Heaven
- 1987
- Tous publics
- 1h 20m
IMDb RATING
6.8/10
299
YOUR RATING
A series of interviews are conducted concerning people's beliefs towards the possibility of an afterlife. The interviews are filmed against a set of strange backdrops, and are intercut with ... Read allA series of interviews are conducted concerning people's beliefs towards the possibility of an afterlife. The interviews are filmed against a set of strange backdrops, and are intercut with clips from classic films and a variety of stock footage.A series of interviews are conducted concerning people's beliefs towards the possibility of an afterlife. The interviews are filmed against a set of strange backdrops, and are intercut with clips from classic films and a variety of stock footage.
Stephen Augustine
- Self
- (as Steven Augustine)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10mastrait
A wonderfully entertaining look at Heaven through the eyes of those who believe in the fairy tale. Diane sets up her interviews in interesting mini-sets, and chooses her interviewees carefully and for a specific reason, which becomes clear when watching the movie. The film quality is grainy, and there are classic edited portions of movies from the early black and white era, but it adds to the affect. This is really a cult classic, and will be re-discovered in a few years for sure.
Why not rent it now. (I found a used laserdisc on ebay) Hopefully it will be re-released on DVD, with directors commentary. I would love to see follow-up interviews with some of the folks.
Why not rent it now. (I found a used laserdisc on ebay) Hopefully it will be re-released on DVD, with directors commentary. I would love to see follow-up interviews with some of the folks.
Heaven's subject is simply that. Diane Keaton interviews a terrific assortment of people on the topic of what they believe heaven is like. Alone or in pairs, she asks her subjects a variety of questions about what they expect to find in the afterlife. The interviews are then edited together to show us how different people responded to the same questions. Keaton sets the mood by introducing her collage technique. Topical clips from black-and-white films, painted title cards, and interviews with her subjects are all interwoven to create a playful and interesting discussion of heaven. The title cards set up themes (Is there Sex in Heaven?), then the next several clips will show people addressing that very question. Keaton herself does not appear in the film. The subjects sit in beautiful, slightly surreal sets, directing their responses off-camera. What really made this film stand out for me, though, is its delightful attitude. By staying off-camera, Keaton removes herself as the questioner and puts me in her place, so I can't help but begin to feel her genuine curiosity in asking questions about heaven. Personal religious beliefs become secondary to a joy I take in hearing what the concept of heaven means to these various people. And I grow to really LIKE these people. The first thing I learn about them is this deeply personal notion of what they think will happen to them after they die. I was totally fascinated, and I bought the movie, and I recommend it to everyone. It's hilarious, sometimes sad, occasionally creepy, and completely interesting. I felt cheated that I had never heard about it until twelve years after it was made. I could have been enjoying it for so much longer.
Diane Keaton is brilliant in her ability to be funny and poignant . I was raised as a Pentacostal and it was a join to see someone not take religion so seriously without being offensive. She does manipulate the subject matter a bit but she is not cruel about it. The people she interviews are honest and quirky. I also
enjoyed seeing the vintage T.V. footage of 50s and 60s Christian faith healers. It was intriguing to see how little things have changed in the world of saving souls from evil. I wish that Ms. Keaton had made other movies in this genre. She
showed herself to be a lot more interesting than Woody Allen in the realm of
satire.
enjoyed seeing the vintage T.V. footage of 50s and 60s Christian faith healers. It was intriguing to see how little things have changed in the world of saving souls from evil. I wish that Ms. Keaton had made other movies in this genre. She
showed herself to be a lot more interesting than Woody Allen in the realm of
satire.
This was a complete waste of time. Diane uses "street people" (people chosen at random) to ask a scant few questions about their personal beliefs on Heaven. She might as well had interviewed people in a mental ward. The few theologists that she interviews are never allowed to show any intelligence. The atheistic/agnostic viewpoints are also shot to hell. Between the Q&A mini interviews we are bombarded by black and white cuts from old 1930's sci-fi and a man's voice screaming "Are you afraid to die?".
I would have preferred to have watched a serious debate between top notch doctors of theology and atheism. Most believers in God and Heaven will see this as poor representation of their beliefs, while the rest might pass the whole movie off as satire. Atheists and agnostic people probably won't waste their time let alone get past the title. If you edit out or fast forward through the b&w clips of nonsense the interviews last about 40 minutes.
I would have preferred to have watched a serious debate between top notch doctors of theology and atheism. Most believers in God and Heaven will see this as poor representation of their beliefs, while the rest might pass the whole movie off as satire. Atheists and agnostic people probably won't waste their time let alone get past the title. If you edit out or fast forward through the b&w clips of nonsense the interviews last about 40 minutes.
This is an effective odyssey into the religious beliefs of what appear to be mainly average people off the street, specifically regarding beliefs in "heaven". It also uses stock footage to good ends to illustrate its main themes, drawing from horror films, other old documentaries, Metropolis, etc. Most interviewees are harmless enough, if extremely naieve about fairy-tale types of "heaven", but the actual "ministers" are an arguably controlling, fear-mongering and hateful bunch. One woman claims all ethnic people will become white in heaven, but be allowed to keep their own names. Others have seen Jesus hovering around their homes, modelling different outfits in each room, before disappearing in the bathroom. If you've ever seriously wondered about the benefits of religious belief, what the ultimate "payoff" of those beliefs might be, and what sorts of average people harbor such beliefs, then "Heaven" amply illustrates the topic. Inventive, clever, outrageously funny, and touching and frightening simultaneously. Whether you're religious or not, this film is well worth seeking out.
Did you know
- ConnectionsFeatured in Siskel & Ebert & the Movies: Project X/Wild Thing/Heaven/Gothic (1987)
- SoundtracksWalter Westinghouse
Written and Performed by The Residents
Published by Pale Pachyderm Publishing (BMI)
Courtesy of Cryptic Corporation
Details
Box office
- Gross US & Canada
- $77,886
- Gross worldwide
- $77,886
- Runtime
- 1h 20m(80 min)
- Color
- Sound mix
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