Le bal de l'horreur 2: Hello Mary Lou

A hedonistic prom queen is accidentally killed on stage in 1957. When her spirit is inadvertently released thirty years later, she wreaks havoc on prom night seeking to be queen again, not to mention obtaining revenge. Michael Ironside plays the principal of the school, the man responsible for the girl's death decades earlier.

Sometimes subtitled "Hello Mary Lou," "Prom Night II" (1987) is disconnected from the original 1980 film with Jamie Lee Curtis, although there are some trivial links. This one discards the disco dancing while upping the ante with the "Carrie" (1976) elements and mixing in components from the first two "A Nightmare on Elm Street" flicks (1984/1985), like the illusions and possession.

The original was more of a coming-of-age drama/whodunit with a masked assailant appearing in the last act whereas this sequel is actually a little better in that it adds creative horror pizazz, which some might say makes it "cheesy." In any case, Wendy Lyon stands out as the winsome protagonist who's shown totally nude on a few occasions in the second half which ties-in with the possession angle.

If you favor any of those other horror films noted above, "Prom Night II" is arguably on par, although I suppose "Carrie" is superior on a technical level.

The movie runs 1 hour, 37 minutes and was shot in Edmonton, Alberta, with other stuff (post-production) done in Toronto.

GRADE: B

If there was ever a vote for THE prototypical 80s horror film, I'd be hard pressed to vote for anything other than this. The look, style, pace and vibe of Bruce Pittman's delirious non-sequel to the routine slasher PROM NIGHT are the very epitome of the period. For this reason, those touched by nostalgia will find it hard not to like but HELLO MARY LOU: PROM NIGHT II has a little more in it's locker (literally as it happens!) to enjoy than just an appreciation of it's era.

Right from the opening scene, there is a wonderfully odd vibe throughout that propels the movie along nicely and although it openly borrows from CARRIE, ELM STREET and THE EXORCIST, it makes no apologies for this and goes about the task with real zest and energy. Much credit belongs to veteran Canadian composer Paul Zaza, whose queasy score here adds immeasurably to the off kilter mood that works so much in this movie's favour.

The cast have fun and are game for the ride with the ever-reliable Michael Ironside thrown into the mix. As for Lisa Schrage.........given her limited screen time (her character spends most of the movie in the guise of a possessed Wendy Lyon), I thought she was mesmerizing as Mary Lou, giving us a truly memorable and delightfully twisted character whose beauty can't be ignored and whose evil can't be escaped!

Mary Lou is a vengeful 50s Prom Queen back from the grave with a score to settle. Most of all, she wants back the crown she was cruelly denied and will stop at nothing to get it.

As the possessed Vicky, she kills and toys with victims - sometimes on a warped sexual level........at one point coming onto her Dad(!), her headmaster (in his office!) and even her best friend in a shower.........the latter in a sequence culminating in a protracted and utterly unexpected full-frontal nude scene, stalking her prey around the changing room with a payoff kill that's not easily forgotten.

Well staged and imaginative dream sequences and hallucinations abound such as the liquid blackboard and a possessed rocking horse that comes off very creepy and not nearly as silly as it could have been. With little to boast of in budget, the SPFX here are all the more ballsy and impressive.

Sharp, quirky and with a wicked sense of humour, there's not a dull moment here!

Though this movie often gets skewered on the message boards it is a delight for those who appreciate the high school horror films of the 80's. The acting is stale, the story is one we've all heard before but this film had some memorable touches. The locker room scene is one of my all-time favorite death scenes and this film used the art class paper cutter as a weapon way before Josh Hartnett wielded one in "The Faculty". The "living rocking horse" is definitely something viewers wont easily forget and that scene reminds me of horrors historical roots in cinema: that scene screams German Expressionism as much as the title sequence in "Nightmare on Elm Street". If you don't like camp, this movie will be hard to swallow, but if you're a fan of the B movies you rented as a kid just because the cover art looked creepy: bon apetit.

The film centers around the ghost of one Mary Lou Maloney, a girl who was accidentally killed during her prom queen crowning in the 50s. Her spirit is accidentally released by a girl named Vicki when she finds her supposed prom queen regalia in the school's prop room. Mary Lou possesses her, and sets out to get revenge on those responsible for her death and become the prom queen once more.

I usually prefer Hammer horror films or 80's horror with light gore and an emphasis on atmosphere and story and this 1987 sequel has plenty of atmosphere, moments that make you jump, builds progressively to the climax and the gore isn't too heavy - it's more special effect-laden like the Nightmare on Elm street series. Has some inventive effects and the characterisation is good, though it gets a little longwinded and tedious towards the end. The interesting aspect is that the would-be victim or the one vulnerable is the male - usually in horror film it's the female who is either the final girl or in the dangerous situation.

Wendy Lyon plays blonde-haired high-school goody-two-shoes Vicki Carpenter (just one of several characters in this film blessed with the surname of a horror director) who gradually becomes possessed by the vengeful spirit of promiscuous tart Mary Lou Maloney (Lisa Schrage), who was burnt to death during her high school prom in 1957 as a result of two men fighting for her affections.

Before getting down to the messy business of exacting revenge on those responsible for her untimely demise, Mary Lou dispatches a couple of Vicki's closest friends (after all, practise make perfect), causing her next targets—local priest Father Cooper (Richard Monette) and high-school principal Bill Nordham (Michael Ironside)—to suspect that they might be next to die. At the high school prom, Nordham attempts to stop the now fully possessed Vicki from causing further mayhem, but only succeeds in making the spirit within even more angry, ensuring everyone present has a totally unforgettable night.

A non-related sequel to Prom Night, the 1980 Jamie Lee Curtis slasher, Hello, Mary Lou is an entertaining tale of revenge from beyond the grave featuring a grab-bag of supernatural elements borrowed from genre classics such as The Exorcist, A Nightmare on Elm Street, and Carrie.

The result is a derivative slice of 80s teen horror that is rather light on the gore (why, oh why, didn't they chop fashion disaster Jess's head off like they threatened to do?), but which is still lots of fun thanks to some great performances from a decent cast (including the always superb Michael Ironside) and a couple of surprisingly risqué scenes: Lyon strips off and gives us full-frontal as she hops in the shower with (big) bosom(ed) pal Monica (Beverly Hendry); nasty prom queen hopeful Kelly (Terri Hawkes) gives a blow-job to a lucky computer geek to convince him to rig the evening's voting; and the possessed Vicki not only comes on to her principal and a priest, but also her own father!!!

Throw in some Elm Street-style nightmare scenes, the most memorable of which has a rocking horse come to life, and a daft 'shock' ending, and what you have is an eminently watchable time-waster.