Eddie Murphy Show

Like Richard Pryor, I must admit, it is fun to watch another foul mouthed comic, up on stage. Though not matching the credentials of the late, brilliant insightful comic, Pryor, who I believe was even a better actor, what we have is 86 minutes guaranteed worth of raucous laughs. From infidelity to poverty, where the poor Murphy family were reduced to eating slinky springs, Murphy kicks up a storm of laughs, while remaining coolly confident, which a few budding comedian must envy. Murphy knows how to dress too, his attire more effective than his ruddy sort in Delirious. Too, the start was inventive, with Eddie's childhood, Samuel L Jackson, playing a small but fine role as the Grandfather, egging little Eddie on in the tellings of a dirty joke, seeing star potential. And to split opinions, where personally I didn't like Best Defence, I'd choose Beverly Hills Cop over 48 Hours, any day. I must admit, Murphy isn't afraid to be dramatic about the underlying realities of his jokes. it. His impersonations are fantastic, Bill Cosby, is almost nailed, plus others that impress. Here's a great night in, to save you from going out in the cold to a concert. If you don't mind profanity, that is.

Offensive, crude, infantile, empty. Sure, 'Raw' is all these things. It's also laugh-out- loud funny. This is Eddie Murphy at his best, when he still knew how to make people laugh. He takes the stage and commands for the duration of the film. He's so in control and confident it's amazing. I saw it again recently. It aged well.

There was once a day when everything Eddie Murphy said and did was hee-larious. Back in 1987, at the height of his powers, Eddie released a movie version of his stand-up act Raw, a sort of follow-up to 1983's Delirious.

Film at New York's Felt Room, Eddie discusses Mr T, Bill Cosby, Richard Pryor (doing faultless impressions of all), Johnny Carson's costly divorce, relationships, gays, a home-made McDonalds burger that ruined his childhood etc. It's all pure comedy gold. After about half an hour you'll realize that the reason your face hurts so much is because you're smiling too hard. My favorite moment has to be any impression Eddie does of the average white guy, especially the 'white dude dancing' moment.

Where did this Eddie Murphy go and who is the man that gives us kiddie drek such as Daddy Day Care and Haunted Mansion? If you need a major dose of Eddie in his prime then check this one out. I promise you'll love it and you'll be quoting it for days.

Look out for a youthful Samuel L. Jackson and Basil Wallace as Eddie' uncle and dad too.

Live in New York, Eddie Murphy may well look quite ridiculous in his purple jumpsuit but he holds the stage really well in this large arena. It goes without saying that his material is relentlessly foulmouthed and occasionally offensive but it rarely bothered me because he does manage to be consistently funny throughout the show. His topics are mostly in the realm of relationships in regards sex and women generally. This worried me a little bit because these topics hardly offered much in the way of originality but actually he did really well with it.

It wasn't that he avoided clichés (because he doesn't) but more that he manages to inject energy into his whole show. At times his material is very strong but even when he is being obvious and crude, his energy lifts it, engages the audience and makes it feel better than it is. I wasn't rolling with laughter all the time but I did really enjoy the show so, even when I didn't laugh at some bits, it wasn't really a problem but he was generally still amusing. Director Townsend doesn't really help him by having the camera tight on him so much either; Murphy's energy is in his whole body so the close shots reduce this somewhat – plus the whole setup makes it hard to appreciate the audience being in the room.

Overall though a funny and energetic show from Murphy. It isn't a classic by any means and his material is hardly original but he has stage presence and energy and that helps a lot. Maybe too crude and foulmouthed to be to everyone's tastes but if it is your thing then it is worth a look.

This opens with a young Eddie Murphy shocking his family during the Thanksgiving gather in 68. It's his standup in Madison Square Garden. He's afraid of Mr. T but not so much Michael Jackson after making fun of them in Delirious. He imitates Bill Crosby chastising him and praises his hero Richard Pryor. It's a night of foul-mouthed nasty stories with references to various pop culture personalities. He and his purple outfit has the audience in the palm of his hands. This is Eddie Murphy at his highest point. He is irreverent and fearless. He comes off as a homophobic misogynist and it doesn't matter. He takes on anything and anyone. He's full of power and energy. Robert Townsend captures it all.