Cyclone

Although I am a fan of Heather Thomas and I have a few of her old bikini posters around here somewhere, I can honestly say that if the only movie I had ever seen her in was "Cyclone", I would never be able to guess why she had made it as far as she had in show business.

Directed by Fred Olen Ray (about as good an omen as seeing buzzards circle over head in the desert), this tale of a woman (Thomas) who must protect a high-tech motorcycle from unscrupulous types is about as "B" movie as it gets (or in Fred Olen's case, "B minus").

The cast itself should tell you something. It's not every movie that combines Thomas with actors the calibre of Beswick, Hall, Combs, Donahue, Tamblyn and Landau (!!). If you're lucky, very few movies do. And even though they seem to be having fun, shouldn't some of that fun be passed on to the audience? I vote yes, seems they voted no.

Of course, if you ever wanted to see Heather deliver an uppercut to another woman, use the "F" word and get hooked up to battery cables, you've probably been looking for this one. Myself, I'll be content with old "Fall Guy" reruns.

One star, given in hopes that when another "Cyclone" hits town, Heather runs for shelter. I know I will.

"Cyclone" is a decent dose of escapism from reliable B movie veteran Fred Olen Ray, ostensibly a vehicle for gorgeous, glamorous TV star Heather Thomas. She plays Teri, a young woman whose boyfriend Rick (Jeffrey Combs) has designed an ultra cool looking motorcycle for the government. Soon, bad guys have murdered Rick and Teri is forced to take it on the lam. Among the rich assortment of villains are Martin Landau as slick, evil businessman Bosarian, legendary stuntman Dar Robinson (to whom the film is dedicated) as an albino thug, and Dawn Wildsmith as his gal pal. You know you're in for a good time when in addition to these people, the others who turn up are Troy Donahue, Martine Beswicke, and Robert Quarry as federal agents, Huntz Hall as bike shop proprietor Long John, Bruce Fairbairn as a police detective, and an uncredited Russ Tamblyn. Overall this is a fairly slight movie - you won't really remember it after it's over - but it's still pretty entertaining while it lasts. The action scenes are competently done, the pacing is efficient, and there are some hilarious moments to let us know that Ray and screenwriter Paul Garson are keeping their tongues in their cheeks and just having fun with the genre. Among these moments are the final scenes for both Quarry and Robinson. The motorcycle itself is pretty damn nifty, and the helmet that goes with it is amusing itself - it shoots lasers! David A. Jackson composes the catchy, appealing electronic music score, and there's one priceless sequence featuring an act named Haunted Garage (fronted by Michael Sonye) performing the song "Devil Metal". The actors are enjoyable to watch, with Thomas making for a tough and feisty heroine, and the equally fetching Ashley Ferrare engaging as her friend. It's a treat to see Combs of "Re-Animator" fame in a romantic role, and Robinson (who died after filming) is the most fun out of the antagonists. The ending is not terribly satisfying (revealing the fate of a specific character in a rather perfunctory manner), but in general this is fine entertainment for schlock fans. Some of them may bemoan the fact that the one gratuitous shower scene is over so soon, though! Seven out of 10.

Not too long ago, I saw a movie and in seeing it I thought I had witnessed the worst movie in history, but I couldnt be more wrong. This is in fact, the worst movie every. Let me tell you right off if you like guys wearing mullets, women with overteased hair, and terrible acting thrown on top like some type of sadistic cherry this is your movie! I struggled through the movie saying to myself over and over; "I am not a quiter!" I found the plot, worthless, the acting even worse, and the whole story line to drag on. I hated the whole movie and with good reason. How are you suppose to take a bad guy seriously when he is wearing lowcut Italian boots? (white haired guy) The one redeeming thing about this movie is the laser helmet. If I had that thing I would walk around baking everyone. So I have begun to construct my own.

The best thing about this move was Ms. Thomas's assets. She seemed to have reprised her role fromtheold 'Fall Guys' Tv series, in that her wardrobe consisted of, in order of their appearance, leotards, skin tight jeans and spandex mini skirts. The plot was comical, while the fight scenes were pretty good. I kept getting the impression the other actors wished they were some place else.

One particularly silly scene had Teri (Ms.Thomas) tied to a chair, being tortured by the villians to reveal the location of the Cyclone. The dialog is silly, and villians seem more interested in sneering and threatening than getting the information.

For a laugh it worth seeing, but for serious action fans, skip it.

Teri Marshall (Heather Thomas) finds herself in a world of nefarious Government and bad guy types after her inventor boyfriend Rick Davenport (Jeffrey Combs) is murdered. Seems everyone is after his invention Cyclone, a $5 million dollar motorbike with stealth technology. Of course, Rick expected this and delivers a post-death message to Teri to get the motorbike to the only G-man (Troy Donahue) he can trust. The big chase is on with CIA agents Waters (Martine Beswick) and Knowles (Robert Quarry) and baddies Rolf (Dar Robinson) and Hanna (Dawn Wildsmith) in pursuit. And Martin Landau figures in here somewhere as the main bad guy. More Fred Olen Ray madness here and this film is a marked improvement over his earlier stuff. By that I mean it looks like an actual film with decent cinematography. It is still pretty low budget though with cheap sets and a almost-but-not-quite futuristic bike design. The leads are decent and I noticed Combs - like Peter Cushing before him - has an insane talent for making techno-babble sound 100% believable. You also get a gaggle of ex-stars who mostly likely were around for a few days in supporting roles. Donahue has one scene while Landau gets three. All of the big action is saved for the finale and there are two really cool car stunts there. Of course, the film's biggest leap of faith isn't the stealth bike. My friend Marty summed it up best when he said: "As implausible as this thriller is, the biggest stretch is that sexy blonde Thomas, first seen hitting the Nautilus machine in a bust-bursting Spandex outfit, would be dating dorky scientist Combs."