Camp 731

Going into Men Behind the Sun I knew that it was a serious movie that contained animal cruelty and just some seriously graphic material. And the rumors were true. It contained both. But I wasn't expecting a seriously well-made movie.

Men Behind the Sun centers around Squadron 731 and how it tortured and killed thousands and thousands of people so Japan would have a great chance at winning the war with Russia. Really the movie is almost entirely about how Squadron 731 can improve their chance to win the war. Be it through torture type situations like extreme temperature or through air-borne bacteria. It's been said that while Squadron 731 was up and running, it's said that there wasn't a single survivor. It's not just an hour and forty-five minutes of death and torture, even though it is close. The movie follows a large cast, whether they show the Generals and troops talking about how important this is to Japan or they show the victims and how they need to tell the world what is happening. It's an incredibly strong look at some of the darkest days this world has ever seen. Many a country have committed awful acts, and I suppose this is Japan's. Even though I hear Japan hasn't officially said it took place.

Like I said before, Men Behind the Sun is a strong, powerful and graphic film filled with visuals the average film-goer would rather not see. Truthfully, there's a couple scenes I'd rather have not have seen. There's another comment on here that says "One Viewing Is Enough" and I can't agree more. The only people I would recommend this movie to are history/movie/gore buffs. 8.5 outta 10

There's only a handful of movies I can say that about- Threads and Funny Games are the other ones I can think of off the top of my head. If you've seen a lot of disturbing movies, you know exactly what I'm talking about. You'll get the idea after one viewing, and you won't be able to wipe some of the images out of your head, or still have nightmares about them, even years later anyway.

I heard about this movie in the 80's, when I went out of my way to see every movie or video I could that was supposed to be shocking, disturbing, or really sick. Actually, I still do that, though these days I do try to read about it first, to make sure it is worth spending my money on. So that probably means I need some sort of therapy, but that's beside the point. Many of my favorite horror authors had brought up the movie when asked about the most upsetting movies they'd seen, and someone I talked to who had seen it just shook their head grimly when I asked them about it. I looked everywhere for this movie but couldn't find it. Years after I'd given up I found a bootleg copy from the laser-disc. This was after I'd seen Peter Jackson's "Braindead" uncut at a film festival, and pretty much decided I'd seen it all and couldn't be shocked anymore.

This movie is evidently based on real-life events during WWII, about a medical camp referred only to as "Camp 731" where the Japanese perform really nasty and unusually creative medical experiments on the Chinese prisoners. This includes women, children, and, in the one scene you couldn't pay me enough to watch because it was rumored to be real and I didn't want to even see a fake depiction of it, a cat. I'd heard that it made Ilsa's SS Camp look like a day at the beach. Well, I don't know about that, but this is definitely one of the most disturbing and depressing movies I've ever seen- as the guy I bought it from said, "Guaranteed to ruin your day". Fortunately, my day was already pretty much ruined, as I was home sick with the flu and feeling wretched the day I watched it. I probably would have been able to fall asleep way earlier if I hadn't watched it, though.

This is definitely not an enjoyable movie, or fun to sit through. Any Italian cannibal movie I can think of is more upbeat than this. Even if you were one of the people who thought the un-cut Ilsa was 'campy' and 'fun', I don't think you'll be too cheerful during this.

I'd actually heard about what were supposed to be the most upsetting scenes, like the poor man in the decompression experiment that sort of implodes in a horrible way that I think is safe to say has never been filmed before or since, when all the air is sucked out of the room, and the very graphic autopsy of the one character in the movie that the filmmakers go out of their way to make sure you care about. Man, that was cold-blooded, but I was expecting that. There's one experiment, though, I think it was called the "frostbite experiment" (most of the experiments are preceded by a title card, which gives the movie an even more cold-blooded, documentary feel) that caught me totally off-guard. I don't want to "spoil" it if you're really into getting caught off guard, but it was one of the rare times I was so shocked when watching a movie I actually gasped and cursed out loud when I was watching something by myself. It takes a lot to shock me, but whenever I'm talking with someone about scenes in movies that really disturbed us, this is one of the first ones I think of. It's been over 5 years since I saw that scene but I still remember it waaay too vividly. Unfortunately (or fortunately, depending on your point of view) some of the newer DVDs I've seen for sale give it away in the cover art, so don't look too closely at the box before you watch it (unless you want to know what you're getting yourself into before you rent it). I've got to hand it to whoever thought up that one, because I did NOT see it coming.

If you're into non-stop over-the-top gore, then you might get bored during parts of this. The filmmakers spend some time making you feel sorry for the characters in other ways. This film is well-made, well-acted, has very realistic (way too realistic) gore, and nothing is ever played for laughs - it's not a low-budget splatter movie.The entire movie is just completely depressing, downbeat, and disturbing to the very last frame, and I really only recommend it to people I know who are pretty jaded and don't mind really disturbing, upsetting movies, or those (like me, I hate to admit) that want to say they've seen it all. You also might want to recommend it to any smug people you know that brag about how nothing makes them sick.

Please do not watch this movie only for its gory scenes. There aren ´t that many of them and you can see similar ones regularly on Reality TV and the likes. The film´s true driving force is strong acting, good script and the veil of foulness, for the story (and even the gore scenes) are based on true facts and documents. You will certainly be disturbed, but rather for the feeling that what you´re watching really happened. Definetly recommended. 7/10

Watch Man Behind the Sun expecting something along the lines of a Chinese Ilsa movie and you might be in for a surprise: this film has none of the camp qualities to be found in most POW exploitation—it's pure cinematic harshness from start to finish with not a buxom leather-booted commandant in sight.

Set at the end of WWII, director T. F. Mous' harrowing tale centres on Camp 731, a medical centre where the Japanese attempt to perfect bacterial weapons, using Chinese prisoners as guinea pigs in their nasty experiments. Mous' objective is to reveal to the world how his people suffered at the hands of their enemy, and in this he totally succeeds; the atrocities that are depicted in Man Behind The Sun are completely sickening and disgustingly convincing.

From the moment that a woman's baby is smothered in snow by a soldier, to the depressing, downbeat finalé in which the camp is razed to the ground by a retreating Japanese army (after shooting and burning all prisoners), this unflinching portrayal of man's inhumanity to man is a total gut-wrencher and certainly not recommended viewing for the easily offended.

In this film, people are treated worse than animals and the 'experiments' they have to endure are shown in every nauseatingly graphic detail: a woman has her arms frozen and then dunked in hot water, allowing the flesh to be easily ripped from her bones; a prisoner is placed in a decompression chamber resulting in his intestines erupting from his body (a scene rumoured to use a real body, but which, according to the director, was actually achieved using special effects); a boy is tricked into being the subject of a live 'autopsy' (cast-iron stomach necessary for this bit—real autopsy footage was shot for this scene!!); and a group of prisoners are 'crucified' in a field and used for target practice by Japanese bombers.

On top of all this there are also two moments of animal cruelty that will have pet-lovers up in arms: a cat is thrown to hungry rats and is eaten alive (not sure if this was done with FX or not, but the cat doesn't look too thrilled), and a load of rats are also set on fire (now this is definitely real!!).

As you have probably gathered, Man Behind The Sun is hard going and should be watched with caution. However, it is a well made film that does what it set out do do—educate viewers about the horrors of war. It's a hard one to rate, because it is such a gruelling movie and can't really be described as entertaining, but I'll give it 8/10 for being so genuinely disturbing.

Men Behind the Sun deals with the torture of Chinese POWs by their Japanese captors: Air Squadron 731, at the latter's snow-bound concentration camp.

I've seen a lot of extreme cinema in my time: not because I'm a "gorehound" or am constantly seeking the "ultimate nasty" but because I want a film to affect me. I'm very much of the "it's just a film" school and it therefore takes a well-made, strong film in order to allow me to suspend my disbelief.

I've seen most of the so-called "nasties", including Cannibal Holocaust and some of the Guinea Pig series. I didn't find the latter terribly effective and Cannibal holocaust is a gut-munching gore fest in its uncut form but Men Behind the Sun completely eclipses it for sheer brutality.

What makes Men Behind the Sun so effective for me is the relative realism. Zombie movies don't disturb me simply because zombies are fantasy. To a lesser extent, so are cannibals. Both genres have "yuck" moments and on first viewing, Cannibal Holocaust shocked me slightly with its relentless gore. Men Behind the Sun is somehow more calculated.

Why am I making comparisons with Cannibal Holocaust? The majority of film viewers will be familiar with the so-called "video nasties" and will probably have seen some of them. Cannibal Holocaust is generally considered to be the strongest of the video nasties but Men Behind the Sun is in a different league, in my opinion. Men Behind the Sun is to Cannibal Holocaust as Cannibal Holocaust is to say, The Exorcist.

What makes Men Behind the Sun so effective is its realism: humans, not zombies, cannibals or monsters. It deals with what atrocities humans are capable of committing upon their own kind.

Guinea Pig: The Devil's Experiment is a similar study but it has all characterisation and plot stripped away, leaving just the torture. Because of this, there are no characters to engage or empathise with. Certain scenes are very graphic but without context and therefore not affecting.

Men Behind the Sun has characters and plot and most of the film is just that: a film. The torture and experiment scenes are intense sequences set within what is otherwise a normal film. And there lies the film's effectiveness: because it builds characters, we are drawn in. Because the film deals with real life, we are able to suspend our disbelief and become immersed in it.

The torture and experiment scenes in Men Behind the Sun are intense for their unstinting focus and graphic depiction of cruelty. They are disturbing but compelling; like looking at a car crash when you know you shouldn't. The imagery is so graphic and realistic that the scenes stay with you, long after viewing the film.

*** Possible spoilers ***

Even before the gory torture and experiment scenes, we witness utter inhumanity near the beginning of the film, as a mother is robbed of her baby. A Japanese officer simply takes the baby from the mother and tosses it into the snow. As the mother weeps, the officer muffles the baby's cries by kicking snow over it.

Later in the film, we see the mother tied to a wooden structure in the freezing outdoors. An officer approaches her, treading on her baby's body as he does so. Her already frost-bitten arms are doused in cold water several times, before she's taken inside. There, her arms are dipped in a solution of some kind and I shan't describe what follows. To do so would deny any potential viewer one of the biggest shocks of the film. Be prepared.

Continuing the frostbite theme, we see a Chinese man forced to place his arms into a dry ice container. They emerge frozen solid and are then hacked off by a Japanese soldier, breaking like china.

The infamous decompression chamber sequence is where the director is alleged to have used a real cadaver. I can't confirm or deny that but the scene is another shocking one: a Chinese man is placed inside the chamber and the pressure gradually reduced. Eventually, the pressure is so little that the man's colon falls out of his anus.

Another notorious scene is the live autopsy: a deaf, mute Chinese boy, whom the viewer grows to like, is tricked into lying on an operating trolley. There he is anaesthetised with ether before being dissected. Rumours abound that this scene also used a real cadaver but personally I doubt that. I am convinced from the camera cuts that this sequence is just very good special effects. Once done with the boy, the Japanese simply throw his crumpled body into a trailer before he's taken away for incineration: completely inhuman and affecting.

The sequence involving the cat is the one probably most often thought to be real. I can't be absolutely sure but I don't believe this to be the case. Rather, I believe that the cat could have been drugged and certainly think the blood to be fake. In any case, the cat being eaten alive by rats is a very disturbing scene.

*** End of spoilers ***

Overall, this is a strong piece of film-making, in every sense. The story is a worthy one and the unpleasant imagery serves to drive home the message that the film carries. These are not images that are easily erased from one's mind. This film certainly affected me.

I would recommend this film as advised viewing. I wouldn't say to anyone, "If you want to see something really nasty...", or "You have to see this film because it's really gory." Rather, I would advise watching it, with caution and preparedness for what lies within, as a good, powerful film.

This film will stay with me for a long time: savage, powerful and unforgettable