Good Morning, Vietnam
- 1987
- Tous publics
- 2h 1m
In 1965, an unorthodox and irreverent DJ named Adrian Cronauer begins to shake up things when he is assigned to the U.S. Armed Services radio station in Vietnam.In 1965, an unorthodox and irreverent DJ named Adrian Cronauer begins to shake up things when he is assigned to the U.S. Armed Services radio station in Vietnam.In 1965, an unorthodox and irreverent DJ named Adrian Cronauer begins to shake up things when he is assigned to the U.S. Armed Services radio station in Vietnam.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 7 wins & 4 nominations total
Tom T. Tran
- Tuan
- (as Tung Thanh Tran)
Dan Stanton
- Censor #1
- (as Dan R. Stanton)
Don Stanton
- Censor #2
- (as Don E. Stanton)
John Marshall Jones
- MP #2
- (as J.J.)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Robbin Williams gives the performance of his life, in this funny, yet politically motivated movie, on the no (official) news or miss-information given out (to the troops) at the time of the most controversial conflict of the modern era. A strong supporting cast, including a young Forrest Whitaker are a bonus but the overall story is a bit thin and the love interest (for me) is not fully developed.
Let me be perfectly frank and say right away that I watched this to experience Robin Williams at his best. That guy has so much comedic talent, it's unreal. I mostly got what I expected from this movie... but I found that it also contained some truths about the Vietnam war. The movie has plenty to offer on both fronts. Any fan of Williams' comedy will definitely enjoy it, and I think most war-movie buffs will too... if they can keep an open mind, and accept a slightly different approach to the genre. The way the seriousness of war is underplayed for most of the film really works to enhance the effect of it when it is shoved right in our faces, when we are forced to acknowledge it. We forget how serious and all-consuming war is, just like Adrian had(not necessarily the real one, I know nothing of him except of what the film told me, and as far as I understand, that's not that accurate a portrayal of him), only to be confronted with it. More effective than several big war movies. The plot is very good. The pacing is great, the movie keeps moving pretty much all through the film. The characters are well-written and credible. The acting is good pretty much all-round, and Williams proves once again that he can do drama just as well as comedy. The humor is typical Robin Williams. A very good film, and an unusual war movie. I recommend this to fans of Robin Williams and war movies. 7/10
I just sat through a DVD of this movie,the second(?)time I'd seen this film. The last time I could recall seeing this,it was on pay-per-view television in a hotel(the Red Lion I think it was) room,August of 1988,so my memories of this film could use a refreshing. I'm glad I got refreshed.
In 1965,Airman Adrian Cronauer(Robin Williams,in the first of his four Academy Award nominations)is brought on to do an Armed Forces Radio stint in Vietnam. Behind the microphone,Cronauer lets loose,much to the surprise and delight of many of the troops and servicemen around the area of combat. His combination of off-the-wall humor,impressions,sound gags and quick wit,mixed with his love of free-wheeling Rock music of the era,is pretty much welcomed in the area,save for a few angry sorts: a Napoleon-complexed intermediate CO named Hauk(Bruno Kirby,unrecognizable but for the voice) and a stiff-lipped,quietly vindictive middle commander named Dickerson(J.T.Walsh,so good here it would seem like this typecast him). As this is going on,Cronauer becomes smitten with a local girl(Chinatra Sukapatra,spelling?)and befriends her brother(Tung Thanh Tran),which leads the popular DJ down a road of self-discovery.
With excellent support from Forrest Whitaker(one of my favorites!he ends up sort of counter-balancing Williams' manic frenzy with nerdish normalcy as his buddy/assistant/guide),Richard Edson,Noble Winnigham,Robert Wuhl and Cu Ba Nguyen(as the oily GI bar proprietor)among others,this film,directed by Barry Levinson(whose work hasn't been this good in what feels like forever,certainly not since Avalon or Rain Man) and written by Mitch Markowitz,it is arguable one of the deftest films to create and maintain a balance between the horrors and inhumanity of war and the humor and pathos that are very much present in it. Robin Williams' fans may get much more out of this that those who aren't,but I think even many of those who don't consider themselves fanciers of his talents should be able to appreciate this. The images were powerful enough that they stuck with me some after the first time I saw GMV and after a second time I feel like can appreciate even more out of this movie.
In 1965,Airman Adrian Cronauer(Robin Williams,in the first of his four Academy Award nominations)is brought on to do an Armed Forces Radio stint in Vietnam. Behind the microphone,Cronauer lets loose,much to the surprise and delight of many of the troops and servicemen around the area of combat. His combination of off-the-wall humor,impressions,sound gags and quick wit,mixed with his love of free-wheeling Rock music of the era,is pretty much welcomed in the area,save for a few angry sorts: a Napoleon-complexed intermediate CO named Hauk(Bruno Kirby,unrecognizable but for the voice) and a stiff-lipped,quietly vindictive middle commander named Dickerson(J.T.Walsh,so good here it would seem like this typecast him). As this is going on,Cronauer becomes smitten with a local girl(Chinatra Sukapatra,spelling?)and befriends her brother(Tung Thanh Tran),which leads the popular DJ down a road of self-discovery.
With excellent support from Forrest Whitaker(one of my favorites!he ends up sort of counter-balancing Williams' manic frenzy with nerdish normalcy as his buddy/assistant/guide),Richard Edson,Noble Winnigham,Robert Wuhl and Cu Ba Nguyen(as the oily GI bar proprietor)among others,this film,directed by Barry Levinson(whose work hasn't been this good in what feels like forever,certainly not since Avalon or Rain Man) and written by Mitch Markowitz,it is arguable one of the deftest films to create and maintain a balance between the horrors and inhumanity of war and the humor and pathos that are very much present in it. Robin Williams' fans may get much more out of this that those who aren't,but I think even many of those who don't consider themselves fanciers of his talents should be able to appreciate this. The images were powerful enough that they stuck with me some after the first time I saw GMV and after a second time I feel like can appreciate even more out of this movie.
It finally hit me when I watched Good Morning Vietnam what this film reminded me of. It was the famous Preston Sturges classic, Sullivan's Travels which coincidentally as it turns out is one of my favorite films.
Both the real life Adrian Cronauer and Joel McCrea's fictional John L. Sullivan have to come to the same realization, that what they do matters a great deal. In Sullivan's Travels it's to the movie going public in general, in the case of Cronauer it's to the GIs in Vietnam stuck in a war where no one could ever know who the enemy was. A few laughs from a comic genius was necessary to get them through the day in their very cockeyed world.
Adrian Cronauer was a real life person, but if he didn't bear a resemblance to Robin Williams, he should have. One of the great comic masters of any era in entertainment, Robin Williams is given full range for his zany sense of humor to work its magic with Cronauer. He's ably abetted and assisted by the other staff members of Armed Forces Radio Forest Whitaker and Robert Wuhl. Bruno Kirby is great as the clueless lieutenant in charge and so is J.T. Walsh who represents the limits of the military mind as the sergeant major out to get Williams by hook or very dirty crook.
Williams himself doesn't understand the complexities of the Vietnam situation. That fact is brought home to him graphically when he's betrayed by his own innate decency.
Next to Williams my favorite in the cast is Noble Willingham who plays the general who has overall charge of Armed Forces Radio there. He's a tough, but compassionate military man, the exact opposite of J.T. Walsh whom he has to reign in.
Good Morning Vietnam is a frank portrayal of a war experience told with humor and irony through the eyes of Robin Williams.
Preston Sturges would have absolutely adored this film.
Both the real life Adrian Cronauer and Joel McCrea's fictional John L. Sullivan have to come to the same realization, that what they do matters a great deal. In Sullivan's Travels it's to the movie going public in general, in the case of Cronauer it's to the GIs in Vietnam stuck in a war where no one could ever know who the enemy was. A few laughs from a comic genius was necessary to get them through the day in their very cockeyed world.
Adrian Cronauer was a real life person, but if he didn't bear a resemblance to Robin Williams, he should have. One of the great comic masters of any era in entertainment, Robin Williams is given full range for his zany sense of humor to work its magic with Cronauer. He's ably abetted and assisted by the other staff members of Armed Forces Radio Forest Whitaker and Robert Wuhl. Bruno Kirby is great as the clueless lieutenant in charge and so is J.T. Walsh who represents the limits of the military mind as the sergeant major out to get Williams by hook or very dirty crook.
Williams himself doesn't understand the complexities of the Vietnam situation. That fact is brought home to him graphically when he's betrayed by his own innate decency.
Next to Williams my favorite in the cast is Noble Willingham who plays the general who has overall charge of Armed Forces Radio there. He's a tough, but compassionate military man, the exact opposite of J.T. Walsh whom he has to reign in.
Good Morning Vietnam is a frank portrayal of a war experience told with humor and irony through the eyes of Robin Williams.
Preston Sturges would have absolutely adored this film.
There never has been, and probably never will be, another film which shows both sides of Williams to such a great degree.
As the wise-cracking disc-jockey, Williams shows his undisputed wild comedic talent, but the bomb scene and scenes of rural Vietnam life, truly allow Williams to such his dramatic acting ability. They look at the conflict, without getting in too deep.
A superb cast as well including Bruno Kirby and the late great J.T. Walsh gives a solid backdrop, and are beautiful foils to Williams.
Overall, a wonderful movie, add it to your collection.
As the wise-cracking disc-jockey, Williams shows his undisputed wild comedic talent, but the bomb scene and scenes of rural Vietnam life, truly allow Williams to such his dramatic acting ability. They look at the conflict, without getting in too deep.
A superb cast as well including Bruno Kirby and the late great J.T. Walsh gives a solid backdrop, and are beautiful foils to Williams.
Overall, a wonderful movie, add it to your collection.
Did you know
- TriviaRobin Williams ad-libbed all of Adrian Cronauer's broadcasts.
- GoofsJeeps used in the Vietnam war did not have ignition keys.
- Quotes
Adrian Cronauer: [to Sergeant Major Dickerson] You are in more dire need of a blowjob than any white man in history.
- Alternate versionsThe Spanish-language dub of the film, during a scene involving Adrian's first meeting with Lt. Hawk, replaces the mentions of the names of such artists as Lawrence Welk, Jim Nabors, and Perry Como with those of Trini Lopez, Xavier Cugat, and Paul Anka.
- SoundtracksAround The World
Written by Harold Adamson (as Adamsson) and Victor Young (as Young)
Performed by Lawrence Welk
Courtesy of The Welk Record Group
Details
Box office
- Budget
- $13,000,000 (estimated)
- Gross US & Canada
- $123,922,370
- Opening weekend US & Canada
- $194,308
- Dec 27, 1987
- Gross worldwide
- $123,923,306
- Runtime
- 2h 1m(121 min)
- Color
- Aspect ratio
- 1.85 : 1
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