and when Lori's family arrives to pick him up. He must cancel the trip. Not long after the Cronenberg's left. His chemistry professor comes in decides to give him a break, by giving passing grade and encouraging him to catch up with her. Dan misses their plane, but eventually arrives in the Caribbean. In his goal to be with Lori he manages to stumble into one unusual situation after another.

Like I was, if you're feeling lazy. This Cusack vehicle might not be his greatest (far from it), but it passes by as an earnest comedy teen caper. It's a nostalgia trip of the 80s brand of teen fluff… and god I love that style. "Hot Pursuit" is generically peppered with a bonbon of spontaneous activities and colourful characters, which makes sure its never boring. Helped along by snappy pacing and John Cusack's sprucely maniac performance is another highlight. Despite these gold and energy filled aspects, it's still quite uninspired in its story telling and the bubblegum script is not as oddly witty as you would hope. Simply put it's not funny. Diverting… yep, but far from hilarious. What hits you with a wallop is its change of direction mid-way through the film. It's a story with definite mood swings. From it's cosy light hearted beginning that turns into a violent adventure thriller. Somewhere in the middle of all of that is the bumbling chase pattern. Although like most of these products we know how it's going to end up… with a happy feel good time and good guys come through. These things shouldn't bother you, as why would you be watching it then. Director Steven Lisberger does a passable job. He manages to get some breathtaking images of the alluringly sparkling Caribbean locations. The music score is a relic of the times, but it being a zippy package only enhances the chirpy air created by its lively carefree environment and inhabitants. A quick-witted John Cusack is his usual charming (and popular) self. He basically carries the film through its dead patches. If he wasn't the lead for this film, I'm sure it just wouldn't be as appealing. Making his film debut is a stiffly raw Ben Stiller as a slime ball character. His frail performance and off humour is totally unsuccessful. His father Jerry Stiller has a joyfully untamed part and Robert Loggia is let loose as the neurotic head case sea captain that teams up with Cusack's character. A lovely Wendy Gazelle is good in her part as Lori. Monte Markham and Shelley Fabares are fine as the parents. Turning up in a bright sunny role is Keith David as a relaxed, pot-smoking local with some amusing banter to share.

This predictable 80s comedy is a modest (if forgettable) attempt that passes the time without much trouble. It's one you wouldn't go out of your way to see (unless you're a fan of Cusack and want to see all his films), but if it's on TV there's no harm in it.

From John Cusack's earlier days, this film is a cute one that slipped through the cracks. It features a shaggy-haired John from his earlier, hapless romantic teen phase. Ben Stiller, as ever, plays a jerk. It's not a must-see, but a good one to pass the time with and just have a laugh at the strange things Cusack has to do in this movie--aside from getting wet and topless...

High points of the movie: watching him get stoned with a bunch of island natives, get drunk in an island bar and shanghaied into service on a boat, and then arrested and thrown into a local jail. The crazy pirate, played by Robert Loggia was excellent comedy relief as well.

...is better than a whole terrible one? I dunno. But I do know that this would-be entry into the John Cusack teen film canon (beginning with "The Sure Thing" and "Better Off Dead", proceeding through "One Crazy Summer," ending with "Say Anything") is worth a look. The first half is my favorite, probably partially having to do with the fact that for whatever reason, it's the half I saw more often when catching this on HBO back in high school. It concerns an average guy (does J. Cusack play anything else?) who desperately needs to track down the girlfriend he told he couldn't accompany to Jamaica and proceeds to try and do so for the duration of the film, after narrowly missing her at the airport. What follows is a decreasingly funny/increasingly less inspired series of misadventures, but Cusack pulls most of it off, simply 'cause he's Cusack, the master of the slow-burn/hang-dog/sarcastic one-liner. Far more memorable and compelling are the early scenes which put Cusack's Dan Bartlett through the paces. Less interesting is the 'drug running/pirate' subplot that develops halfway through in order to let Cusack's character be the hero. But it does have some funny moments, plus a young Ben Stiller before he ever discovered the joys of Mary and baby batter. Worth a look for Cusack- and 80's movie-philes, but all others probably need not apply.

I like this film. Sure, it has many predictable, same old stuff jokes, etc. However, you get to see John Cusack early in his career. He is an extremely underrated actor; taking very carefully chosen roles. This is the difference between an artist and a run of the mill actor. It has served him well. There are many similar actors; however there is only one John Cusack. For example, the same goes for Nicolas Cage or Colin Farrell. They choose their roles carefully, often passing up "blockbuster films" while doing so. This is what sets them (& others) apart.